Navegando por Assunto "Capoeira"

Agora exibindo 1 - 12 de 12

Acesso aberto (Open Access)
Berimbau na Aruã capoeira de Belém do Pará: contexto, toques, cantigas, execução e transmissão
(Universidade Federal do Pará, 2013-06-14) BACCINO, Marcelo Pamplona; SANTOS, Silvério Amaral dos; VIEIRA, Lia Braga; http://lattes.cnpq.br/8247703330856310
This work consists of master's research, which aims understand the berimbau in a association of capoeiras in Belém do Pará, as the context, touches, songs, execution and transmission processes. This research focuses specifically on an understanding of the touches of capoeira in berimbau and its transcription. The research procedures comprised steps as research bibliography, phonography, filmography and iconography, covering studies in the field of ethnomusicology. Tools were used for data collection and field diaries and audio recordings and video. There was interview and its transcript applying procedures proposed by the Oral History. Tens of touches of capoeira at berimbau were recorded in audio and scores, are clarified some aspects of the literarymusical genres used by the group, and expressed important information about the history of capoeira of Pará. Information presented approaching are for capoeiras or noncapoeiras, of world of capoeira, offering you knowledge that will facilitate, especially his relationship with the music of capoeira.
Acesso aberto (Open Access)
Capoeira: sobrevivência e resistência na sociedade do capital
(Universidade Federal do Pará, 2023-08-14) SILVA, Francisco Márcio Costa da; SILVA, Élido Santiago da; http://lattes.cnpq.br/3584642268601018; https://orcid.org/0000-0003-2545-0860
The present study within its scope brings forth notes that outline the current configurations of Capoeira and its functions in the everyday social context. From the premise that Capoeira is a practice originating from the diaspora as a means to resist an oppressive system (ABIB, 2004), and it was consolidated in Brazil during the period of slavery (Rego, 1968), it still endures and has both national and international reach, being present in over 150 countries across the five continents according to the latest survey by IPHAN (2014). The central concern of this research endeavor lies in comprehending the resilience of a longstanding practice stemming from the era of enslavement in the context of the contemporary capitalist system. As posited by Mészáros (2005), which commodifies all aspects of existence. References employed for this study include Marx (2007, 2008, 2011, 2013), Mészáros (2005, 2015), Antunes (2009), Vasquez (2011), and various others, thereby providing foundational insights into the workings of the aforementioned system were used. Regarding Capoeira, this study draws upon the works of Rego (1968), Brito and Granada (2021), Khol (2014), Araújo (2006, 2008), Campos (2001, 2009), Falcão (2004, 2011), Abib (2004), among others, to elucidate the conditions and various facets through which Capoeira has evolved as a sporting and cultural practice, persevering over time and in response to structural changes driven by capitalism. In pursuit of comprehending how Capoeira endures to the present day and the dimensions it encompasses, an extensive search was conducted both nationally and internationally to engage with individuals who have been practitioners of Capoeira for a minimum of ten years. They were queried about the ways in which Capoeira manifests itself within their respective contexts. As a result, it was observed that there have been numerous changes in this practice since its inception. However, it is its ability to undergo metamorphosis that has enabled it to adapt to social demands, transforming itself into a pluralistic practice. However, its condition as a commodity was emphasized as predominant. This path has ensured other possibilities for survival within the capitalist system, with labor (both in its formative and subsistence aspects) serving as the foundation that has facilitated its longevity and continuity to the present day, reaffirming Capoeira's embryonic role as a form of resistance in diverse circumstances.
Acesso aberto (Open Access)
Capoeirando: um processo de criação em dança contemporânea induzido pela ressignificação dos movimentos básicos de Capoeira Regional
(Universidade Federal do Pará, 2011) SANTOS, Lindemberg Monteiro dos; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074
This research proposes a process of creating new meaning from the body movements of capoeira regional, through laboratory practices and experimental procedures for the seizure and reframing of basic body movements of capoeira regional bodies of the dancers, systematizing relations between theoretical and practical of dancers, capoeira and dance studio. Thus, the study said the problem on how to develop a creative process in dance from the signification of bodily movements of capoeira regional. The research involved this researcher and two dancers in weekly labs performed in four steps, from april 2010 to november 2011. Data were collected through written testimonials and photographs. The research results point contributions to the systematic process of creation in the field of contemporary dance.
