Navegando por Assunto "Carnival"

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Acesso aberto (Open Access)
O embate carnavalesco rumo ao "Trem de Guerra": imaginário e memória na evocação de imagens do bloco " As Virgienses"
(Universidade Federal do Pará, 2017-06) BRITO, Geovana Nascimento Brito; FERNANDES, José Guilherme dos Santos
This article has as its purpose to reflect on imaginary, memory and narratives of a carnival group in the city of Vigia de Nazaré, named “As Virgienses”. The intention is to present, from the narratives of merrymakers, the images that are constructed in this space and that are beyond of mess, disorder and other images associated to the carnival. From the memory of these singular characters that turn themselves in double femininities and masculinities, it was possible to discover a whole imaginary of social issues that emerged from subjective dynamics that feature social tensions in the routine of the Vigiense society.
Acesso aberto (Open Access)
“No meu sangue corre as águas desse mar”: o movimento do bloco Pretinhos do Mangue, Curuçá-PA, Amazônia
(Universidade Federal do Pará, 2020-06-07) FERREIRA, Marcus dos Reis; FURTADO, Lourdes de Fátima Gonçalves; http://lattes.cnpq.br/1828475659148260; https://orcid.org/0000-0002-5243-4607; VILLACORTA, Gisela Macambira; http://lattes.cnpq.br/4673875521234184
This research seeks to discuss about the idea of nature produced by the playful people from the “Pretinhos do Mangue” block, in Curuçá County-Region of the Salgado Paraense. To carry out this discussion, I start with the theoretical guidelines of Environmental History (ARNOLD, 2000; PÁDUA, 2010; WORSTER, 2015) and Anthropology (CSORDAS, 2008; INGOLD, 2015). And, in this perspective, ethnography was used as a way to experience the ways of dwell in the environment, which are present in the block parade, at Carnival (FABIAN, 2013; SALDI; WAGNER, 2013; PEIRANO, 2014; INGOLD, 2015). During this period, the interlocutors aim to present the main non-humans who inhabit the city environment, and, as well, to enunciate the day by day of the artisanal fisherman. And these perceptual experiences of the “salgado” from Pará are materialized through their allegories: the “Caranguejo”, the “Guará”, the “Ostra” and the “Barraca do Avoado”. However, it is the use of “mud” (“tijuco” and “tabatinga”) that has attracted the most attention from the “playful”, because for them the mud-in-body manifests the “ecological” experience and the idea of “nature preservation". In this context, the media began to publicize this experience with the mangrove swamp, which started to promote more and more tourists to participate in the block. With that, it is noticed that the playful-curuçaenses seek to take the life of the "salgado" paraense to their parade, in order to "show" this experience to "all" who visit the Curuçá Carnival. Thus, the mud of the mangrove swamp and the allegories are not simply accessories used by the playful-curuçaenses, since they present their ideas of nature, at the “Pretinhos do Mangue” parade.
Acesso aberto (Open Access)
Vigienses e cabrassurdos: um espelho de si no outro
(Universidade Federal do Pará, 2017-06) BRITO, Geovana Nascimento Brito; TRUSEN, Sylvia Maria
The purpose of this article is to study the theme of alterity that emerges from the relationship between the carnival street groups “Virgienses” and “Cabrassurdos” from Vigia de Nazaré, Pará. On a hand, there are men who dress as women, who use allegories and wear feminine adornments, as well as the makeup that represents an indispensable item for the characterization of “The Virgienses” in this carnival context. On the other hand, there are the women who are characterized as men to compose the imagetic mosaic that will highlight the group "The Cabrassurdos". It may be observed, on the interrelation between the groups, the existence of a dialectical tension. The interdiction imposed by "The Virgienses" group results in a self-recognition in the other. The Ego (“The Cabrassurdos”) creates a self-becoming in the other (“The Virgienses”). Thus, the composition of the group “The Cabrassurdos” was stimulated by the rules of the group that has provoked the interdiction (“The Virgienses”). In this dialectical relationship, women recognize themselves in men and men recognize themselves in women. In this sense, the main premises that base this investigation are found in the discussions of Beauvoir (1970), Bravo (1985) and Bakhtin (1987), among others. The methodology used was a bibliographic research and image capture. Then, it is performed the analysis about the relation of alterity established between the street groups Virgienses and Cabrassurdos in the carnival of Vigia de Nazaré.