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Navegando por Assunto "Corpo"

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    Caminho Sonoro: O corpo em escuta performativa
    (Universidade Federal do Pará, 2024-12-01) AMÉRICO, Waléria.; MANESCHY, Orlando Franco; http://lattes.cnpq.br/6198572031091761; https://orcid.org/0000-0001-8917-1348
    The Sound Path deals with the relationship between body and landscape, using displacement as a space for artistic creation. The body in front of the river-forest horizon aimed to develop sonorities over the duration of the path. Procedures of listening to the soundscape, drawing scores and collaborating with people and natural beings make up the performances or sound transmissions. The reflection starts with the writing of experimental between places and the practice of listening to the soundscape in the north of Brazil, in the capital Belém, located in the state of Pará. The experience of the body in the Amazonian territory blossomed into art actions in resonance with the Samaúma tree species.
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    O corpo e a experiência de si: experimentações com o ensino de ciências
    (Universidade Federal do Pará, 2021-04-13) SILVA, Nadson Fernando Nunes da; BRITO, Maria dos Remédios de; http://lattes.cnpq.br/6896268801860211; https://orcid.org/ 0000-0002-0478-5285
    This writing process brings the body as a mechanism of forces which pass through the research and the researcher by a writing of itself, delineating the pathways which they take from the difference and multiplicity that compose their exits to expatiate on other forms of understanding what may be a body. Along these lines, we share the thoughts of Deleuze and Guattari going to the Philosophy of Difference, making the thought goes in the possibility of achieving other places where memory, body, science and education meet themselves, thus they create together comings where the research obtains power. The writing, in this context, emerges as a fragmented breaking point between poetic lines, collage, photographs, drawings and scribbles, which collide with the text causing openings to experience the diversity of a gay body that transits the education as a science teacher and occupies the Amazon territory as a place of experience. From these experiences, the education is brought as a space which consumes the existence by social markers that punctuate the difference, producing bodies by a very fine line which fits in the biological pages and consequently in science classes. In tracing these questions, we seek the experimentations as processes, which dislocates in directions to other forms of manifestation, where they are possible to create possibilities of teaching for science classes, displacing the embodied images of their biological status at feeling their vibrations, sexuality, identity, subjectivity and desires that rip the forms, dislocating them away from their organized functions. Through these traverse, it is desired to break with the idea that has been being architected about body, focusing it on the images which textbooks bring us as a source of knowledge and learning for science teaching, emerging it as an invitation that dislocates the body and the thought of its solid base. As a result, it may collides an education more soluble and aesthetically sensitive to experiment with moving images. Thus, we have, by these displacements, a body and a moving education which misaligns the hard seams and incarnates a new approach of body-image in the sense that the experimentation happens inside and outside the educational path. Stem from this, the science classes are also composed of their deconstructions in the desire of achieving an education where the body becomes a source of invention, and education becomes a place to be experienced in its plurality.
