Navegando por Assunto "Carnaval"

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Acesso aberto (Open Access)
Defendendo o pavilhão: a dança autoral dos casais de mestre-sala e porta-bandeira das escolas de samba de Belém do Pará
(Universidade Federal do Pará, 2014-06-02) GONÇALVES, Arianne Roberta Pimentel; SAPUCAHY, Ana Flávia Mendes; http://lattes.cnpq.br/6144243746546776
This dissertation regards to the mestre-sala (master of ceremony) and porta-bandeira’s (flag-bearer) authorial dance, as a couple, in samba schools of Belém, Pará, which take part in the activities of Pará Academy of Mestre-sala, Porta-bandeira and Porta-estandarte (standard-bearer), where I act as an instructor. The academy assisted me as field of study and methodological application for the research. The authorial dance is a proposal constituted from my choreographic composition process and movement research as porta-bandeira (flag-bearer), dancer and dance teacher. Thus, this research implies the analysis of the corporal investigation process as fomenter of signatures in the dance, which identify and distinguish the couples of “mestre-sala” and “porta-bandeira”, even facing the sharing of common repertoire of gesture. I use as methodology of this research ethnography, autoethnography and the number 3 in its symbolic and methodological dimensions in the arts’ research. The immanent dance is the main theoretical base adopted, because it supports my investigation about the authorial dance throughout application of the artistic dissection of the body. The body and movement’s investigation, the recognition and signature of the authorial dance made by the mestre-sala and porta-bandeira couples format the results reached with this study.
Acesso aberto (Open Access)
O embate carnavalesco rumo ao "Trem de Guerra": imaginário e memória na evocação de imagens do bloco " As Virgienses"
(Universidade Federal do Pará, 2017-06) BRITO, Geovana Nascimento Brito; FERNANDES, José Guilherme dos Santos
This article has as its purpose to reflect on imaginary, memory and narratives of a carnival group in the city of Vigia de Nazaré, named “As Virgienses”. The intention is to present, from the narratives of merrymakers, the images that are constructed in this space and that are beyond of mess, disorder and other images associated to the carnival. From the memory of these singular characters that turn themselves in double femininities and masculinities, it was possible to discover a whole imaginary of social issues that emerged from subjective dynamics that feature social tensions in the routine of the Vigiense society.
Acesso aberto (Open Access)
Fitas de cetim, papel crepom, flores de plástico... será um “o benedito”? festas, símbolos e identidades no Bairro do Jurunas em Belém do Pará
(Universidade Federal do Pará, 2012-03-02) CHAGAS, Eduardo Wagner Nunes; RODRIGUES, Carmem Izabel; http://lattes.cnpq.br/5924616509771424; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
This paper presents the results drawn from the observation of the festivities dedicated to St. Benedict in the neighborhood of Jurunas, in the city of Belém of Pará, Brazil. The objective of this study is to understand the process of elaboration of symbols in the context of these celebrations, considering them as a product and reflection of mixtures produced the hybrid aspect of Brazilian culture, from the relationship between Catholicism and popular culture. The paper considers these festivities, as a sign representative of the Jurunas neighborhood's identity as a between-place producer of tensions, however, are mitigated by the context in which they perform carnivalized celebrations. The study also presents a synthesis of representative ambience of the festivities the oxymoron "carnivalization devout".
Acesso aberto (Open Access)
Gilberto Freyre entre o frevo e o samba no carnaval do Recife
(Universidade Federal do Pará, 2016-11) MENEZES NETO, Hugo
Recife's carnival has always been of interest to Gilberto Freyre, who worried particularly about the influence of the rhythm and the practices of Rio de Janeiro's festivity on that of Recife. This article examines this theme by relating it to Freyre's ideas about the formation of Brazilian society. It considers the sociological critique of Freyre's important works in order to analyze how the author locates representations of Recife and Rio de Janeiro in opposite poles of the pair tradition and modernity. The relationship between frevo and samba provides a new perspective to Freyre's recurrent and significant discussions on the themes of 'adaptation', 'transregional influences' and 'balance of opposites'.
Acesso aberto (Open Access)
“No meu sangue corre as águas desse mar”: o movimento do bloco Pretinhos do Mangue, Curuçá-PA, Amazônia
(Universidade Federal do Pará, 2020-06-07) FERREIRA, Marcus dos Reis; FURTADO, Lourdes de Fátima Gonçalves; http://lattes.cnpq.br/1828475659148260; https://orcid.org/0000-0002-5243-4607; VILLACORTA, Gisela Macambira; http://lattes.cnpq.br/4673875521234184
This research seeks to discuss about the idea of nature produced by the playful people from the “Pretinhos do Mangue” block, in Curuçá County-Region of the Salgado Paraense. To carry out this discussion, I start with the theoretical guidelines of Environmental History (ARNOLD, 2000; PÁDUA, 2010; WORSTER, 2015) and Anthropology (CSORDAS, 2008; INGOLD, 2015). And, in this perspective, ethnography was used as a way to experience the ways of dwell in the environment, which are present in the block parade, at Carnival (FABIAN, 2013; SALDI; WAGNER, 2013; PEIRANO, 2014; INGOLD, 2015). During this period, the interlocutors aim to present the main non-humans who inhabit the city environment, and, as well, to enunciate the day by day of the artisanal fisherman. And these perceptual experiences of the “salgado” from Pará are materialized through their allegories: the “Caranguejo”, the “Guará”, the “Ostra” and the “Barraca do Avoado”. However, it is the use of “mud” (“tijuco” and “tabatinga”) that has attracted the most attention from the “playful”, because for them the mud-in-body manifests the “ecological” experience and the idea of “nature preservation". In this context, the media began to publicize this experience with the mangrove swamp, which started to promote more and more tourists to participate in the block. With that, it is noticed that the playful-curuçaenses seek to take the life of the "salgado" paraense to their parade, in order to "show" this experience to "all" who visit the Curuçá Carnival. Thus, the mud of the mangrove swamp and the allegories are not simply accessories used by the playful-curuçaenses, since they present their ideas of nature, at the “Pretinhos do Mangue” parade.
