Navegando por Assunto "Cinema brasileiro"

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O cinema de Vicente F. Cecim nos anos 70
(Universidade Federal do Pará, 2016-07-06) CONCEIÇÃO, Alexandra Castro; SILVA, Joel Cardoso da; http://lattes.cnpq.br/6918547599708778
This memorial is about my creative process of the cinematographic works of Vicente Cecim in the 70s. The search was based on Vicente Cecim literature and two interviews: one with the main artist of this work and another with Prof. Dr. João de Jesus Paes Loureiro. The objective of this research is a development of a documentary of a critical analysis about the films directed by Vicente Cecim in the 70s. This work has a first general objective: introducing the filmmaker Vicente Cecim in his multiple activities – his thoughts, ideas and experiences as well as their films. As specific objectives this work will try to describe the ways he uses on his creative process and analyze esthetic and artistic form of the film production of Vicente Cecim in the 70s. The methodology used is the phenomenology and the empiricism starting on a documentary about Vincent Cecim and also a memorial. For theoretical basis the following authors are the references: Consuelo Lins, Milton Ohata, Gilles Deleuze, Andre Bazin, Pedro Veriano, Jacques Aumont; Andrei Tarkovski, Gilbert Durand.
Acesso aberto (Open Access)
O olhar artístico diante do fenômeno social: a violência invisível do filme "o som ao redor"
(Universidade Federal do Pará, 2015-06-30) MARÇAL, Ana Carolina Chagas; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
This paper intends to investigate how the movie to investigate Neighboring Sounds, directed by Kleber Mendonça Filho, released in 2012, captures elements of reality , reframes them and builds from there a speech about social phenomena such as fear, the feeling of insecurity , urban violence , divisions etween center and periphery, labor relations and the recent colonial past linked to the sugar cycle. We try to show how the film captures the routine of small street of Recife in a naturalistic way, ending up in "realism impressions." Then we address the way in which contemporary cinema and also the national cinema have presented the issue of violence and its differences with the narrative of Neighboring ounds Besides, we discuss the importance dialectic between the field and off the field as formal elements necessary for construction of what we call aesthetic of the "inside" and "outside" and its relation to the fear and the feeling of insecurity, and the construction of the soundtrack that emphasizes the sounds coming out of bounds, referring to what is not there framed by the camera. For this, we conducted analysis of themed Sound around, analyzing the film sequences, starting the work, building possible relationship between her and the world in an incessant movement of return to work, onsidering that work of art is in itself , a social phenomenon that relates to others that are external. In that sense, we seek to relate the film discourse with the concept of disciplinary society of Michel Foucault, Zygmunt Bauman's analysis of the Medes and human relations in contemporary society and the sociology of art by Jean-Marie Guyau, assuming epistemological field as the relationship between philosophy, ociology and sociology of art.
Acesso aberto (Open Access)
Representações do corpo deficiente no cinema: uma análise dos filmes ‘Feliz Ano Velho’ e ‘Intouchables’
(Universidade Federal do Pará, 2022-12-01) SOBRAL, Maria Lizete Sampaio; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344
The view built on the representations of physical disability in humanbeingshas been, throughout history, often associated with the notion of stigma, whichnormallyrelates the disabled body to someone incapable, discriminated against, possessinga sufferingcondition. As a proposal of this research , we present other approaches to this relationship,which do not dwell solely on conventional notions, but which, on the contrary, cancoverabroader and, at the same time, deeper field of investigation and debate, when confrontingmain themes such as 'body', 'disability, 'cinema', interrelated by the idea of socialrepresentations. We prioritize analyzing the disabled body when this body takes acentralplace in the cinematographic narrative. For this, this study is based on the analysis of twofilms that present similar narratives and content. The films are 'FELIZ ANOVELHO', inBrazilian cinema, and 'INTOUCHABLES', in French cinema. Both are inspiredbyliteraryproductions, more precisely by autobiographies. Its central characters, Mário, in the Brazilianfilm 'FELIZ ANO VELHO', Philippe in 'INTOUCHABLES', a French film, live similar lifeexperiences, as both suffer real situations of accidents: Mário diving into a lake andhittinghishead, Philippe when falling from a paraglider, accidents that leave themforeverinwheelchairs. The option for the analysis developed here is due to considering the possibilityof confronting symmetries, or not, between the films, that is, by the similaritiesanddifferences existing in the stories lived by their protagonists. With an emphasis ontherelationships we seek to understand, we opted for a more specific study on the disabledbodyin cinema as the basis for building the research. Thus, the process experiencedbytheprotagonists of the films and the way in which the issue of the disabled body is addressedineach film, become central themes of this debate. The research has its theoretical basisinthetheories and dialogue of the Social Sciences, regarding the idea of social representation, withArt and Cinema, as well as brings reflections from scholars such as Maria Lúcia Homem,Lacan and Freud, regarding , mainly, his particular elaboration on the notions of real body,symbolic body and imaginary body