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    Corpo Universo: uma poética das constelações compositivas como estudo e reflexão do corpo na atuação teatral
    (Universidade Federal do Pará, 2019-06-27) PARAGUASSU, Renan Delmontt Souza; ALENCAR, Cesário Augusto Pimentel de; http://lattes.cnpq.br/0024366223698692
    The research Body Universe: a poetic of the compositive constellations as study and reflection of the body in theatrical acting has as objective understand what happens in my Body/Me along the moment of acting. To do so, I venture myself as a artist-researcher, I come to understand that acting is phenomenon experienced by the actor during their creative works, that occurs inside and outside the scene. The search for this comprehension took me to dive in lived artistic memories and experiences as actor, also I had to observe, in terms of equivalent feelings, what goes on with other people that I work with and others that I have watched. The investigation is fundamental, theoryc-methodologicaly, in Phenomenology, the science the investigate the experience of consciousness since its basic levels, the sensitive, the most elaborate, and the conscious itself. Tooked as authors in this field of knowledge, the German Georg Hegel(1770-1831) and the French Gaston Bachelard (1884-1972), because he was interested in conscience of the phenomenon of creation and scenic acting immersed in the field poetic artistic, the Merleau-Ponty (1908-1961) to reflect about the present space of my Body/Me and its scenic significance from the relationship with other bodies actors/spectators, the French philosopher and sociologist Henri-Pierre Jeudy (1945-) for discussion of body as object or artistic support. On the creative processes, the Brazilian professor Sonia Rangel (1948-) helps me to understand the process as an fountain of recreation and fomentation of several layers in creation, having the memory as propeller of revisitations. In The study about the art of the actor, the Russian actor, pedagogue and director Constantin Stanislavski (1968- 1936), the also Russian actor Richard Boleslavski (1989-1967) and the director and actor Eugenio Kusnet (1898-1975) they contribute for the discussion where technique and sensibility, conscious and unconscious walk helping handing each other during the act of acting, the Italian director Eugenio Barba (1995) for the processes and rules the influence the culture and daily in which the actor is living, the polonaise director Jerzy Grotowski (1933- 1999) and the Brazilian actor Carlos Simioni (1958-) for the understanding of the importance of training as continuous preparation of the body as foundation to the creation. I decided to focus on a methodology based on the research phenomenon. with allows the construction and reflection of the poetical work starting from the multiple internal experiences, focusing on the material that comes from the conscience in front of the practices and trajectories on plays, articulating with the psychophysical training.
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    Corpo, ambiente e aprendizagem: etnografia sensorial sobre o mundo da vida cotidiana em comunidade camponesas amazônicas
    (Universidade Federal do Pará, 2020-06-26) ALVES, Vitória Mendes; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
    This is an interdisciplinary research that discusses the connection between body, environment and ways of technical apprenticeship with the socio-environmental indicators (COSTA, FERNANDES 2016) of amazonian agroextrative peasantry. The field work was carried out in the region of the islands of Mocajuba, specifically in the locality of São Joaquim, lower Tocantins region, state of Pará. Using sensory etnography (PINK, 2009) as the method and assuming a phenomenological approach, we take as a starting point the lifeworld (SCHUTZ, 1970) and daily life of peasant communities. Experiences such as shrimp fishing, cocoa extractivism and preparing fish for consumption are described in order to demonstrate the link between techniques of the body and the environment in which they inhabit. Thus, we conclude that a) these techniques are not transmited, but taught and learned by a complex sensorial engagement with the environment (LAVE, 2015) and b) the entanglement body-environment (INGOLD, 2015) is central to peasant daily life, which implies interpreting it while overcoming the dualisms of culture/nature and production/reproduction. These connections partially explain the socio-environmental virtuosity expressed in the data.
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    Corpo, feminino e subjetivação: uma análise a partir de sujeitos portadores de Lúpus Eritematoso Sistêmico
    (Universidade Federal do Pará, 2010) MORAIS, Jamile Luz; NICOLAU, Roseane Freitas; http://lattes.cnpq.br/0430583046421802
    This dissertation intended to investigate, starting from the psychoanalytic method, the way of subjectivities of subject bearers of Lupus Erythematosus Systemic (LES). Leaving of the psychosomatic "character" of the disease and of your predominance in the feminine sex, we investigated if it is possible a relationship to exist between the way of subjectivities of the feminine and the development of the disease. To verify this relationship, we took as reference the two attacked patients' attendance of you LES, assisted in the context of the research. Ally to that, in order to base the attendances theoretically, we leaned over in Freud's works, Lacan and followers that stopped in the study of the symptomatic manifestations of the body, as well as in the thematic involving the way of subjectivities of the feminine and it unfolding. When considering that the body conception for the psychoanalysis is going besides the biological determinism, it was possible to verify that the subject, in the attempt of reaching your satisfaction, falls back upon the body as object of obtaining of psychic and sexual pleasure, depriving the laws of the physiology and of the anatomy. The psychosomatic phenomenon and the conversion hysteria come to evidence that, in the measure in that, at the same time in that they challenge the medical knowledge, they also dispute of us, psychologists and psychoanalysts, an explanation for such manifestations corporal, causeless organic certain. In that perspective, when placing us theoretically front those manifestations, we could identify the difference between the psychosomatic phenomena and the hysterical conversion, the one which, for being linked to the symbolic registration, it becomes susceptible to decode and interpretation. The psychosomatic phenomena, on the other hand, are characterized by being of the order of the impossible of representing, for this reason, they approach of the current manifestations in the feminine way of subjectivities, that it is outside of the language of the unconscious and, therefore, of the symbolic associations.
