Navegando por Assunto "Circo"

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Modalidades circenses e a formação da licenciatura em teatro na Escola de Teatro e Dança (UFPA).
(Universidade Federal do Pará, 2020-09-30) ASSUNÇÃO, Heloá Rodrigues; MARTINS, Benedita Afonso; http://lattes.cnpq.br/6379814397024971
This research deals with circus modalities in the Theater Degree course at the School of Theater and Dance of the Federal University of Pará (ETDUFPA) and aims to highlight the contribution of fundamental circus activities for the better development of body expressions and expanded knowledge. The Theater Degree course, for now, offers the disciplines of Clown and Animation Theater, in which I interned as a participating researcher and, in addition to observation and participation in classes, I interviewed students and teachers. Supported by authors from the circus area such as: Ermínia Silva, Mario Bolognesi, Eliene Benicio, Rodrigo Dupratt, Marco Bortoleto, Marton Maués, Aníbal Pacha, among others, I focus on the interweaving of circus and theater that has taken place since the beginning of the show, emphasized in the show created by Philip Astley in 1770. In this conception, the circus starts to dialogue systematically with other artistic languages. Since the creation of circus schools in 1970, the knowledge transmitted under the canvas has spread to other spaces, including academia. Through this diffusion, circus modalities start to constitute the curricula of several courses related to the performing arts and corporal practices. The research unfolds in four moments: a synthesis about the origins of the circus show and its modalities; the contributions of circus arts to the educational environment and the interweaving between the modalities already existing in the curriculum of the Degree in Theater; in addition to the affections existing in the researcher's teaching practice. The research also points out the need for the inclusion of other modalities in the initial training of the theater teacher, as desired by the interviewees.
Acesso aberto (Open Access)
Palhaçaria feminina na Amazônia brasileira: uma cartografia de subversões poéticas e cômicas
(Universidade Federal do Pará, 2014-06-05) FLORES, Andréa Bentes; AMORIM, Ana Karine Jansen de; http://lattes.cnpq.br/5875820201443540; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074
My writing comes from my work as a comical woman crossing concerns about the clowns' genre and the experience of Amazonian artist. It is related to my personal need of expansios, on refrain, from loneliness, that is só present on my clowning career. On this research, I desired to map clown women who act in the Amazon, and also to understand possible meanings for female comicality from life stories of these women, and to analyse the relationships that I can find with the Amazon territory, in wich they are situaded, present in their doings. This is a playful cartography, which plays with concepts, geographies and subjects that crosses nomad meetings with clown women who work in this Amazonian territory.The writing, embodied in the constant dialogue between theory and transcribed reports of forty-one participants, can be freely visited in five parts. On the first one, the reader finds my way of life that results on the meeting with the research theme and also the way chosen to research it, discussing the cartographic assumptions that I found as epistemological possibilities. Then, there are two moments, called Bem-Te-Vis, which are based on the structure of Deleuzian plateaus. The Bem-Te-Vis focus on the overlapping powers that guide the research, the female, the comic an Amazonian. I aboard the first two concurrently, while going through historical and social constructions about the common female roles, subverted by the clown, who is naturally transgressive. The third power is discussed separately, focusing on the Amazons present in the doings of the clown women found, that help me on mainstreaming the region, apart from my political positions against lack of acess, relative to the rest of the country and the lush image widespreaded on the midia. I recognize the difference at the Amazonian clown women through repetion in transdifference, that blurs my map of regional boundaries, in becoming-minority with the territory. Between the approach of the powers, I have written na invented history for the clown, which follows a personal need a political strategy by the end of silence. At the end, the reader finds the first chapter on the dissertation, where there are considerations about the Amazonian female clowning, undoing, on scene, my suitcase, full of what I have lived at the meetings, while I aboard the landscapes of gender and territory, found in paths on this research.
Acesso aberto (Open Access)
Retrato de picadeiros: memórias de uma trajetória de circo na Amazônia paraense
(Universidade Federal do Pará, 2013-06-02) SOUSA, Maria Virginia Abasto de; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074
This dissertation studies the socio-historical trajectory of circus artists in the region of Pará, in order to investigate the circumstances of the circus production in the city of Belém, based on a critical analysis of the narrative collected with the subjects: artists, troupes and companies of the urban and street circus activities Circo Broadway, Circo Mega-show, Circo Atlántico; Circo Dralion; Circo Houston, local circus masters teachers and former students and teachers of the Escola Circo Mano Silva. The research aims to explore memory as a possibility of reconstituting and update past experiences, reflecting aspects of the circus collective identity under the methodological perspective of Oral History and material Biblio-Infographic on the theme of the circus and circus activities. Taking as points of reflection theory topics of nomadism, from Michel Maffesoli, some of the concepts of habitus structure, from Pierre Bourdieu, and circus convivial sense of Ermínia Silva, who support the comprehension that the circus has its existence based on a web of relationships of affection, tensions and overruns, configuring itself as an artistic and social collective context in which the specificities in the practice of circus and the personal and professional ties have always been at the root of the processes of construction and maintenance of the activities with circus in the Pará Amazon.
Acesso aberto (Open Access)
Revolução do Invisível: a sistematização de um treinamento pré-expressivo a partir do malabarismo
(Universidade Federal do Pará, 2019-07-04) SANTOS, Renan Coelho; ALENCAR, Cesário Augusto Pimentel de; http://lattes.cnpq.br/0024366223698692