Navegando por Assunto "Colonialidade"

Agora exibindo 1 - 12 de 12

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CASA DE BONECA: Arte e Decolonialidade
(Universidade Federal do Pará, 2023-11-06) FREITAS, André Luis Pereira de; BRITO, Maria dos Remédios de; http://lattes.cnpq.br/6896268801860211
This research starts from the doll house toy/object, referring to both a European toy and the stately homes of the city of Belém, to discuss the concepts of epistemicide and coloniality of power as a plan for a violent colonization based on the myth of modernity, culminating in an urbanization that is still praised today, but which cost the destruction of people and knowledge. In the first chapter I talk about the first motivations for working on a theme related to a doll's house. My games with Maria, since she was young, and I discuss the importance of play for children. In the second chapter I deal with a methodological issue, the need to build research based on decolonial thinking. To do this, I try to clarify concepts such as coloniality, colonialism, decolonization and decoloniality. In the third chapter I deal more specifically with the dollhouses that were produced: the first is a replica of the church of Saint Alexandre, representing the role of the church and Christianity in the colonization scheme; the second house is a replica of the Palacete Bolonha, a symbol of the Gomiferous period and the Belle Epoque; the third house is a replica of the mansion where PPGarte operates; and I deal more specifically with the experience of being black at university. In the final considerations I work with the decolonization of curricula. Inserting doll houses in a didactic proposal. Reflecting on the possibility of working with houses in schools based on law 10.639/2003 and law 11.645/08.
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A colonialidade nas políticas ambientais do governo Bolsonaro e a inversão dos órgãos de defesa do meio ambiente
(Universidade Federal do Pará, 2021-06) MISSIATTO, Leandro Aparecido Fonseca; SILVA, Leila Gracieli da; CARVALHO, Fábio Rodrigues; DENES, Daylan Maykiele; MISSIATTO, Héverton Magno
Brazil has been highlighted in the ranking of deforestation, fires, extraction of natural resources, animal trafficking and conflicts against native peoples. The governmental actions in force in the country show that the dismantling of environmental policies is based on coloniality with the old guise of progress at any cost, including a socio-environmental collapse. Thus, institutions that, in theory, should act to protect the environment, act without any kind of modesty in institutional production in an offensive to the environment. The present essay discusses what has been happening in the Brazilian institutional scenario, and what are the possible paths through the decolonialist and Bem Viver perspective.
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‘Cria(da)s’, ‘Casadas’: “meninas”, “circulação” e “entrega” em Breves (Marajó)
(Universidade Federal do Pará, 2022-05-30) CASTRO, Avelina Oliveira de; GONÇALVES, Telma Amaral; http://lattes.cnpq.br/7335593537033167; MOTTA-MAUÉS, Maria Angelica; http://lattes.cnpq.br/7861116876230464
The presented thesis identifies and reads, anthropologically, narratives and livings of "circulation" and "deliver" of female adolescents, around sexuality, built in the day-to-day, in Breves town, in Marajó. Its an etnography that has been realized between the years of 2016 and 2020, in the refered town, using as methodology, the direct and participant observation. The research contemplated as main interlocutors 36 people being 26 women and 10 men, besides listening dynamics in conversation wheel another 26 adolescents – 15 girls and 11 boys – and another 18 children from public schools and also a number of residents with whom there has been coliving, observation and listening throughout the period of realization of the research in the field. Through theorical references from feminism and studies of coloniality it has been observed and analyzed inside the process of circulation, enlarged in this thesis, the movemente of deliver, not only of "crias de família" but also the deliver of teenage girls to the marital purposes. Both movements – and rituals – of delivery possibilitate visualizing relationships crossed by reflexes of Brazilian colonization, observed, in a type of "enslavery culture", but also by relationships of coloniality in all of its dimensions, such as genre, once these dynamics are, mainly, with girls, in a process that objetifies them, but in which also can be observed their actions in the sense of confrontation and resistence to the lived opressions.
