Navegando por Assunto "Bruno de Menezes"

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Bruno de Menezes, Dalcídio Jurandir e De Campos Ribeiro e as territorializações afro-amazônicas urbanas (da belle époque à década de trinta)
(Universidade Federal do Pará, 2019-11-22) SANTOS, Josiclei de Souza; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
The present paper makes a reading of the profane and sacred Afro-Amazonian territorializations in the city of Belém from the nineteenth to the twentieth century, and in the first decades of it, from the works Gostosa Belém de Outrora (1965), by José de Campos Ribeiro, Belém do Grão Pará (1960), by Dalcídio Jurandir, and Batuque (1939), by Bruno de Menezes, observing how the mentioned authors, through their experiences and research, got to create works that reinserted Afro-American minority groups in the narrative of the city. Amazonian communities that had been concealed by the narrative of the majority groups of the Amazon belle époque period, which took place during the gomiferous economic cycle, and these communities were hidden from the conformation narrative of the city. In this cycle there was an enunciative agency of Euro-indigenous essentiality, fed through an artistic production committed to the State apparatus. It is interesting for this paper what the referred works have of Minor Literature, working with the signs of Afro-Amazonian territorializations in the city of Belém, erasing the origin genealogies that generate racisms and hierarchies, which diminished the African descent participation in the Amazonian history. As tools for reading the studied works will be used Comparative Studies, as well as Cultural Studies, in a transdisciplinary perspective.
Acesso aberto (Open Access)
Cartas literárias: cartografia sócio-literária de pessoas e paisagens de Belém a partir da poesia de Bruno de Menezes
(Universidade Federal do Pará, 2024-11-29) SANTOS, Joice Freitas dos; FERNANDES, José Guilherme dos Santos; http://lattes.cnpq.br/7023812449790431; https://orcid.org/0000-0001-9946-4961
This study proposes a new perspective on the intersection of Geography and Literature: a socio literary cartography of the poetry of Bruno de Menezes, taking into account the presence of people and landscapes in the space of Belém do Pará. The guiding question of this work was to demonstrate that Bruno de Menezes was a poet-cartographer, elucidating the relationship between fiction and cartography; investigating how spaces influenced the stylistics of his poetry; and establishing a comparison between the mentioned spaces as they are today and how they were at the time of his writings. In this sense, it contributes to the academic community by advancing studies on this black, peripheral, self-taught poet, who was a precursor of Modernism in the capital of Pará, in addition to continuing research on Literary Cartography, which, as we have shown, is still in a phase of deepening. As methodology, we utilized the main theories of literary cartography, synthesizing them into a table based on the Malha de Saberes created by Fernandes et al. (2021), presenting maps according to the theories of Moretti (2003) for spatial analysis, and classifying spatiality in the poems using the postulates of Ozíris (2007). The outcome of this research was a correlation between visual and textual elements, featuring maps and tables that synthesize the author's ability to portray the city in poetry. The reader will observe that the most recurring spaces in the poems were the neighborhoods of Jurunas, Cidade Velha, Campina, Umarizal, Telégrafo, Pedreira, and Sacramenta (Nazaré and Guamá appear a few times), with individuals who existed in the periphery of Belém during the 18th, 19th, and 20th centuries, yet whose existence was not recorded in official documents. This is the beginning of what we hope will be a return to society through the provision of maps and other technological resources for the public. Thus, this work aimed to show that the spaces of Belém have memory, narrating a portion of the history of the occupation of these places.
Acesso aberto (Open Access)
Peixe frito, Santos e Batuques: Bruno de Menezes em experiências etnográficas
(Universidade Federal do Pará, 2018-04-06) WANZELER, Rodrigo de Souza; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
In this thesis, I undertake a study that primarily tries to present another reading key for the intellectual production of Bruno de Menezes (1893-1963), who gained prominence in the Amazon cultural scene as a great literary. Thus, I try to reconstitute important aspects of his life trajectory, I highlight representations of the daily life of the city of Belém coming from his social and political experiences and I focus the diversity and plurality of voices, coming from the latent interculturality in Belém of the first half of the twentieth century. In this exercise, I explore the ethnographic bias in some of his main compositions, an interpretive line chosen to resignify the studies on the black literate. In order to achieve the central objective of the research, in other words, the thesis that stitches the work, some questions became the north: What ethnographic experiences make up the life trajectories of Bruno de Menezes? How did the intellectual perceive himself and others in his writings? In what conditions and circuits did the writer conduct research and produce writings about the cultural dynamics in paraense scenarios of the Amazon? Finally, what is the importance of Bruno as a social thinker for the Amazon context in the first half of the twentieth century? The formulation and understanding of these issues are anchored in the theoretical-methodological cross-cutting of an ethnographic know-how that was aligned in the connections of Anthropology with Literature and Folklore, Cultural Studies, Postcolonial Studies and Oral History and it verticalizes in a field that literary works, folk surveys, photographs and oral reports reconstruct evidence of and about the writer on screen. In view of the above, I divide the academic text into two parts: in the first, I deal with Bruno's various paths throughout his life and emphasize established networks, which have contributed to the formation of his self-constitution and critical repertoire. In the second part, I approach three productions of Bruno de Menezes - Boi Bumba: auto popular; São Benedito da Praia: Folclore do Ver-o-Peso and Batuque. The intention is to reconstitute and analyze the ethnographic experience of these literary compositions and dare to include the black jurunense in the roll of the great thinkers about the culture in the Amazon, going, thus, beyond the literary aspect, facet which Bruno is really recognized. So, I think that from every epistemological background in which the thesis is supported, another Bruno de Menezes is unveiled, the esthete of the word is also an ethnographer of the paraense Amazon.