Navegando por Assunto "Caio Fernando Abreu"

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Uma Análise Existencial De Onde Andará Dulce Veiga?, De Caio Fernando Abreu
(Universidade Federal do Pará, 2013-12) MACEDO, Éder Alves de
The article An Existential Analysis of Onde Andará Dulce Veiga?, by Caio Fernando Abreu has as object to relate content, form and time spirit (Zeitgeist), considering the study and the analysis of the romance Onde Andará Dulce Veiga?, by Caio Fernando Abreu, observing the existentialism, spread over by the French philosopher Jean-Paul Sartre, in the post Second War scenery. To do so, the concepts of being and consciousness, in Sartre’s masterpiece, Being and Nothingness: Phenomenological Ontology Essay, are used, as well the concept of narrative space. Thus, the methodological procedure is guided in elaborate an analysis of the romance using the relation among space, being and consciousness; therefore, it is created the tool existential space. Previously, it is concluded that, in fact, the existentialism took part as a former of the narrative structure in modern romance, specifically, in the appraised romance; nevertheless, it is not just as a theme, but as an incrusted element in romance form. On this way, the importance of this study to the literary studies is that, besides to detect and describe themes, it is searched to point at formal elements as dialect products, results from a historical, ideological and philosophical conjunction.
Acesso aberto (Open Access)
Espetacularização da violência e a resistência na contística de Clarice Lispector e Caio Fernando Abreu
(Universidade Federal do Pará, 2021-06) FERREIRA, Rennan Willian Vasconcelos; SARMENTO-PANTOJA, Carlos Augusto Nascimento
This article analyzes the spectacularization of violence and resistance found in Brazilian short stories produced after 1964, in two short stories A lingua do “P”, (1974) by Clarice Lispector, and Terça-feira Gorda (1982), by Caio Fernando Abreu. These productions come closer as they serve as an important mechanism for contesting, directly and/or indirectly, the dictatorial regime established in the country. We will take as theoretical foundation the studies of Alfredo Bosi (2002), Augusto Sarmento-Pantoja (2013) and Sandra Pesavento (2006), in an attempt to assimilate how the tales of such decades are intrinsically linked to a will to resist, conceiving the voices to the silenced by oppression and providing reflections on the coercive practices that led the individual to rethink their human condition.