Navegando por Assunto "Dialogismo"

Agora exibindo 1 - 6 de 6

Acesso aberto (Open Access)
“Arte em movimento dialógico”: uma experiência criativa em dança a partir de diálogo entre ballet clássico e danças regionais paraenses
(Universidade Federal do Pará, 2014-06-10) COUTINHO, Lucienne Ellem Martins; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344; VIEIRA, Lia Braga; http://lattes.cnpq.br/8247703330856310
This research aims to dialogism as a way of building a theoretical-practical, as space relation between the techniques of Classical Ballet and Dance Regional Paraenses in a scenic experimentation in dance experienced in the classroom with teenagers Project "Art in Motion "Home of the Institution of Mary, in Belém do Pará, in the second half of 2013. The research question was: How to conduct a dialogue between techniques from Classical Ballet and other arising Regional Dances, a playful and creative way with teenagers, resulting in a diverse and innovative scenic experimentation Dance? The playful in pleasurable sense, able to create a climate of enthusiasm. It is this aspect that emotionally involves the individual, making the activity of large content of motivation, a great generator of euphoria and vibration. And the joy of creative discovery of the body, movement, space, dialogue, interaction. As a general goal, I wanted to investigate the dialogical process of the technical elements of classical ballet with the Regional Dances in building a scenic experimentation in dance in a playful and creative way. To carry out this study, I conducted an action research. Here, I investigated: the relation between theory and practice regarding the technical elements of classical ballet and Regional Dances; elements that resemble each such techniques; the contribution they can make to future work addressing the ethical and aesthetic dialogue between the techniques of Classical Ballet and Dance Regional. The development of this research involved both goals present in the project "Art in Motion" - eg social inclusion through dance - as the goals that I build on my own teaching, including planning stimulating creativity, knowledge and respect the culture, art, and especially the dancing. The results of the research show, the relationship between theory and practice regarding the technical elements of classical ballet and Dance Regional: both in ballet and in regional dances trajectory of jumps, spins, wheel offsets, lateral, vertical; regional dances in the shed formed by the theatricality "micro-events of everyday life," and in the classic ballet spectacle formed by "macro events which go beyond routine are extracotidianos"; ethical and aesthetic dialogue between the techniques of Classical Ballet and Dance Regional, in the same scene; demonstration of creative processes involving regional dances in trials and discussions through dialogism between different techniques considered; and rectification of obsolete ideas in regard to classical ballet, seen by "common sense" only as a form of closed dance - on the contrary, emphasize it as an ethnic dance, linked to the society in which it arose.
Acesso aberto (Open Access)
A consciência socioideológica e a produção valorada do discurso : uma proposta pedagógica para o 9º ano com o gênero discursivo carta aberta
(Universidade Federal do Pará, 2021-06-28) SANTOS, Iris Letiere da Silva; OHUSCHI, Márcia Cristina Greco; http://lattes.cnpq.br/3038449011739174
The research consists in the elaboration of a Pedagogical Project of Reading and Writing with the open letter discursive genre, aimed at 9th grade students, for the development of socio-ideological awareness and the valuational production of the discourse. In the light of Applied Linguistics and linked to the Research Project The teaching of the Portuguese Language through the sociological and evaluative concept of the language, from Federal University of Pará (UFPA), campus of Castanhal, the investigation is based on the dialogical conception of tongue and language, using its sociological and evaluative approach, and in Interactionism, theoretical bases sustained in the studies of the Bakhtin Circle (VOLÓCHINOV, 2017 [1929]; BAKHTIN, 2011 [1979], among others. In seeking to answer how it is possible to systematize activities that contribute to the student's evidence of socio-ideological awareness and valued valuational discourse production in his textual productions of the open letter discursive genre, the investigation raises the hypothesis that the Reading and Writing Project, elaborated from the sociological and evaluative approach of language, helps 9th grade students to show, in the textual production of the open letter discourse genre, social and ideological aspects, and to present marks of evaluative speech. The research is characterized as qualitative-interpretative, of a propositional character and applied nature, and its general objective is to propose a Pedagogical Project for Reading and Writing for the 9th grade, with the discourse genre open letter, in order to contribute to the constitution socio-ideological awareness and the valuational production of students' discourse. As specific objectives, it is proposed: a) to understand how the social and ideological aspects can be contemplated within the Reading and Writing Project; b) verify how the valuation issue needs to be addressed in the Reading and Writing Project, in order to contribute to the textual production of the open letter, with the goal of persuading the interlocutor and achieving the discursive purpose of the open letter. In order to seek to answer the question of this research, a diagnostic activity was carried out with the discursive genre open letter to verify the students' knowledge about the genre, and, mainly, if there were signs of socio-ideological awareness and valuational discourse production in their productions. The diagnostic analysis showed some signs of axiological positioning in writing, little knowledge of students about the genre and problems related to the articulation of the text and the formal language in its written modality. In view of these results, using the methodology of Lopes-Rossi (2008) as a reference, a Reading and Writing Project was proposed with the open letter discursive genre, aimed at the 9th grade, with the objective of contributing to the constitution of socio-ideological awareness and valuational production of students' discourse. Therefore, reading activities were developed aimed at reflecting on the social, historical and ideological relations of the text production context explored in the project, as well as questions about thematic content, understanding and interpretation, style and compositional construction. The projetct generated an educational product, in e-book format, to be made available on the educapes.capes.gov.br platform, as support material for Portuguese Language teachers.
