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A música e a cidade: práticas sociais e culturais na cena da canção popular em Belém do Pará na década de 1980
(Universidade Federal do Pará, 2014-08-11) MOREIRA, Nélio Ribeiro; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361
The dissertation discusses the development of practices of sociability and a network of commitments among members of an art world (BECKER, 1982) made possible in popular song, as well as forms of cultural production and circulation of such goods in the city of Belém do Pará, Brazil, understanding it as a frontier area ( HANNERZ, 1997) in the eighties. For this, I turned to the musical scene category (STRAW, 1991) as an input for socio-cultural analysis of these occurrences. This is an anthropological study of a historical theme (FREHSE, 2005; SAHLINS, 1999) which is divided into three chapters. The first, entitled "An expanding city and its musical culture in process" presents a characterization of the transformations of the urban scenery of Belém do Pará in the early 1980s and the foundations of a scene of popular song. Thus, two key events are studied concerning for the formation of this music scene: the Feira Pixinguinha in Belem and Projeto Jayme Ovalle. The second chapter is named “The production of identity by song discursive practices of popular music artists in Belém in the 1980s”. The focus in it is the relationship of place with the making of the song and its meaning, the idea of a song as the object-value, the formation of the association of musicians called CLIMA and a study of some emblematic songs of the eighties scene. The third chapter, "Practices of sociability and ‘places of Popular Song’ in Belém do Pará eighties" studies social spaces of popular song as places where they produced and consumed to that cultural commodities and place to artists and audiences this musical mode in the city - such as bars, theaters, concert halls - in the characteristics of the urban environment. Also, it presents a view on the song festivals and recordings as cultural commodities as projeto (VELHO, 2008) for the category to the artists of music scene.