Navegando por Assunto "Blackness"

Agora exibindo 1 - 5 de 5

Acesso aberto (Open Access)
O dedilhar folclórico de uma alma gentil: música, folclore e negritude na obra de Gentil Puget (1938-1948)
(Universidade Federal do Pará, 2024-08-28) SOARES, Ariel Silva; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361; https://orcid.org/0000-0002-0223-9264
This production sought to show, through the trajectory of an artist and intellectual from Pará, the national scene of studies of popular culture between the years 1938-1948. Through Gentil Puget and his approach to the themes of folklore, folk music and blackness, a period of national history concerned with the formation of national identity was analyzed. To this end, periodicals were selected that mention his activity in radio programs, his chronicles in newspapers and interviews. We seek to understand how this musician's production helped to build a discourse of national unity in the Vargas regime, on the one hand, while, on the other hand, he assumed an activism dedicated to folklore and the black cause that clashed with the hegemonic project of cultural policies at the time. We aim to analyze how Puget's intellectual construction was developed in his production and how his personal life interfered in his work. We also work with the connections that the folklorist established for his political-ideological positioning in defense of black demonstrations, both in Belém, with Bruno de Menezes and Dalcídio Jurandir, and in the Federal Capital, Rio de Janeiro, with Abdias Nascimento and Abigail Bastos.
Acesso aberto (Open Access)
Festas pretas em Belém - performances identitárias e políticas na festa AFROnto
(Universidade Federal Fluminense, 2021-03) BARRAL, Tainá Oliveira; CASTRO, Fábio Fonseca de; CASTRO, Marina Ramos Neves de
The article reflects on the relationship between social identification and the empowerment of black youth from the observation of a "black party" in Belém do Pará. A black party is a party organized by black youth and for black youth, marked by identity v of ethical, political and aesthetic references committed to social criticism and to the ethnic resignification of the African diaspora. In a way, these parties can be understood as an identity performance, associated with urban processes of ethnogenesis and recognition claim. The article discusses the social processes present in it from three elements - and seeks to reflect on the political dynamics present in the performative formatio plateaux” (CASTRO; CASTRO, 2017).
Acesso aberto (Open Access)
Homem negro, negro homem: masculinidades e feminismo negro em debate
(Universidade Federal do Pará, 2017-04) CONRADO, Monica Prates; RIBEIRO, Alan Augusto Moraes
For this article, at first, we situate the emergence of concepts Blackness, Black Experience and intersectionalities in the context of the history of black feminist thought in the United States. Then, considering that bell hooks and Patricia Collins elaborated analyzes and theoretical reflections on black men and masculinities from an intersectional perspective, we seek score with other authors in Brazil and abroad, how mobilized ideas and perspectives of analyzes that are binding or not in connection with the theoretical positions of both authors. Finally, our interest is to become evident in need of discussion of stereotypes that can contribute to the construction of other senses, other narratives, other versions on the chosen debate.
Acesso aberto (Open Access)
Periferia e negritude: ritmo e poesia (rap) como produção estratégica do mundo periférico em Belém-PA (1996-2023)
(Universidade Federal do Pará, 2024-04-08) MAIA, Emily Maria Pantoja; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361; https://orcid.org/0000-0002-0223-9264
In 1994 saw the first appearance of a rap group in the city of Belém do Pará. Emerging from the Terra Firme neighborhood, on the outskirts of Belém, the MBGC group - Manos da Baixada do Grosso Calibre - revolutionized with a new musical style to portray the reality of Belém's outskirts. Since the 1980s, a time of great change in cultural representation, including the historiographical sphere, rap has spread worldwide as a way of mirroring popular culture and the dissatisfactions suffered in neighborhoods far from the centers. It emerged in the 1970s in the United States, after a period of great crisis, as an innovative way of getting around the neglect experienced by young people in marginalized neighbourhoods. On the Brazilian scene, rap began as a form of entertainment and later became politicized. Thaide and DJ Hum started national rap and soon other names emerged, gaining prominence, such as Racionais Mc's, who gave rap an engaged form. As a result of these events and the visibility of rapping in the Belém newspapers and hip hop culture, the musical style gained strength and influenced new subjects in the region, paying attention to the Amazonian scenario and the difficulties suffered by the city's neighborhoods, including artists from Pará such as Pelé do Manifesto and Th do 91, with great visibility in "abolitionist poems". In this way, the general aim of this work is to understand the possibilities of the rap musical style as being susceptible to historical analysis and understanding, in that it includes people from the periphery - Pelé do Manifesto, Th do 91 and others who started the movement such as Mc Negro Edi, Bruno BO, Marcelo Muslim, Dj Morcegão - with their rhymes loaded with aspects of diasporic culture. Rap is a style characterized as "spoken song", which seeks to counter social, economic, cultural and historical injustices, and takes on the role of portraying realities faced strictly by black people, and can therefore be characterized as an effect of colonization. In view of this, it is noticeable that it stimulates thoughts contrary to a formed hegemony, in order to confront cultural tensions and racism.
Acesso aberto (Open Access)
A “terra da liberdade” e a memória estudantil: ensino de História e negritude em Benevides - Pará
(Universidade Federal do Pará, 2024-02-19) SOUZA, Elizabeth Braga de; LEAL, Luiz Augusto Pinheiro; http://lattes.cnpq.br/7967678999713659; orcid logo https://orcid.org/0000-0002-0145-5379
This work brings as its theme the teaching of history and its relationship with the historical memory and identity of black people. This is a research focused on the teaching of History, Having been developed in a state public school in the municipality, These people are Youth and Adult Education students (EJA). Dialogues in history classes revealed the existence of an official memory of the city that erases black people from local history. From this problem, We hypothesize that local official memory compromises the construction of a positive identity among black populations. The time frame refers to the date of creation of Law 10,639/2003, until 2023. After these twenty years, we want to know how the school we investigated worked on ethnic-racial issues during this period. To support the discussions and analyses, we brought to the debate the concepts of memory (RICOEUR, 2007; CAMILO, 2020; MISSIATTO, 2021; NORA, 1993), whiteness (SILVA, 2017; MIRANDA, 2017; BENTO, 2022) and blackness. (MUNANGA, 2012), seeking to understand identity issues that arise among black people, from the idea of power expressed in whiteness. Based on this analysis, We aim to encourage students to critically reflect on their place in the context of the identity of the black population of Benevides, shedding light on the architecture of the power of whiteness and strengthening the power of blackness. The research brings with it a qualitative methodology, with emphasis on oral history, in ethnographic research methods and documentary analysis. As a result, We propose the creation of an educational brochure on the history of abolition in Benevides and its reflections in the present, providing another perspective on this historical episode.