Navegando por Assunto "Arte - Filosofia"

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Amazoniana, transzamazônia, transarte: a geoestética
(Universidade Federal do Pará, 2015-08-17) PRADO, Alcidean Augusto Brasil; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156; MANESCHY, Orlando Franco; http://lattes.cnpq.br/6198572031091761
The Amazoniana, Transzamazônia, Transarte: Geoaesthetics will address questions about the position of the image in the Amazon, the place of matter in the region, the place of time in the Amazon. As these cycle times between image space, the territory of matter and entropy are given in the Amazon, it is what will decide when and how come the cycles of Amazoniana. Supported the research object, the Amazon project, place the Experiência¹. You begin to think the region by the project substrate, Amazoniana Collection of Art, to get to the Amazon as larger object to be investigated in the compilation of the four visual tests, which are subdivided for seven mônadas². Leaving for the Amazon by questions raised by Amazoniana. In order to bring the light effects and states of the region on aesthetic issues, image and art, to discuss areas of visuality in the development of the Amazon, from a question: "Where does the image in the Amazon?".
Acesso aberto (Open Access)
Dinamites dissidentes : construção (re)performática de uma autoetnografia
(Universidade Federal do Pará, 2023-07-07) ROCHA, Raphael Andrade; ALMEIDA, Ivone Maria Xavier de Amorim; http://lattes.cnpq.br/5012937201849414; https://orcid.org/0000-0001-8277-5210
Acesso aberto (Open Access)
O lugar do poeta Eurípides na primeira estética de Nietzsche: tensões e ambiguidades na recepção da Tragédia grega
(Universidade Federal do Pará, 2017-05-22) REIS, Ronney Alano Pinto dos; PITTELOUD, Luca Jean; http://lattes.cnpq.br/0887702139830510
In his first book, Nietzsche attempted to touch on the most burning themes of his time, among which there is the problem of science as a model of appreciation of life, whose most significant reflection is expressed by the figure of the theoretical man - the fruit of rationalism from the Socratic-Platonic metaphysics. Balanced by his hopes for the renewal of the Germanic arts, the philosopher sought in Greece a kind of counter-model. This undertaking required a study of the origin and decline of the tragic art in which Euripides occupies a prominent role. Thus, we seek to retake this path around the “Birth of the Tragedy” in order to think the poet, beyond the common place (almost always linked to a closed critic), also as a possible and important reference for that moment, putting in evidence the tensions and ambiguities surrounding Nietzsche interpretation for tragedy. In this sense, our research intends to present the theoretical displacements operated by the tragic philosophy of the young Nietzsche, in order to point to the bases with which he launches his own aesthetic proposal based on the metaphysics of an artist. In the sequence, we argue that Euripides occupies a place within Nietzsche’s project of an anti-Platonism. Finally, we analyze the masks or facets of the tragedy with and beyond Nietzsche's critique.