Navegando por Assunto "Ator"

Agora exibindo 1 - 3 de 3

Acesso aberto (Open Access)
Considerações sobre o ator: uma introdução ao projeto nietzschiano da fisiologia da arte
(2007) CHAVES, Ernani Pinheiro
Together with the project of revaluation of all values, the schema of a "physiology of art" gains a central role in Nietzsche's last writings. That's a perspective that supposes a defeat both of the "artist's metaphysics" of the initial period and of the critique of romanticism that characterizes a second moment. Taking as a starting point the discussion about the pertinence of utilization of the term physiology in Nietzsche's work, this article intends to present, in general terms, the reaching of this project to the discussion of the relations between art and truth, art and illusion. In conclusion, the intention here is to show the importance of this idea of a physiology of art taking as a reference the figure of the actor.
Acesso aberto (Open Access)
Máscara Búfala: Cartografia Cênica de um Corpo-Saudades
(Universidade Federal do Pará, 2025-01-17) SILVA, Bruno Rangel Viana e; SARÉ, Larissa Latif Plácido; http://lattes.cnpq.br/3313460196086035
Acesso aberto (Open Access)
Memórias de um autor em construção: reinvenção de processos criativos como fonte de aprendizado
(Universidade Federal do Pará, 2012-06-25) SILVA NETO, Alberto da Cunha e; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074; AMORIM, Ana Karine Jansen de; http://lattes.cnpq.br/5875820201443540
This paper presents a mapping of four creative process experienced by the researcher, conducted with the aim of understanding the acquired knowledge about the art of acting and how it was built from these practices. Based on the notion of memory as a reinvention of living, using the concept of Amazon behavior as methodology, and from the theoretical framework on the psychophysical actions as the basis for the work of the actor, was made a critical analysis of techniques, procedures and constructive methods used or produced in these process, which results in the invention of these methods from a current look. The result of this research extends the researcher‟s view about the actor, dilated to understand the mind of the actor as a source of fluid sheet stock psychophysical, generating knowledge that can be applied in future performances, theatrical directions, and the other practices in theatre theory and interpretation teaching, and contribute to the theoretical studies about the actor from the experience of creation.