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Corpos fraturados e insubmissos nas colagens de Max Martins
(Universidade Federal do Pará, 2016-06-13) PINHEIRO, Márcia de Souza; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958
This dissertation aims at analyzing the bodies (of art) fractured and unruly in the collages of Max Martins, considering its cultural, historical, aesthetic and intertextual. Therefore, we investigated the body imagery in art history from Modernity, highlighting the intense surrealist influence and outstanding dehumanization of modern work of art, which undertakes man as artistic experience, promoting their stylization; thus we observe how these influences are projected in the poet collages. Faced with some theoretical approaches about the history of art, fragmentation and body, we consider the interpretation of Ernest Gombrich (1978), Eliane de Moraes (2010), Ortega Y Gasset (1999) and Viviane Matesco (2009). For the intertextual relations in the collages, we use the texts of Antoine Compagnon (2007), Affonso Romano de Sant'Anna (1983), Diana Barros, José Fiorin (1994) and Linda Hutcheon (1985) that support this argument.