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Direito internacional em movimento: mecanismos de responsabilização de empresas transnacionais por violações de direitos humanos
(Universidade Federal do Pará, 2021-12-06) VIEIRA, Flávia do Amaral; MAUÉS, Antonio Gomes Moreira; http://lattes.cnpq.br/5100632338260364
In this thesis, I investigated how transnational corporations operate - especially in the Global South - and are regulated, through international law, coloniality, and neoliberalism, and the dynamics of human rights movements that strain these power relations. I explore the conflict between two languages of human rights, based on two types of proposals for accountability of these companies in relation to human rights violations, those based on soft law instruments and those based on a binding treaty. Analyzing these languages in depth, I investigated the challenges and limits of the production of human rights in an international dimension, based on the observation of the operational nuances of global civil society in the impact on the construction of effective mechanisms of corporate accountability for human rights violations. The focus is on advocacy movements at the United Nations in the struggle for a binding Treaty on the subject, as well as on the political resistance of the Global North to the project. In this sense, the thesis explores the tension in the production of human rights in a world under corporate governance. I found that the search for these normative resources created what is now generically called the “Business and Human Rights” agenda, a term by which a new area of technical, practical and theoretical action in Law has been recognized. I highlight the approval of resolution 26/9, now known as the “treaty resolution”, and analyze the successive drafts of the treaty, identifying that the proposals do not necessarily consider international geopolitics and the historical relations of imperialism, dependence and coloniality between the North and Global South States. When confronting - or adapting to - the capitalist mode of production, the debate on the draft Treaty on Business and Human Rights becomes a key point of this historical time, given the announcement of climate changes considered irreversible connected to human impact, and with the deepening of extreme poverty on the planet. In this sense, the research sought to contribute to the relevant ongoing discussions, allowing a deeper understanding of the connotations and implications of different approaches in favor of imposing human rights obligations on corporations.
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Luta por reconhecimento: uma análise intersubjetiva das histórias de vida de catadoras de materiais recicláveis
(Universidade Federal do Pará, 2019-08-30) CORTEZ, Flávia Celeira; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703
The recycled garbage pickers as a labor category constitute a social phenomenon in the global south and expresses economic, social and environmental contradictions in the dynamics of global capitalism. In Latin America, this category is organized through the Latin American and Caribbean Network of Recyclers - RedLacre, on a national scale by the National Movement of Gabage Pickers - MNCR, and in Pará through the networks: Rede Recicla Pará, Rede CataPará and Rede CentPará, composed of several cooperatives and associations in the Metropolitan Region and interiors. Throughout the research, it is clear that the struggle for recognition is the statement that unites both the discourse of the social movement and the history of life and subjectivity of these people, the major theme on which work and life are based. Based on this perception, the aim of this research was to understand how the relationship between the dimensions of the Fighting to be Recognition proposed by Axel Honneth (2009) dialogues and makes explicit the relations of Coloniality of Power (Quijano, 2005) from the narratives of life stories of garbage pickers. The research presents in chapter 1 the contextualization of garbage pickers today within cooperatives and associations based on research carried out at the Federal University of Pará, and discusses research potentialities within this context. Chapter 2 deals with the coloniality of power from Quijano and Mignolo (2005) to understand other perspectives for interpreting the subjective and material complexities in Latin America. Chapter 3 presents the concept of Fighting to be Recognition in Honneth (2009) from the dimensions of love, law and social esteem, as concepts for analyzing the life stories of recyclable pickers from a perspective of how these statements they approach the fighting to be recognition and permeate the construction of subjectivities in coloniality.