Acesso aberto (Open Access)
Paródia e carnavalização no cancioneiro Chico Buarque de Hollanda
(Universidade Federal do Pará, 2012-10-31) OLIVEIRA, Paula Cristhiane da Silva; SIMÕES, Maria do Perpétuo Socorro Galvão; http://lattes.cnpq.br/0672011058049782
Research and “Parody in carnivalization Songbook Chico Buarque” investigates aspects parodic and carnival present in the repertoire of Chico Buarque, emphasizing Carnivalization initially as a medieval cultural practice, based on the theories of Mikhail Bakhtin, about Mardi Gras Medieval and Renaissance analyzed in the work of François Rabelais, propositions developed in the book The popular culture: in the Middle Ages and Renaissance. In this analysis, this study highlights the main constituent elements of carnival rituals: 1)dialogism between popular discourse and poetic discourse, since all communication is a reciprocal action; 2)the carnivalesque ambivalence of language that prevail for establishing the connection between the positive and negative poles for the birth-death cycle; 3)laughter and their meanings and complexities of accomplishments ranging from the ingenuity and satire, and finally; 4) the parody that incorporates all the elements cited above for its realization. From the apprehension of these concepts will also outline a brief historical overview to understand the many facets of artistic Chico Buarque and its relation to social life in order to see it through its social production as a lyric poet. And to prove the importance of universal carnival culture, emphasizing the Brazilian culture, the songs has more samba (1964), Dream of a Carnival (1965), Tomorrow, nobody knows (1966), Night of the masked (1966), Wheel Jellyfish (1967), She desatinou (1968), While You (1970), When the carnival there (1972) and will pass (1984) will be analyzed in a comparative setting carnival contemporary and medieval carnival, noting the consensus and dissent which are still part of this popular festival. This assessment, this study highlights the importance of the work of Chico Buarque by this cultural and poetic value in all its artistic activities. The judgment of analisy will moderate in study bibliography among Baktin’s theory of carnival and Chico Buarque’s music, which here will be understood with poem-song to emphasize these the thematic of carnival.
Acesso aberto (Open Access)
Recriação e atualização da cosmogonia amazônica no corpo cênico do G.R.E.S. Beija-Flor de Nilópolis
(Universidade Federal do Pará, 2011-07-01) ROSENDO, Alexandre da Conceição; ALENCAR, Cesário Augusto Pimentel de; http://lattes.cnpq.br/0024366223698692
This paper purposes the comprehension and reflection on which manner occurs the corporal training of the scenic chorus of parades of the G.R.E.S. Beija-Flor de Nilópolis, through the carnival plots which compose its “amazonic triad”, such as: i “Pará – O Mundo Místico dos Caruanas nas Águas do Patu-Anu” (1998); ii “Manôa – Manaus – Amazônia - Terra santa... Que alimenta o corpo, equilibra a alma e transmite a paz” (2004) as well as; iii “Macapaba: Equinócio Solar, Viagens ao Meio do Mundo” (2008). Considering the existence of a recreated, modernized and stylized mythology in those parades, I analyze the creation process engaged, also through the scenic arts, in order to institute “spetacularization” in popular culture. Therefore, I feature the valorization and conversion process of amazonic culture in the parades of a G.R.E.S., precisely in Beija-Flor de Nilópolis. Assuming the Amazon as core, I analyze the definitions of myth and cosmogony, reflecting on amazonic culture, which has its legends, myths and imaginary transferred from its current reality and nature, and also converted through the process of corporal training into the work of the performers, who compose the parades. From this process, results the charming phenomenon of Carnival in Rio de Janeiro. Finally, this paper also tackles on the issue of theatricalization of Carnival as a basis to the establishment of the staging in the parades, as well as a process of conception of a “carnival show”.
Acesso aberto (Open Access)
Vigienses e cabrassurdos: um espelho de si no outro
(Universidade Federal do Pará, 2017-06) BRITO, Geovana Nascimento Brito; TRUSEN, Sylvia Maria
The purpose of this article is to study the theme of alterity that emerges from the relationship between the carnival street groups “Virgienses” and “Cabrassurdos” from Vigia de Nazaré, Pará. On a hand, there are men who dress as women, who use allegories and wear feminine adornments, as well as the makeup that represents an indispensable item for the characterization of “The Virgienses” in this carnival context. On the other hand, there are the women who are characterized as men to compose the imagetic mosaic that will highlight the group "The Cabrassurdos". It may be observed, on the interrelation between the groups, the existence of a dialectical tension. The interdiction imposed by "The Virgienses" group results in a self-recognition in the other. The Ego (“The Cabrassurdos”) creates a self-becoming in the other (“The Virgienses”). Thus, the composition of the group “The Cabrassurdos” was stimulated by the rules of the group that has provoked the interdiction (“The Virgienses”). In this dialectical relationship, women recognize themselves in men and men recognize themselves in women. In this sense, the main premises that base this investigation are found in the discussions of Beauvoir (1970), Bravo (1985) and Bakhtin (1987), among others. The methodology used was a bibliographic research and image capture. Then, it is performed the analysis about the relation of alterity established between the street groups Virgienses and Cabrassurdos in the carnival of Vigia de Nazaré.