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    Corpo, linguagem e transgressão em lavoura
    (Universidade Federal do Pará, 2021-02-26) SANTOS, Elijames Moraes dos; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
    This thesis titled Body, language and transgression in Ancient Tillage is a study on issues related to the eroticism of bodies, and the transgressions that take a place in and by the language of the novel's narrative, by Raduan Nassar, published in 1975. I proceed with the hypothesis of in Ancient Tillage, there is a conflict between instinct and reason, which are unfolded in the narrative discourses through an allegorical language. Therefore, it is through the body's instinct which the subject violates the patriarchal norm and, at the same time, reveals how desire and sexuality are forbidden. For this purpose, the theoretical path used to support this study is based on the work of Georges Bataille (2016; 2017; 2018), by Walter Benjamin (1984; 2013, b); Michel Foucault (1977; 1988) and Sigmund Freud (2006; 2011; 2013); Giorgio Agamben (2007) and Mircea Eliade (2001). I aim at in Ancient Tillage narrative is based on a language that transits an eroticized poetics, which reveals the subject's instincts and their conflicts. Indeed, there is a confrontation between reason, the world of patriarchal values, and the subversion of the son who leaves the family home and goes in search of new achievements. It is with André's departure that the problems related to the issue of forbidding desires and passions are revealed. Thus, this body carries within itself the unmeasured, which will be revealed by the fragmented form, the emptiness, and in turn by the ruin that spreads over the other members of the family. With this, from the theoretical set outlined here, it was possible to present a discussion around Raduan Nassar´s narrative regarding the presence of the body, its impulses, among other issues that are in the order of violation of the norm, the law, that is, what is forbidden by the father. I reinforce, therefore, that there were some developments through allegories inherent to the language of the corpus, which reveals the fragmentation of a body that emanates the tragic.
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    Corpos convergentes: visualidade da performance na arte e no cotidiano
    (Universidade Federal do Pará, 2012-03-02) VALENTE, Danielle Calazans; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184; ALENCAR, Cesário Augusto Pimentel de; http://lattes.cnpq.br/0024366223698692
    This research analyses the Performance object as a phenomenon to be revealed through a thorough examination of diverse forms of its occurrence, both in daily life as in art. The objective is to investigate, the actualization of this phenomenon in the visual arts and daily life, by noting the similarities of performances in these areas, thus allowing the performative act move across borders in many different variants of the concept and practice of its occurrence. Also, the dissertation emphasizes, above all, the body as the base element of poetic practice.
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    Corpos em equilíbrio: imagens e cotidiano ribeirinho no Porto do Açaí e na Ilha do Maracujá, Belém (PA)
    (2012-09) SILVEIRA, Flávio Leonel Abreu da; BASSALO, Terezinha de Fátima Ribeiro
    Based on photographic records, this paper reflects on the ebb and flow of the Maracujá Island dwellers, between the island and Belém, making use of the ways they use their bodies or 'know how to use' them, that Mauss called corporal techniques. Bodies disclosed, since they are always exposed and therefore capable of being visually and ethnographically categorized. Inspired on Certeau, the article seeks to think of the corporal tactics devised by island residents to practice the landscapes of belonging revealing peculiar body expressions in constructing their everyday experiences. Such observations do not refer to a body-object, but to a body that is the subject of culture, as Csordas says, a body that is "the existential basis of culture".