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A marca Instituto Evandro Chagas e a Amazônia enquanto território produtor de ciência
(Universidade Federal do Pará, 2023-06-26) BASTOS, Fábio Augusto Silva; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703; https://orcid.org/0000-0001-5467-8528
This study analyzes the brand discourse of the Instituto Evandro Chagas (IEC) considered one of the most important research institutions in the North region founded in 1936, to understand how this discourse presents the Amazon region as a territory that produces science. Four institutional disclosure documents of the IEC from 1990 to 2021 and semi-structured interviews with researchers from the institution were used as research corpus, in addition to documents referring to the history of the Institute. This is an exploratory qualitative research, as a methodology for brand analysis, it uses a multiperspective approach (BONIN, 2008) with brand concepts and project/manifestations model proposed by Semprini (2010) together with the theory of social discourses, media discourse analysis, and reading contract of Verón (1983; 1986; 1987; 2004). As a theoretical view to observe the investments in the brand's meaning, the concept of the Amazon Brand (AMARAL, 2011, 2015, 2016) is used with other authors who analyze the Amazon region, its history, imagery, and symbolic constructions (COSTA, 2017; DUTRA, 2003; GONDIM, 2007; LOUREIRO, 2022). Decolonial theories (QUIJANO, 1993; MIGNOLO, 2003, 2017) and abyssal thinking (BOAVENTURA, 2009) are also used as an epistemological basis for a critical point of view about symbolic constructions of the hegemonic model of science as a way of legitimizing Eurocentric superiority and as a factor of geopolitical hierarchization in the production of knowledge. As a result, there is an ambiguous condition: it appears that the Amazon region is discredited and peripheral when the local production of science is in focus, but at the same time, it retains a high degree of visibility in the production of science in/ and about the Amazon.
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Melancolia em Repertório Selvagem, de Olga Savary, e Metade cara, metade máscara, de Eliane Potiguara
(Universidade Federal do Pará, 2023-12-22) SENA, Mayara Haydée Lima; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
This study focuses on the images of melancholy that emerge in the context of coloniality in two of its Brazilian expressions: indigenous and Amazonian sadness. The so-called peripheral sadnesses are represented by the books Metade cara, metade máscara (2004), by Eliane Potiguara, and Repertório Selvagem (1998), by Olga Savary, which make up the corpus of this research. The aim is to identify allegorized melancholy as a fundamental theme in the poetics of Eliane Potiguara's Metade cara, metade máscara and Olga Savary's Repertório selvagem. Furthermore, the specific objectives are to discuss some relationships between the coloniality of knowledge and the silencing of peripheral, non-canonical, Brazilian and Amazonian sadness; to identify indigenous melancholy, metonymized in Eliane Potiguara's work; and to investigate images of melancholy in the shadow of the Amazonian forest in Olga Savary's book. The work recalls canonical authors of studies on melancholy, such as Sigmund Freud (2013), Julia Kristeva (1989), Giorgio Agamben (2007), Susan Sontag (2022), Jean Starobinski (2016), Susana Kampff Lages (2007), Luiz Costa Lima (2017), Maria Rita Kehl (2015), among others; dialogues with the decolonial perspective of thinkers such as Aníbal Quijano (2005), Enrique Dussel (2005), Walter Mignolo (2017), María Lugones (2014); with scholars of Amazonian issues, such as Neide Gondim (1994), Ana Pizarro (2012),Carlos Walter Porto Gonçalves (2023), Eidorfe Moreira (1958) and João de Jesus Paes Loureiro (2001); and with indigenous thinkers such as Graça Graúna (2013), Trudruá Dorrico (2017), Davi Kopenawa (2015), Jaider Esbell (2020), Ely Makuxi (2018), Ailton Krenak (2022), Olívio Jekupé (2019), Daniel Munduruku (2012), among others. Thus, there is a need for a more specific debate on the Brazilian experience of malaise, which is crossed by coloniality and therefore differs from Eurocentric understandings of sadness and its literary representations. In this sense, based on the interpretative path of the poems, it is recognized that the indigenous literature of Eliane Potiguara and the omnipresence of the Amazon rainforest in the work of Olga Savary, place other characters and territories in the repertoire of melancholy studies in contemporary times, outside the hegemonic melancholy of large European cities. The authors' poetic contributions are fundamental to making peripheral sadness visible, creating a counter-narrative that challenges the coloniality of knowledge about melancholy. In Savary's poetics, the Amazons, in terms of their phytogeographic concept (MOREIRA, 1958), are inscribed under the sign of loss; as well as in Eliane Potiguara's poetic testimony, it is revealed that coloniality cannot be thought of without the reign of sadness.