Acesso aberto (Open Access)
Dançaeira : O Corpo Feminino Afro-amazônico nas Malandragens e Vadiagens da Capoeira para a decolonização em Dança Contemporânea
(Universidade Federal do Pará, 2023-11-13) SILVA, Andreza Barroso da.; SANTA BRÍGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199
The artistic-cultural paths and journeys along the Icoaraci-Belém and Belém-Icoaraci transits enabled the Afro-Amazonian female body, immersed in relationships with dance and capoeira, to build the epistemological praxis Dançaeira. On these paths, memories were triggered from childhood in backyards, streets, schools, artistic-cultural experiences with dance and capoeira, following a trajectory of girl-woman-mother-educator-teacher-researcher, revealing the “living ancestry” that is present from the ancestral women who live in me. I call on three sisters who wield the berimbau together with me and decolonize power in dance in the Amazon with their poetics of “RE-existence”. I present possibilities for decolonial theoretical-methodological paths in contemporary dance, following na autoethnographic flux, by Fortin, sustained by the NOS-NÓS in which the “ties bind” with the world around us, with the doings, knowledges and powers are realized from the perspective of malandragem. Capoeira songs, poetry and authorial poetry-songs, photo images and video prints of immersions during the research, authorial drawings emanate reflections of the process and the striking presence of the berimbau, which impels the voice of the female body with its sounds and touches, endorse the methodological path of the research. The interplay of the dançaeirantes dialogues took in contributions from Freire, the pedagogical Praxis; Santos and Menezes, the Epistemologies of the South and; Costa, Torres and Grosfoguel, Decoloniality, which substantiate the non-hierarchical methodology that reveals the symbolism and meanings of the seven elements of the Dançaeira in order to awaken them in you, from the Amazon to the world.
Acesso aberto (Open Access)
Dançaeira: a Capoeira como procedimento para a construção de um processo criativo em Dança Contemporânea
(Universidade Federal do Pará, 2012-02-29) SILVA, Andreza Barrroso da; ALENCAR, Cesário Augusto Pimentel de; http://lattes.cnpq.br/0024366223698692
This research aims at the survey of common aspects between Capoeira and Contemporary Dance. From the perspective of creative processes in Dance e those that occur in Capoeira, the analysis encompasses some specific objectives. They are: the scrutiny of the body during the improvisation through Capoeira; the perception of capoeirista´s body in relation to other bodies and outside space, during performing; the identification of impulses that may come from Capoeira, by considering its application of them in Contemporary Dance as well. The methodological procedures are based on autobiographic corporeal discourses, which in their turn, starts from empirical hypotheses borned of my own body as capoeirista and dancer. The theoretical perspectives sustain selected concepts such as those of Eugenio Barba, Jerzy Grotowski, Marcel Mauss and Merleau Ponty, in this order. Also, the accomplishment of this research allows connections between Capoeira and creative processes in Contemporary Dance, in a sort of artistic mode baptized as Dançaeira. Finally, such connections struggle for figuring out an expressive and personal artistic body made out of both artistic languages interwoven.
Acesso aberto (Open Access)
“Elas jogam, tocam e cantam”: práticas e discursos sobre a experiência histórica de mulheres capoeiristas no Pará
(Universidade Federal do Pará, 2019-08-08) CAMÕES, Luciane de Sena; LEAL, Luiz Augusto Pinheiro; http://lattes.cnpq.br/7967678999713659
This work aims to discuss the historical experiences of some women capoeiristas involving “vadiagem” practice in some cities of Pará, their experiences were analyzed from the speeches built about feminine and gender relations derived by these conceptions. Thus, we seek to frame capoeiristas women‟s profiles of some cities of Pará, to meet and discuss about their capoeira‟s experiences; to analyze the capoeiristas insertion‟s process in groups and their formations; to verify the significance of capoeira‟s group; to ponder about issues related to the feminine specificities, such as pregnancy, PMS and etc, also to ponder about capoeira expertise. From the data analysis, it intends to comprehend the capoeiristas trajectory, their experiences and also their capoeira’s groups‟ experiences and how these groups can contribute to those women‟s protagonism. The research is based on qualitative data analysis from semi-structures interviews, field diary and open questionnaire applied with 19 women from Pará (Belém, Abaetetuba, Bragança, Castanhal and Cametá), which the discussions are carried out from notes about gender, black feminism and capoeira. In the oral history, it is possible to search contributions from ethnography and from the theorists who make these reflections. According to the narratives obtained from the research, it was possible to realize that: women often experience situations where there is reproduction of male chauvinism, sexism and violence. The capoeiras‟ feminist groups are carrying out actions of feminine protagonism such as: feminist groups; workshops; conversation groups; public acts; and repudiation letters. It is possible to notice that women are moving forward in scales. However, the relations between men and women in capoeira stand very unequal, it is necessary to make a deconstruction about these speeches and practices. This research process may contribute for the development of a new dialogue about the women‟s participation in capoeira and, above all, a contribution to the protagonism, visibility and establishment of women‟s speech in capoeira, and contributing to the reflection about the women‟s participation in capoeira groups and problematizing the constructed practices, since they are important features to the position for the feminine figure in their places.
