Navegando por Assunto "Batuque"
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Item Acesso aberto (Open Access) Batuque, arte e educação na comunidade quilombola São Pedro dos bois(Universidade Federal do Pará, 2016-12) COELHO, Clicia Tatiana Alberto; DINIZ, Raimundo Erundino SantosThis article reveals different educational meanings of sociocultural event announced as “Batuque” existing in quilombola community of São Pedro dos Bois, located in the State of Amapá / BR 156, 75 km away from the capital Macapá. Interweaves knowledge of artistic languages and their visualities, corporeity and symbology inherent in this event, understood as firmament speeches of quilombola culture in the school community's routine. The methodology used is announced by enabling interdisciplinary dialogues between History, Arts and Education, using different approaches and research techniques mediated by narratives (oral and imagetic) and other documents collected in the field of research.Item Acesso aberto (Open Access) Itinerário de Bruno de Menezes: poeta modernista de Belém do Pará (1893-1931)(Universidade Federal do Pará, 2019-09-30) REIS, Carolina Menezes de Brito; CHAVES, Lília Silvestre; ttp://lattes.cnpq.br/4273510661737259; NASCIMENTO, Maria de Fátima do; http://lattes.cnpq.br/6007359856182459Bruno de Menezes, author of several works from Pará, whether in prose, poetry, theater or critical study, draws attention for the diversity of his literature, especially since his third publication, Poesia (1931), known as the first edition of the greatest book highlight of the author, Batuque (1939). However, what can be seen is that the writer had already started the modernist movement in the state since 1913, with the publication of the poem “O Operário”, in the newspaper O Martelo, in which he claimed the rights of workers, generally exploited by the bosses. of late Belle Époque society. The objective of this work was to contextualize the relevance of Bruno de Menezes' role in the construction of modernist literature in Pará and the artistic renewal that took place since the publication of the magazine Klaxon (1922) surfaced. The methodology used is the current contemporary research method, where there is an infinity of research channels, that is, the search, not only in print – theses, dissertations, books, magazines, archive documents – but also in many electronic media, publications by critics in newspapers, documents and photos of the poet. The outline of this dissertation took place from the poet's birth to the year 1931, highlighting relevant aspects of Afro poetry and the vast critical fortune of Bruno de Menezes. The need to extend this type of research to other writers from Pará is highlighted, as they contributed to Brazilian modernist literature.