Navegando por Assunto "Corpo como suporte da arte"
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Item Acesso aberto (Open Access) Corpo de Cristo, máscaras de diabos: etnopolítica e espaços de performance nos Diablos Danzantes de Yare, Venezuela(Universidade Federal do Pará, 2019-08-22) FERREIRA JÚNIOR, Amarildo; ACEVEDO MARIN, Rosa Elizabeth; http://lattes.cnpq.br/0087693866786684; FIGUEIREDO, Silvio José de Lima; http://lattes.cnpq.br/2713210031909963This research analyzes the social relations of the Diablos Danzantes de Yare, eucharistic brotherhood from Venezuelan Center-North, through which it situates and elucidates the symbolic and sociopolitical complexity of this festival and its respective social field, called the Festive Field of the Diablos de Yare. Its proposal aims to understand the experience of being in the world and the meaning production of the Diablos de Yare, in face of the assemblages and reflexivities they go through, considering their historical-social trajectory, which made them occupy the center of the party of Corpus Christi in Venezuela. Characterized as an interdisciplinary research, this study is guided by three fundamental principles, mutually influenced and organically linked, which consist of relational thinking in the social construction of research; in the “new social cartography” as a fundamental ethnography for research; and in the proposition of a possibility of praxiological integration between the theoretical references and the frameworks obtained from the empirical works performed, denominated as ensemble experience. The research was done in a small parish called San Francisco de Yare, of Simón Bolívar Municipality (Miranda State, Venezuela), and the survey collected data on fieldwork through non-directive interview, directive interview, direct observation, audiovisual and photographic records, georeferencing, and cartography workshop, as also bibliographical and documentary research. In its course, the study realize the contextual presentation of the set of parties known as Diablos Danzantes of Corpus Christi from Venezuela. It presents a dense ethnographic report about the Diablos de Yare, discusses the realization of the second life, and the Christian upcoming in the locality throughout party, and also discusses the practices of constitution, spatial distribution and activation of political and social meanings of expressions embodied in performance spaces, set up through what is defined as the ethnopolitical process of the Diablos de Yare. Finally, the research goes beyond the understanding of the feast-fact onto the apprehension of the feast-question in the evidence of the Diablos de Yare as bodies that resonate historical, symbolic and political specificities, for understanding sociopolitical and cultural processes that constitute and shape the local and the national in Venezuela.Item Acesso aberto (Open Access) Corpos Gordos em Cena: encontros embriagados na construção de uma personagem Rodriguiana(Universidade Federal do Pará, 2015-06-30) OLIVEIRA, Marluce Souza de; SANTA BRÍGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199; MARTINS, Benedita Afonso; http://lattes.cnpq.br/6379814397024971This Master’s Thesis presents fragments of two stage actresses life story. This encounter happens in crucial moments of our lives, Wlad Lima, veteran actress as a reference, and myself, Marluce Oliveira, a learner in art. On the first act, I do record my memories and translate them into artistic and everyday life scenes. On the second act, I do describe the encounter between two fat women, with similar experiences; I highlight the poetry of the veteran actress, her professional involvement, the local where both used to work, share and built (or destroy) their dreams, the similarities identified on love, familiar and professional affairs throughout the years. This encounter was crucial for the emerging poetry of the researcher, as beginner actress - the present study, entitled “Drunk Encounter”. On the third act, I do develop a study of the play “The man who cry for only one eye”, adapted from novel “The seven kitten”, of the dramatist Nelson Rodrigues. This work had a strong effect in our lives, one as stage director and the other as actress. The study also aims the understanding of specificities and correlations of this poetic encounter between us. Encounters and convergences on family, love life, work recorded in fragments of life story of each one of them. Methodologically speaking, the research was accomplished focusing the ethnomethodology, considering opening interviews, paper analysis, individual memory and referential as needed. Supported by some referential authors like: François Dosse, Michel Maffesoli, Ecléa Bosi, and one title of “the” stage director: Actor’s Personal Dramaturgy, Master’s Thesis. In the research, I revisited memories and records of a relevant play in our lives.Item Acesso aberto (Open Access) Encantaria-corpo: processos de criação e poéticas em dança(Universidade Federal do Pará, 2022-01-17) SOUZA, Luiza Monteiro e; MENDES, Ana Flávia de Mello; http://lattes.cnpq.br/6144243746546776This research-creation is affiliated with the line of research Poetics and Processes of performance in Arts of the Graduate Program in Arts at the Federal University of Pará (PPGARTES/ICA/UFPA). Its main objective is to carry out immersion and emergence experiences (EIEs) based on the encounter between immanent dance (Mendes, 2010), “encantarias” (Loureiro, 2008) and the notion of poetry (Cotê, 2015). Proposing to underline theoretical-artistic interactions emerging from the creation process, the EIEs are the research methodology from which the procedures of experimentation, creation, reflection, as well as poetics in dance, are born. The processes of artistic creation take as inspiration the magical worlds submerged in Amazonian rivers: the “encantarias’, a kind of transcendental dimension where the enchanted beings who poetize the existence of these rivers live. The idea of an enchanted depth in the river is found in this research with the immanent dance, establishing as the main theoretical-practical proposition the notion of “encantaria of the body”, which had been applied together with the Companhia Moderno de Dança collective, aiming to stimulate creative processes. The research results are the scenic work Na Beira, the videodances Poesia Submersa, Vamos falar de poesia?, Nas águas do invisível, Onde estará o além das coisas?, Dar-se em Vertigem, Ecos das Entranhas e Seres de Si and this memorial text.Item Acesso aberto (Open Access) Mulheres em mim: trajetória dançada do corpo metafenômeno(Universidade Federal do Pará, 2017-06-20) SILVA, Anna Cecília de Oliveira; ALENCAR, Cesário Augusto Pimentel de; http://lattes.cnpq.br/0024366223698692This writing reports the theoretical-practical investigation of the creative process called "Women in me". The study is born within the scope of dance and seeks to understand how the body, understood as a pulsating organism of the researcher, can be modified in its psychophysical state during the accomplishment of methodological artifices useful to laboratorial experiences of creation, being called for this body metaphenomic research, According to the meaning applied to the term by José Gil. The material presented in the memorial, based on occurrences insurged during the investigation, covers contents that refer, above all, to the progression of the artistic work developed, addressing themes derived from the composition of poetic routes, the operationally applied methodological procedures, the relation of the body to the Space and body preparation. To this end, authors such as Brazilian linguist Cecília Salles, Mozambican philosopher José Gil, Brazilian actor and theoretician Renato Ferracini, Polish director Jerzy Grotowski, dance researchers, Patrícia Leal and Ana Flávia Mendes, among other scholars, To subsidize such speeches. The exploration intends to indicate, instead of adopting, imposition or imposition of paradigms directed towards the ways of achieving a creative process in dance, considering the place where the researcher speaks, the interpreter-creator.