Navegando por Assunto "Arte moderna"

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Acesso aberto (Open Access)
Da ilustração de livro infantil ao imaginário amazônico: mergulhos em “A história das crianças que plantaram um rio”
(Universidade Federal do Pará, 2016-06-15) NUNES, Brisa Caroline Gonçalves; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
This research draws uponthe universe of the image for the children book. The main goal is to analyzethe relationships between verbs and images at the children’s picture book from Pará,The story of the children who planted a river (2013), through the complex understanding of the images. We developed three chapters: firstly, there were gathered pages of the illustration’s history, its origins, the European context, the Brazilian illustration and some considerations about the children illustration inPará. Secondly, we investigated the theory nuances, the epistemological base of Visual Studies, introduced by Domènech and its “ecology” concept, followed by the “mimesis” concept from Aristoteles, revisited by Guerbauer and Wulf, wherebywe understand esthetic productions as phenomenafrom symbolic territory, contributing to the Imaginary’s studies of Gilbert Durand. Third chapter analyzes the already said book, its aspects about relationships among text, image and body, followed by image readings and its symbolic resonances. Our methodology consists of a qualitative approach of the collected data, doing a kind of exploratory and descriptive research, through the bibliographic and documentary procedures, unfolding a case study. We hope this investigation contributes to the studies about visuality and amazon culture, as well as the comprehension of the image as a knowledge object.
Acesso aberto (Open Access)
Hacia una reflexion ontologica del arte moderno hondureño: una vision desde la filosofia de Arthur C. Danto
(Universidade Federal do Pará, 2018-03-13) ZUNIGA MEJÍA, Rafael Antonio; SOUZA, Jovelina Maria Ramos de; http://lattes.cnpq.br/0475424515288539
The work will seek to understand how were the origen of modern art in Honduras, analyzing the work of the most renowned artist. For this, the phylosophy and aesthetic visión of Arthur C Danto will be used in order to make and ontology of Honduras art that allows to establish how this has been developed. The objective is to reflecto n the type of lenguage used by contemporany artist in Honduras classifying the work of these artist temporally and identifying each of the proposedstyles from mimetic representation painting, abstract painting, installation and object art.