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    Corpos para não esquecer: o testemunho e a cena da tortura
    (Universidade Federal do Pará, 2015-12) FIGUEREDO, Elielson de Souza
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    A dança no palco do imaginário Matinta e Medéia: um entrecruzar poético de fazeres artisticos
    (Universidade Federal do Pará, 2014) SILVA, Ludmila Mello da; LOUREIRO, João de Jesus Paes; http://lattes.cnpq.br/2018214713424265; SAPUCAHY, Ana Flávia Mendes; http://lattes.cnpq.br/nt
    This research , attentive primarily to an offshoot of my completion of course work , assured me that the title of full degree in dance from the Federal University of Pará This work ( TCC ) provided an opportunity to study dance me under three approaches : the dance in my body , in the body of the other and the possibilities that present the mythical studies suffer redefinition for a dance . The current study aims , in addition to wage interplay of dance, culture , myth and imagination also enables my analytical perspective on the trigger which provides a theory to another , and investigate them separately. The first theory to be studied concerns the poetic myths etnodramaturgia ( Loureiro , 2009) and expounds on how each person particularize the myth that reads . Through reading the individual imagines the myth , cenarizando it . This particularization arises according to the specific culture that is intrinsic to him , so the universality of myth is revealed when the consonant interpret our path by culture. This theory also reflects the process that will trigger another theory, semiotics conversion ( Loureiro , 2007) , which also is present in my analysis regarding the relationships established between dance , myth and imagination . The principle of semiotics conversion assumes the reordering of some of the features found in the reflection about art . These maintains a hierarchical relationship , and may thus be a dominant depending on the movement of passing objects from one cultural context to another . Then the functions are reorganized and may change the dominance . Through reflective analysis of the theory of poetic etnodramaturgia myths , inside a universe that seeks to rely on two myths : Medea ( Greek ) and Matinta ( Amazon ) to demonstrate the possibility of building the imagination grounded in a scenic area that creates simultaneously to read a mythic narrative , allowing , effectively , the acting of another theory, semiotics conversion, which provides for the redefinition of these myths in dance performances or theater within the theater arts achievement. However, you can extend to other works of art , as this research concerns the way how the myth takes shape in the imagination of each. The way that every photographer should stage in the imagination according to its artistic design . Moreover , the two myths chosen for this study are suppliers of equivalent symbolic meanings although they originated in cultures as far away , try then show these equivalences taking as prime examples my own reflection on the subject , to act in a dance whose resulted essence of reframing the myth of Matinta and analyze the performance of the artist who experienced the two myths reinterpreted in choreographic works , Jaime Amaral . For that, my main goal is to analyze how conversion happens semiotics of myth in dance through the poetic myth etnodramaturgia process basing myself in the identification and investigation of binding , in the production process , a formant shape ( Pareyson , 1993 ) between the individuating points , but each converging myth studied , taking into consideration the crops belonging to each. In view of this part apply to this study , interviews , library research about the topic , as well as documentary research ( footage and photos ) of the artist in question already staged the myths upon which outline the referent study as well as my notes contained in the logbook manufactured in the lab creating the show Matintas.
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    Entre o prazer e o pecado: inquisição, sodomia e corpo a partir do caso de Frei Lucas de Sousa no Grão-Pará (1652 - 1663)
    (Universidade Federal do Pará, 2024-08-29) ARAÚJO JUNIOR, Adomiran Moreira de; GUZMÁN, Décio Marco Antônio de Alencar; http://lattes.cnpq.br/0656841754619406; https://orcid.org/0000-0003-3219-4404
    This dissertation aims to analyze the proceedings originating from the nefarious acts performed by Friar Lucas de Sousa in the second half of the 17th century in the city of Belém do Grão-Pará, in the then State of Maranhão. The investigations seek to problematize the body from a sexual and historical perspective, relating the understanding of medicine and religion about the sexuality of the human body, specifically the body that commits the “sin” of sodomy, in this research, the sodomy is the sexual practice between males, which in the inquisitorial lexicon, is called “perfect sodomy.” The proceedings of Friar Lucas and his accomplices also allow for the exploration of the Mercedarian Friar's own conceptions of his body in comparison to the female body. The primary sources are the inquisitorial processes, however beyond the Tribunal of the Holy Office, we use sources such as the Bible, Father Rafael Bluteau’s dictionary, chronicles, and treatises.