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Museus e colonialidade: uma análise da exposição de longa duração o Museu do Estado do Pará
(Universidade Federal do Pará, 2021-09-15) LEÃO, Andrey Manoel Leão de; BRITTO, Rosângela Marques de; FIGUEIREDO, Silvio José de Lima; http://lattes.cnpq.br/2578700144404800; https://orcid.org/0000-0002-6810-1639
The work seeks to discuss how colonization in the state of Para established various narratives about the region, placing groups of European origins and their lifestyles at the center, and all other groups on the margin. This was maintained throughout the state's history from the colonial period until the time known as the Belle Époque, the period of economic boom in the region that, seeking local urban development, based on its public policies on an ideal of life in European cities. Therefore, I discuss how these visions are posted in the Museum of the State of Pará, which is coined as a historical museum, and therefore, aims to tell the history of the state. This hierarchization of cultures and peoples at the expense of others, based on the idea of race, that is maintained even with the independence of countries or with decolonization is known as coloniality. Thus, the analysis takes place critically on the museum's long-term exhibition, seeing who is in the spotlight, who is not, how cultural groups are shown, what is shown, how sensitization is made, etc. These actions are made to show how coloniality is posted in the museum's representations. The work also points out as follows are certain representations to combat these colonializing perspectives, based on the notion of decoloniality as a way of undoing a perspective of cultural construct hierarchization. For this, the new museological perspectives point out that museums, especially stories that play the role of legitimizing what is the truth, must have a social role that seeks to solve current problems, mainly discursive ones, which historically gave unilaterally and have high coercive power over society. Finally, when there is no discursive equivalence and when colonizing perspectives are transported to the region's current times, by not discussing or linking them to local problems, the museum sometimes ends up being a reinforcer of these hierarchical and prejudiced perspectives.
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Nas águas lendárias do Rio Capim: narrativas autóctones do fenômeno da pororoca em São Domingos do Capim-Pará
(Universidade Federal do Pará, 2022-01-03) SILVA, José Maria Soares da; FERNANDES, José Guilherme dos Santos; http://lattes.cnpq.br/7023812449790431; https://orcid.org/0000-0001-9946-4961
This work intends to analyze the autochthonous narratives about the pororoca phenomenon in São Domingos do Capim, focusing on verifying how the pororoca narratives are socially configured within a process of knowledge and practices in the construction of identity in São Domingos do Capim . For this, the historical, political and economic context will be considered, based on the effects of colonization on local culture, touching on the anthropic action of man on nature, referencing the context and logic of the social groups involved. Then, a bibliographic review and an analysis will be carried out based on the travelers' reports and the narrative of the river and the forests, understanding that nature provides man with raw materials that justify not only his material, but also cultural and spiritual existence. . The field research, carried out among the residents of São Domingos do Capim, presents the oral reports in order to show how the local culture is configured, referencing the context and logic of social groups circumscribed to the universe of narratives, such as the myth of pororoca in São Domingos do Capim. The structuring of sciences and the production of this knowledge do not only cover the dimension of qualitative analysis, but demand studies that are able to promote interpretations in different contexts for the different dimensions of polysemy that, at a technical level, are brought from interviews, testimonies , narratives, experiences and memories. In this sense, the theoretical framework on colonialities, anthropization, interculturalities and decolonialities help the interpretation that privileges the transience in the discourses which, according to Fernandes (2011), are the ambiguity, contrariety and contradiction of categories related to discourse analysis.
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Práticas socioculturais de comercialização na formação intercultural indígena do Oiapoque-Amapá: resistências e mudanças frente às amarras da colonialidade.
