Navegando por Assunto "Arquitetura religiosa"

Agora exibindo 1 - 4 de 4

Acesso aberto (Open Access)
Desenhos setecentistas na Sé de Belém
(2011-12) DERENJI, Jussara da Silveira
The article deals with artistic and social relations from the colonial period in the Brazilian Northern Region based on the assessment conducted within the restoration works of cathedral of Belém concluded in 2009, a church built from 1748 to 1782. The analysis of a niche and drawings of its surroundings were used on the development of the study. The unanimous workers of not valued professions at the time such as engravers, painters and black sculptors exercised by indigenous, backs and mestizos, contrasts with abundant documentation dedicated to well known names of the period to whom the authorship of the works is, generically, known. The article is dedicated to the trajectory of the regio architect Antonio Landi Antonio Landi (1713-1791) and the works of the cathedral it is possible to observe technical and social changes of the period of its construction.
Acesso aberto (Open Access)
Do Largo de Nazaré à Praça Santuário: as transformações entre 1982 e 2015
(Universidade Federal do Pará, 2015-03-31) OLIVEIRA, Jeová Barros de; PONT VIDAL, Celma de Nazaré Chaves de Souza; http://lattes.cnpq.br/0782346426511704
This work is the result of studies of the transformations occurred in the old Largo de Nazareth and its surroundings, as long as it was still a small habitation site of Placido family man who found an image of Our Lady of Nazareth in 1700 in the city Belém, Pará 's capital, a city in the Amazon, northern Brazil . The Nazareth Shrine belongs to the range of Marian Shrines around the world, however, was nonexistent a Master research on the site where it was built, showing the architecture implemented on site.The Nazareth Largo meets every year, two million people participating in the Feast of the Cirio and the research sheds light on the evolution of the architectural process that formed the place. He sought to answer the gaps on the architecture developed in Nazareth from the first hut to the transformation of the Square "Just Chermont" in a Sanctuary Square, through historical events that favored the appearance of the place and its final adaptation as sacred space to the Catholic religion. The survey gathered Nazareth Parish publications, Archdiocese of Bethlehem, Barnabites Fathers, Public Archives and Official Sites justifying the bibliography, documentary consultations, visits, questionnaires and new photographic records of the subject matter.
Acesso aberto (Open Access)
Igreja de Santana do Bujaru caracterização tipológica, histórica e estilística a partir de suas referências documentais, físicas e icônicas
(Universidade Federal do Pará, 2013-04-03) NASCIMENTO, Claudia Helena Campos; MARQUES, Fernando Luiz Tavares; http://lattes.cnpq.br/0365104813041022
This study aimed to characterize and understand the architectural object at physical, historical and visual aspects, by documents, reports and especially from the architectural object itself. Based on the material object - architectural - and the cultural object - social heritage and history - were used methodological approaches physics research (surveys, photographic records, material and technical analysis), history (documentary and iconographic) and ethnography as a means to understand relations of the church of Santana do Bujaru (Bujaru/PA) with the site and region, and the importance of the building to the community, identifying the relationship of belonging and ownership over time, that characterize its importance as a cultural heritage.
Acesso aberto (Open Access)
A pintura de quadratura landiana em Belém do Pará
(Universidade Federal do Pará, 2013-09-30) DINIZ, Virgínia Lúcia Guerreiro; SANJAD, Thais Alessandra Bastos Caminha; http://lattes.cnpq.br/8950586647715771
In the second half of the eighteenth century, the city of Belém went through a great economic expansion, which reflected positively in its architecture, with the erection of impressive religious temples in the current historical center, such as São João Batista Church. This work examined the quadrature painting performed by the architect Antônio Landi in São João Batista Church’s interior, in Belém, to identify the paint used in that rare painting, based on the artist’s claim that he used the pigment extracted from Arrabidaea chica (H & B) Verlot, popularly known as carajiru, and the changing process this pigment went through. Therefore, it was possible to get important data for its preservation and restoration. The study was divided into three stages: first, there was a historical research focused on literary works about paints, pigments and dyes used in religious architecture during the Amazonian colonial period; on the influence of the religious orders on the decoration of the temples; on Landi’s educational background and his works in Belém; and on the technique called quadrature painting. During this stage, the damage in the painting was mapped out and the color patterns were assessed through colorimetry, and the temperature of the painted walls was measured with an infrared camera. The second stage consisted of a laboratory analysis of the paint used by Landi and the pigment extracted from carajiru through optical microscopy, scanning electron microscopy, X-ray diffractometer and infrared spectrometer. The data surveyed allowed the identification and comparison of the materials used in quadrature painting. Finally an experiment with the paint produced from the pigment extracted from carajiru. The historical research contributed to the comprehension of the properties of the paint, pigments and dyes. The interdisciplinary study enabled the conduct of technological procedures, and allowed the development of diagnoses that are helpful to establish preventive conservation measures and proposals for future restoration interventions.