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    Entre salvação e perdição: a sexualidade do bom cristão
    (Universidade Federal do Pará, 2019-05-09) RODRIGUES, Luciane de Assunção; CHAVES, Sílvia Nogueira,; http://lattes.cnpq.br/9353964127402937; https://orcid.org/0000-0002-9771-4610
    What are the subjectivities constructed in discourses about sexuality? What are the existing conditions from discourses that proliferate this sexuality? Such questions emerged and constructed the basis of this research, whose tension and transgression lines are the connecting threads that integrate a drama related to the sexuality of the "good christian". To exposure the sexuality in the confessional schools, we focus on a dynamic inventive character that moves the analysis of empirical materials selected to integrate the corpus of this research. Inspired and nuanced with the keen senses by Michel Foucault's thought, these materials speak and describe what they had seen, heard and felt in a Confessional School spaces. Based on distinct personalities, these characters are proficient in demonstrates the processes of subjectivation of the "good christian", being it a teacher or student, as well as the incidents lived within a space in which the sexuality is situated between the obedience and transgression. Among the characters, the Schizophrenic School begins a discussion with its madness, alternating between lucidity moments and hallucination, without being able to perceive when it is in another mode. In this context, the schizophrenic school decides to put the other characters on their divan, especially in confession way. Therefore, each character tells how it was crossed/affected by the sexuality that used to circulate there. It mobilizes a central question on this investigation, which is: How works the sexuality device in a Confessional School? We support the following idea based on the confessions analysis: The production of subjectivity on the "good christian” is tied to the control and management of sexuality. On this line, sexuality opens up possibilities paths for an invention and creation to live new ways. This is how the characters who inhabit the Confessional School dared to create a space "in between" on the middle. Furthermore, they resisted, invented and lived their sexuality, thus breaking the inertia and paralysis to remaining on "good christian" position. They chose to live their sexuality in a resistance way, instead of rehearsing obedience to the regulatory norms established on this Confessional School. Then, between is where everything escapes, in which sexuality transgression has not been formatted, sighing for freedom in life that experiences.
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    “Equilíbrio precário”: corpo, gênero e família em Bragança/Pará (1916-1940)
    (Universidade Federal do Pará, 2024-03-20) CAMPOS, Alessandra Patricia de Oliveira Dias; CANCELA, Cristina Donza; http://lattes.cnpq.br/8393402118322730
    This work aims to analyze how representations, practices and values were woven to the female body in Bragantina society between the years 1916 and 1940. In this sense, the problem was based on the view that the various characters involved in sexual crimes were women who with their experiences posed dangers to the balance of hegemonic family and social relations and Therefore, they should be watched so that they do not use their body as a place of exercise of power. To this end, the analysis started from the cross-study of discourses present in sixty-three judicial cases, nine medical and legal works, the Penal Codes of 1890 and 1940, the Civil Code of 1916, the Code of Postures of Bragança, in addition to the periodicals Cidade de Bragança, O Cidadão and Revista Bragança Ilustrada, which circulated in the proposed period. The sources allowed access to daily life, to loving relationships, to the various values that residents of the Bragantina region and representatives of the legal elaborated on body, sexuality, family, honor, morality, work and leisure, for example. Based on values such as work, family, honor and morality, the investigations showed that the bodies, behaviors, habits, interests and desires of women became the core of the concerns of the state, society and men when the subjects were morality, sexuality and appropriate family constitution. However, despite the surveillance, control and restrictions that women were subjugated in the period studied, many were not willing to conform their bodies, their interests and needs to the moralizing and disciplinary discourses that intended to imprison them.
