Navegando por Assunto "Culto afro-brasileiro"

Agora exibindo 1 - 4 de 4

Acesso aberto (Open Access)
O candomblé no Amapá: história, memória, imigração e hibridismo cultural
(Universidade Federal do Pará, 2008) PEREIRA, Decleoma Lobato; PINTO, Benedita Celeste de Moraes; http://lattes.cnpq.br/7489392738166786
Using as sources the oral memory, documents, prints and vídeo images, the present study deals with the relations that are established among the practices of Candomblé, Umbanda, “Mina” and Cure, in “terreiros” from Macapá, state of amapá. Since the 40’s of the last century the Afro-Brazilian religions have been settling in the region, brought by immigrants from other states of the Brazilian Federation, and in this process they have been touching, interacting and mixing to each other. The Candomblé though recent, from the 80’s of the 20th century, acquired a great visibility and has been increasing a lot the number of adhesions to this religion of followers from other Afro-Brazilian religions, in virtue of the expectations and conceptions of superiority that were created about it. Therefore to attend it’s necessities and demands of the clientele “fathers and mothers of saint” make use of practices of many Afro-religions denominations. This way, the Candomblé’s rituals show up as one more add, an extra element in the amount of religious knowledge acquired along the life an in the religious life of priests, who are responsible for the “terreiros” from Macapá. Like that this study contributed to rethink the importance of the studies that involve the cultural immigration phenomena, with the installing of a new cultural system in a society in expansion, the changes that it provokes in the cultural scene that is inserted an in the cultural system in question.
Acesso aberto (Open Access)
Encantados da “fortaleza” insular: D. Sebastião, natureza em uma história cultural na Amazônia
(Universidade Federal do Pará, 2007) SILVA, Gerson Santos e; RICCI, Magda Maria de Oliveira; http://lattes.cnpq.br/4368326880097299
When we apeak about popular culture, come to our thought of the commom sense, music, folklore and dance. We rarelly think in literature, but remember the religiosity that envolve all of these firsts. On that conception we don‟t remember to put the history, or better, the history that was produced for the people that made all of these manifestation and ideas. Here we try to think historically the genesis of a religiousness made in the middle of the Amazon region, with perspective of a sight of the people, the one who refers to when we speak about popular culture. From a site of the countryside of this region, São João de Pirabas city, we tried to see how this religiousness, represents in the nature and from it, to link a wider history with a Portuguese king character, D. Sebastian, religions with shamanism caboclo and afro-brasilian. Beyond the efforts of intelectuals and, also, show these religions from the thoughts of the people who made it, become it the most of the time, and answer, an alternative and at the same time part of the christian religion stabilished to our ancestrals that relaborated, as one the build of their history.
Acesso aberto (Open Access)
Entre maracás, curimbas e tambores: pajelanças nas religiões afro-brasileiras
(Universidade Federal do Pará, 2007-03) QUINTAS, Gianno Gonçalves; MAUÉS, Raymundo Heraldo; http://lattes.cnpq.br/0915136632611666
The purpose of this dissertation is to study the pajelança in the city of Belém, place where most of the accomplished studies if it concentrates in the decade of 1970 and 1980, or it has as investigation locus the countryside of the state of Pará. Some articles of Vicente Salles (1969) and Napoleão Figueiredo (1994) point to disappearance of the "pure" pajelança in Belém. This disappearance was due, in great measure, to the “influence” of the umbanda. Thus, the objective is to understand, starting from the study of four terreiros, as that practice is constituted in the city of Belém under the context of the Afro-Brazilian religions. The pajelança or “pena e maracá”, as it is known, is characterized, basically, in the faith of "encantados", that "incorporate", during the rituals, in the pajé, who is the central character of the sessions.
Acesso aberto (Open Access)
Guarda-roupa encantado: espetacularidade das roupas de caboca do terreiro estandarte de Rei Sebastião, Outeiro - Pará
(Universidade Federal do Pará, 2016-06-30) CASTRO, Otávia Feio; SANTA BRÍGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199
Grounded in Ethnoscenology in its transdisciplinary perspective, this research sought to understand the spectacular of the clothes used by Mariinha Jesus Costa Feio, mother-of-saint and caretaker Terreiro Sebastian King Banner, located in Outeiro Island, in Pará. The clothes are dressed in days that celebrates the cabocas entities of the tambor of mina, Herondina and Maria Légua - boss and counter-boss of mother-of-saint respectively - and belonging to a enchanted category mining pantheon - as Luca (2010) the enchanted are described as those who have not had the experience of death and did address in encantarias: forests, rivers, and other environments. To understand these clothes and full experience with the studied phenomenon, thanks to the assumptions of ethnographic research Geertz (2014); the experience period in terreiro realized from june 2015 to may 2016, in which experienced two parties: the caboca Herondina in august and caboca Maria Légua in december. This research aims to contribute to the Etnocenológicos studies in the Amazon, in view of the strength and tradition of the Tambor of Mina in Pará. Noteworthy is also important for those who work with clothes in a general context and more specifically to the costume designers, because during reflections and writing this essay, I took the authorial proposition of costume-etnocenológica, you need constantly exercise the ontological look - in the sense developed by Paes Loureiro (2008). Exercise this that helped to understand the spectacular character of these clothes, which for its making meet previously organized specifics, highlighting what the mother-of-saint of this place says about their cabocas and myths related to Dona Herondina and Dona Maria Légua.