Acesso aberto (Open Access)
Grupo Muzenza: um estudo em performance no jogo da capoeira
(Universidade Federal do Pará, 2014-06-30) SOUSA, Joelson Silva de; COHEN, Líliam Cristina Barros; http://lattes.cnpq.br/0286644614789784
The present investigation is a qualitative study, which proposed to investigate the Muzenza Group capoeira, in Belém of Pará, in the light of the Performance’s studies, thereby contributing to the Capoeira and the Performance research in the university area of the Performing Arts in Brazil. For understanding the Capoeira "as" performance, focused on the analysis of some of its essential elements, such as the game and the fight - inherent categories used by the capoeiristas in almost all groups in the country - the research is affiliated to a network of theorists focused for the epistemological construction of performance as an analytical category. They are: Victor Turner, Richard Schechner, Paul Zumthor, Jorge Glusberg e Aldo Terrin Victor Turner, Richard Schechner, Paul Zumthor, George Glusberg and Aldo Terrin. The study was conducted in two stages: the first corresponds to a literature review (books and theses) about the Capoeira produced in Brazil, among which we mention: Waldeloir Rego, Nestor Capoeira, Eusébio Silva. Besides the references of Performance Studies, cited above. The second corresponds to an exploratory ethnographic reserch. After the data collect and analysis of this material, we arrive to the following hypothesis: that the gestures used in the game of Capoeira Group Muzenza transcend purely performance body (motor skills), revealing others characteristics more soft, such as improvisation, risk, Surprise, shock, etc.. These elements considered essential to the practitioner culture, were identified in the "performance" (play and fighting) of the Muzenza Group capoeiristas, both in public Capoeira’s wheels (artistic and acrobatic performances) and in their everyday practice.
Acesso aberto (Open Access)
A internet como espaço de atuação política para mulheres capoeiristas em tempos de isolamento
(Universidade Federal do Pará, 2023-12-22) PENA, Luana de Nazaré Pinto; BUENO, Michele Escoura; http://lattes.cnpq.br/3126701924384242
Networked spaces have shaped new dynamics of sociability, enabling the intertwining of different historical-social contexts, a multiplicity of groups, organizations and subjects with different profiles of action and social and political mobilization, which have reached new heights from the contexts driven by the COVID-19 pandemic in 2020. It was in this scenario that capoerista paraense Sabrina Silva used Facebook lives to spread the female capoerista movement in Pará. In view of the above, this study aimed to analyze how the internet became a locus of political action for women capoeiristas during the pandemic in 2020, based on the case study of Sabrina Silva's Lives. To carry out the analysis, we adopted digital ethnography as a method, which is an adaptation of ethnographic analysis for the study of online cultures, aiming to explore and expand the possibilities through the constant use of digital networks, posting the material collected. With regard to the theoretical framework, we selected, among others, authors who work on issues related to capoeira, such as Nestor Capoeira (1999), Letícia Reis (2000) and Luiz Augusto Leal (2005); authors who discuss social movement relations today, such as Manuel Castells (2014) and Maria da Gloria Gohn (2011); authors who debate issues of gender, race and class, for example Anne McClintock (1995) and Kimberlé Crenshaw (2002); and theorists who discuss the digital ethnography , namely Beatriz Lins, Carolina Parreiras and Eliane Freitas (2020). As a result, it was found that social media was appropriated by women during a period when physical meetings were suspended, in order to spread a struggle so important to the construction of Brazilian culture, thus highlighting the power relations present in capoeira and its possibilities for expanding discussions on the subject and giving it more visibility.
Acesso aberto (Open Access)
Um intrépido Paraense: Veiga Cabral nos jogos políticos no Pará (1884-1905)
(Universidade Federal do Pará, 2015-03-18) SILVA, Raimundo Nonato da; FARIAS, William Gaia; http://lattes.cnpq.br/2553754490715388
This work analyzes the political disputes in Para in the transition from Monarchy to Republic, seeking to understand the networks of "Clientelismo" that allowed the use of mechanisms such as the police force, the use of Capoeira, Newspapers and political parties in these conflicts. To achieve this objective I tried redoing the political career of Francisco Xavier da Veiga Cabral, i understand your importance in this time of transition from Monarchy to a Republic was relevant for the political battles in Para. To understand these mechanisms of electoral disputes and the relation of Veiga Cabral, the work was done with the analysis of a documentary body varied, between criminal prosecutions, newspapers, government reports of Para and collection of laws of the state Para. Starting from this documentation, and the dialog with bibliography we contribute to the debate on the theme and expand the knowledge of the same, as well as to allow a greater understanding of the History of Brazil and the Amazon.
Acesso aberto (Open Access)
Mukuiu
(Universidade Federal do Pará, 2018-12) CRUZ, Marina Trindade; VIRGOLINO, Carmem; NANGETU, Mametu; MARDOCK, André; AMORIM, Michel; KALIFE, Brenda; BARROS, Rodrigo
Acesso aberto (Open Access)
Nas voltas que o mundo deu, nas voltas que o mundo dá: um estudo sobre ritual e performance na capoeira angola em Belém
(Universidade Federal do Pará, 2010-07) TEIXEIRA, Carmem Pricila Virgolino; SILVEIRA, Flávio Leonel Abreu da; http://lattes.cnpq.br/1972975269922101; CAMPELO, Marilu Marcia; http://lattes.cnpq.br/8338592541775616
Acesso aberto (Open Access)
A relação escola-cultura por meio da capoeira
(Executiva Paraense dxs Estudantes de Pedagogia, 2018-07) BARBOSA, Mauricéia Rodrigues; AMARAL, Abigail Pantoja