Navegando por Assunto "Casa das Onze Janelas"

Agora exibindo 1 - 2 de 2

Acesso aberto (Open Access)
Da anistia à redemocratização: o processo de esquecimento da 5ª Companhia de Guardas
(Universidade Federal do Pará, 2023-07-10) COSTA, Carolina Silva da; PETIT, Pere; http://lattes.cnpq.br/8376409779394321; https://orcid.org/0000-0002-8970-3073
When talking about the dictatorship of 1964-1985, one goes back to a sensitive past, laden with memories and traumas that persist in power struggles, installed in the democratic process in Brazil since Law nº 314/1967 on National Security, passing through Law 6,683/1979 from Amnesty to the current historic buildings. Understanding and knowing the speeches and characters whose past lived is a study developed by researchers of the history of the present time, as well as problematizing the memory that permeates through subjective and also physical fields - the museums - places of memories brought by Nora (1988). Those spaces whose purpose is to remember, however, when they create a gap of forgetfulness, it becomes paradoxical, making it necessary to provoke historiographical constructions with regard to the dictatorial period. In this way, the methodology with bibliographical analysis was used in articles, books and productions, which cited the 5th Company of Guards as a place of prison, today Museum of Contemporary, Modern Art and photos, or House of Eleven Windows, located in the neighborhood of Cidade Old woman in Belém–PA. Museum that makes up one of the formative spaces of Happy Lusitânia, the set of heritage revitalized and resignified within the project that aims to publicize the first contacts of the European colonizer and the natives. House of Eleven Windows, in its chronological functions, served as the home of Domingos Bacelar, then as a Military Hospital and a space for the collection of testimonies and incarcerations of subversives in the 20th century, the 5th Company of Guards and finally the Museum. However, the point of discussion of this research is that in its current curatorial proposal, its repressive past is not disclosed, leaving the visitor out of tune with the real history contained in general, since not even all passivity passed on actually occurred in this space. Therefore, gathering in this research a historiographical base of names identified as subversive, in their actions within the resistance and that were sent to provide clarifications in the 5th Company of Guards, is the objective of this research, with the intention of provoking the sensitive memory in opposition to the speeches implanted by the silence and oblivion built in the building.
Acesso aberto (Open Access)
A Existência das obras performáticas de Berna Reale e Lúcia Gomes nas coleções de Jorge Alex Athias e no Fundo Z - Casa das Onze Janelas em Belém do Pará
(Universidade Federal do Pará, 2024-03-08) CABRAL, Marcela Guedes; LEÃO, Ana Cláudia do Amaral; http://lattes.cnpq.br/3091200390689592
This research aims to understand how collecting occurs, specifically, the preservation of information and the poetics of performance art, through the acquisition and production of documentation of these works, which allows the existence of the work in several modes, allowing it to be included in public and private collections. Specific objectives: verify the representation of the intrinsic and extrinsic information of these artistic processes adopted by the artists and in the two collections developed; understand how the acquisition of scientific works occurred and the impact of this procedure on the preservation of information from these works, investigate how documentation, or its lack, allowed or not the preservation of artistic works of an ephemeral nature, and verify the perspectives from the collector and representatives of the institution about the presence of performances in the collection. For empirical observation, the research focuses on the work of two artists from Pará who expressively produce works of performance art and on two collections, in the city of Belém-PA, one public and the other private - where the works of the two artists were exhibited, namely, Berna Reale and Lúcia Gomes in the Fundo Z Collection of Casa das Onze Janelas, public, and in the Jorge Alex Athias Art Collection, private. Considering that contemporary works of art of a performative nature, such as performance and happenings, challenge museum professionals in their preservation actions through the documentation of information and poetics developed by artists, we understand that it is necessary to investigate the prospects for this type of preservation, with the support of art discourse enunciators and institutions that produce discourses about art. Therefore, this research is configured as an associative analysis with a qualitative approach. It adopts a theoretical-empirical and associative perspective between the process of musealization of work performance art of two artists in two collections, one public and the other private. It also involves on-site observation of the documented process of the artists in the Collections, as well as analysis of the documentation, intrinsic and extrinsic information, and the discourses about and by the artists. Semi-structured interviews are also used with the artists, the collector and the professionals at Casa das Onze Janelas.