Acesso aberto (Open Access)
A constituição do dado em escritos sobre a prática de ensino de língua: análise discursiva de relatórios e artigos
(Universidade Federal do Pará, 2016-12) FAIRCHILD, Thomas Massao
We present partial results of a research project in which we discuss the function of writing in teachers' education. The general premise is that writing about a class may be an activity through which the teacher produces, to himself and to others, data that will allow him to keep working on the ideas and positions assumed by him when in class. In this paper we focus on two aspects of this research: the "polyphonic" analysis centered on unfurling the "voices" that make up a written discourse about the class, based on the ideas of O. Ducrot; and the questioning of what the configuration of the enunciate may show about the "empirical subject" responsible for it, diverging from Ducrot in favor of M. Bakhtin's ideas. Our data comprise two universes: texts written by Language Arts students during their in-school training and papers on the teaching of Portuguese published in academic journals. We point out three problems that are common to both kinds of data: a) the use of "weasel words" in the place of concrete information; b) the insertion of cited discourses as enunciates to which one answers instead of as data that one analyses; c) conclusions about the class that do not result from the data analysis that is shown. We synthesize our results by stating that, when it comes to discussing what goes on in the classroom, even though one might listen to the "voices" that come from there, such voices hardly receive any treatment as data and are responded to in different ways; the resulting discourse is thus inconsistent as far as an analysis of the class.
Acesso aberto (Open Access)
O desenvolvimento do conhecimento leitor de alunos do 8º ano: um trabalho com textos de memórias literárias contadas por contadores antigos de Castanhal
(Universidade Federal do Pará, 2019-02-28) SILVA, Idaléia Cruz; OHUSCHI, Márcia Cristina Greco; http://lattes.cnpq.br/3038449011739174
This thesis focuses on a study upon reading proficiency development of Grade 8 students based on literary memories. The research involves qualitative-interpretive, experimental research and applied methods. Likewise, it is on the basis of Bakhtin Circle as well as other scholars who have epistemologically taken the same strand. Concerning to reading practice, it followed the approaches by Britto (2012) and Menegassi (2010; 1995). It is noteworthy that this study was accomplished in partnership with the research project Dialogism on Linguistic Practices from Discursive Genres Approach (UFPA- Castanhal). The research starts from the hypothesis that the implementation of a work with reading activities and under a dialogic bias makes it possible for elementary students to develop their own reading skills. In terms of overall objective, this work mostly pursued to scrutinize the possibilities and consequences of working with literary memory genre regarding Grade 8 students reading proficiency. It comprises the following specific objectives: a) implement an experimental proposal with texts of literary memories, containing stories of the people from Castanhal; b) to verify whether the activities with texts of literary memories told by former residents of Castanhal were effective or not from an analysis of students’s school performance. In order to explore such hypothesis and reach the aforementioned objectives, it was conducted a diagnostic reading in the classroom with the chosen discursive genre aiming to cover students’s comprehension. The diagnosis displayed a higher number of correct answers in the decoding and literal levels, reasonable problems in the inferential level, and a more significant difficulty in the interpretative one. In accordance with the results taken from it, it was proposed an educational intervention, which contains four workshops about this genre and based upon Lopes-Rossi (2008) methodology. Afterward the step in the classroom, it was selected 12 attendees written responses as sampling for the qualitative analysis. Findings provided insights that most of students were able to understand question statements, to find explicit and implicit information in the texts as well as to make inferences, mastering literal and inferential levels of comprehension. Additionally, they also combined the discussed issue with their own background knowledge to produce personal answers, what highlighted their interpretative proficiency. From this progress, students successfully made value judgement on their own, and built up meanings about the approached text. Results underlined that with the implementation of this Educational Reading Project through literary memory genre it was possible to enhance Grade 8 students’s proficiency.
Acesso aberto (Open Access)
A responsividade discente em atividades de análise linguística com o gênero crônica no ensino fundamental
(Universidade Federal do Pará, 2016-12-12) GOMES, Sílvio Nazareno de Sousa; OHUSCHI, Márcia Cristina Greco; http://lattes.cnpq.br/3038449011739174
Acesso aberto (Open Access)
Trânsitos (in) visíveis diálogos na arte contemporânea paraense
(Universidade Federal do Pará, 2011-03-10) COUSTON JUNIOR, John Fletcher; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
The following research aims to propose a critical and theoretical reflection towards examples of contemporary art exposed in exhibitions and museums in the city of Belém, Pará. This visual guide map will make possible a comprehension look related to the anthropological signals that art has in a fluid, hybrid and interconnected world. So in this sense, the discussion will be guided by the concept of Dialogism proposed by Mikhail Bakhtin and his research group on a way that it can also be renewed to our context through intersemiotics and intertextuality operations. The mentioned operations, on a philosophical and conceptual relation, will try to provide a route to understand the cultural processes of the contemporary societies. Associated to the discussion there is the role that the cultural processes perform on the Latin America societies, not intending to pave a uniform and continuous path, but a rizomatic net of appropriations, ephemerons loyalties and visual concepts.