Navegando por Assunto "Arte popular"
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Item Acesso aberto (Open Access) A arte popular entre o real e o imaginário: o imaginário na xilogravura e no cordel de J. Borges(Universidade Federal do Pará, 2016-07-08) GOMES, Paulo Henrique de Oliveira; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156The folk art between reality and fantasy: the imaginary in the woodcut and string literature by J. Borges investigates Folk Art by studying the artwork of J. Borges and several views about this theme since the first half of the twentieth century. This research emphasizes the understanding and positioning of artists and scholars about the role of the art of brazilian people in the creation of a national and cultural identity, as well as the space of folk art in the art system, particularly the contributions of Mário de Andrade and Lina Bo Bardi and considerations of Gilbert Durand and Michel Maffesoli about this universe. Throughout this narrative is set a possible panorama of folk art and its evolution (or evolution of its study and debate) to locate the subject during the ancient history until the present times. Among this, this research presents the artist from Pernambuco J. Borges, recognized for his string literature and woodcut works. This research demonstrates how the artist is influenced by several issues and the way he transposes it to his work, transforming his artworks in a registration of everyday life, social and fantastic experiences. Bibliographic research with interviews, field and life observations build this job and form a basis - among many possibilities - where Brazilian folk art can be discussed.Item Acesso aberto (Open Access) A Questão do popular na música da Amazônia paraense da primeira metade do século XX(Universidade Federal do Pará, 2016-01-05) COSTA, Antonio Maurício Dias daThe current study approaches the musical activity of Paraense artists in the first half of the 20th century, focused on the senses of "popular" developed due to the repercussion of these characters' intellectual and artistic performance. The clues examined in this work were collected in journals, memory records and folklorists' essays, related to the specified chronological term. The data indicate the existence of two areas of musical practice in this period, in which allocated themselves musician-folklorists and professional popular musicians. The text analyses the claiming of different meanings by these musicians' creations, in the Amazonian context, around categories as folklore music, popular music and artistic music.