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    Fandantologia: autoetnografia migrante de uma percussionista de pés
    (Universidade Federal do Pará, 2023-02-08) MARTÍNEZ, Alba Olinka Huerta; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344
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    Fia Sophia: etnografia do batom
    (Universidade Federal do Pará, 2018) MARIA, Samily; TARCILA, Elis; OLAIA, Pedro; SOPHIA, Sophia
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    Klitores Kaos e o grito das mulheres: o Punk/HC desemboca numa cena musical feminista em Belém do Pará
    (Universidade Federal do Pará, 2023-03-20) MONTEIRO, Keila Michelle Silva; COHEN, Líliam Cristina Barros; http://lattes.cnpq.br/0286644614789784
    This research focuses on the punk/hc music scene, a subgenre of rock, in Belém do Pará, made up of women as a necessary musical practice in combating existing prejudices among people who perform or frequent environments of this genre, in which predominates , still, the male sex, because rock and its aspects, despite representing transgression and going against oppression and violence from the State and society, sometimes make female production invisible and its actors still practice machismo, misogyny, among other attitudes that offend women. In this ethnography, I approach the trajectory of punk/hc in Belém do Pará, emphasizing female/feminist musical production, making it necessary to value this production and emphasize the need to respect women in this scenario, because, according to Rosa and Nogueira, “poetry and music are born of the ruptures and the pain they transform. It is a creative process in the broadest sense where, by creating artistic paths and producing our own knowledge, we also reinvent ourselves as people” (2015, p. 27). I will analyze the trajectory, performance, aesthetics and musical compositions of the band Klitores Kaos, which works to claim rights and empower women, in a dialogue with Chada (2011), Béhague (1992, 1999), Blacking (1973) and Merriam (1964) to deal with socioeconomic factors present in the songs; O´Hara (2005) and Caiafa (1985) to address the context of the punk rock genre. In addition to the studied bibliography, I used media files and field research material before the pandemic. According to the analysis of the band's performance and aesthetics, its trajectory and mainly the musical analysis in this research, the data point to a production of protest, a 'cry' to combat femicide, sexism, misogyny and racism with women taking up spaces and the growing respect for the female gender in the punk/hc scene, which is often confused with the private lives of these women.
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    Máscara Búfala: Cartografia Cênica de um Corpo-Saudades
    (Universidade Federal do Pará, 2025-01-17) SILVA, Bruno Rangel Viana e; SARÉ, Larissa Latif Plácido; http://lattes.cnpq.br/3313460196086035
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    "Se em nome de Cristo eles destroem, em nome de Cristo nós vamos reconstruir": a experiência geográfica da ação da Pastoral da Juventude (PJ-PA) e da Frente de Evangélicos pelo Estado de Direito (FEED-PA) no espaço público em Belém-Pará
    (Universidade Federal do Pará, 2020-12-17) LIMA, Paulo Afonso Dias de; BAHIA, Mirleide Chaar; http://lattes.cnpq.br/6052323981745384; https://orcid.org/0000-0001-7168-2019
    The study of religion comprises a diversity of paths. With a focus on the social strength present in Christianity and the multiplicity of its agents, this research considers how they are capable of carrying out spatial and temporal transformations considering their practices in society and experiences, in addition to the present research emphasizes the character progressive religion. This dissertation aims to analyze the spatial experiences formed by religion, in the public space, by progressive movements, being the Front of Evangelicals for the Rule of Law (FEED) and the Pastoral of Youth (PJ). Methodologically, it incorporates a phenomenological posture that influences the use of concepts, it also seeks to approach an ethnographic posture combined with the use of participatory fieldwork. In this way, it is believed that the spatial experience of the movements is linked to: a) its progressive theological / political positioning b) its relationship of belonging to the group; c) the appropriation of public space through the body.
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    Travestidas formas: arte, beleza e erotismo em corpos de travestis no Bairro do Reduto em Belém do Pará
    (Universidade Federal do Pará, 2012-02-28) SOUZA, Paulo Sérgio das Neves; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184
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    Três pedacinhos de corpos em Deleuze: ética potência e transformação
    (Universidade Federal do Pará, 2010-06) YONEZAWA, Fernando Hirome
    This work is part of our search for a doctorate in psychology and result in a philosophical way of research on the topic of the body in the work of Gilles Deleuze (and Félix Guattari), which comes from the years of our graduation. Deepening our studies on the body, from the theoretical study of Deleuze´s works, we have been emphasizing the notion that the production of a body is a problem of ethical. If the body appears in Deleuze´s thought, sometimes as meeting of forces, at other times, also appears as the expression of the differences as bendings. Thus, there is still a notion that begins the power of thought begins from body, a becoming-body. Thus, with the intention of detailing the ethical issue related to the body, we present here a conceptual-philosophical route that connects several particles of philosophical concepts inhabitants of Deleuze´s philosophic arsenal.
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