(Universidade Federal do Pará, 2024-03-22) LEITE, Maria Adriana; SOUZA, Elizabeth Gomes
The socio-cultural practices of commercialization among the indigenous peoples of OiapoqueAmapá are shaped by the socio-cultural traditions of indigenous communities and have been adapted over the years. In this regard, this work offers reflections on the socio-cultural practices of commercialization among indigenous academics of the Indigenous Intercultural Teaching Degree Program at UNIFAP, Oiapoque-Amapá. The aim is to problematize the socio-cultural practices of commercialization among the indigenous peoples of Oiapoque-Amapá within the scope of teacher education, which has been operationalized in the face of the shackles of coloniality. Through the voices of indigenous individuals in training in the intercultural indigenous teaching degree program, I present accounts of commercialization practices highlighting the influences of coloniality that permeate various activities in their communities. In this work, coloniality is understood as the continuation of the propagation of colonial thought, expressed in various dimensions of social life through dominant relations of power, knowledge, and being, which are present in various forms and in the discourses reproduced daily in society. Methodologically, the research adopts a decolonial approach that does not propose a universal method but points to epistemological possibilities in the methodologies used by researchers. Thus, the adopted methodology sought to build knowledge collectively, attempting to bring forth the voices and visibility of the peoples, valuing their knowledge, experiences, and perspectives. From the reflections shared in this work on the socio-cultural practices of commercialization among indigenous peoples in training at UNIFAP, it is evident that although indigenous peoples have been influenced by colonialities that permeate their lives, they still resist the forms of domination of certain patterns of action in commercialization practices and their exchange relations caused by the dominant Western culture.
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A publicidade identitária nas representações da Amazônia paraense nas propagandas dos governos do Estado do Pará em 2017, 2020 e 2021
(Universidade Federal do Pará, 2022-05-10) PRADO, Kleyse Costa Vaz Santana; SANTOS, Luiz Cezar Silva dos; http://lattes.cnpq.br/2449524316115443
This research intends to do an analysis of discourses present in two advertising videos and six tourism posters authored by the Government of State of Pará. The objective is to identify and compare the narratives and arguments, as well as the forms of representation of cultural identities of Pará, as a state, and of Pará's people, in order to reflect on the construction of meanings that can reinforce stereotypes and colonial discourses about Amazon. We also seek to reflect about city, its appropriation and the visibility of the spaces designed by advertisements. The objects of this research are the advertising video “Pará te encantar” (2017, tourist commercial), the advertising video “Stay at home” (2020, commercial with alert about agglomerations in the Covid19 pandemic context), and six posters of the campaign “Rediscover Pará” (2020). We will use authors such as Stuart Hall, Homi K. Bhabha and Amaral Filho as a theoretical reference to discuss cultural identities, stereotypes and coloniality in Amazonian context. Our methodological framework is based on Eni Orlandi, Martine Joly and Diana Rose for development of Discourse Analysis and moving images. The concept of publiCIDADE (publiCITY) proposed by Santos (Luiz LZ Cezar) will also be used, as well as other authors on the Amazon, such as Paes Loureiro, and on Communication Science, such as Martín-Barbero.
Acesso aberto (Open Access)
A publicidade identitária nas representações da Amazônia paraense nas propagandas dos governos do estado do Pará em 2017, 2020 e 2021
(Universidade Federal do Pará, 2022-05-10) PRADO, Kleyse Costa Vaz Santana; SANTOS, Luiz Cezar Silva dos; http://lattes.cnpq.br/2449524316115443
This research intends to do an analysis of discourses present in two advertising videos and six tourism posters authored by the Government of State of Pará. The objective is to identify and compare the narratives and arguments, as well as the forms of representation of cultural identities of Pará, as a state, and of Pará's people, in order to reflect on the construction of meanings that can reinforce stereotypes and colonial discourses about Amazon. We also seek to reflect about city, its appropriation and the visibility of the spaces designed by advertisements. The objects of this research are the advertising video “Pará te encantar” (2017, tourist commercial), the advertising video “Stay at home” (2020, commercial with alert about agglomerations in the Covid19 pandemic context), and six posters of the campaign “Rediscover Pará” (2020). We will use authors such as Stuart Hall, Homi K. Bhabha and Amaral Filho as a theoretical reference to discuss cultural identities, stereotypes and coloniality in Amazonian context. Our methodological framework is based on Eni Orlandi, Martine Joly and Diana Rose for development of Discourse Analysis and moving images. The concept of publiCIDADE (publiCITY) proposed by Santos (Luiz LZ Cezar) will also be used, as well as other authors on the Amazon, such as Paes Loureiro, and on Communication Science, such as Martín-Barbero.