Navegando por Assunto "Ditadura militar"

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Acesso aberto (Open Access)
Da anistia à redemocratização: o processo de esquecimento da 5ª Companhia de Guardas
(Universidade Federal do Pará, 2023-07-10) COSTA, Carolina Silva da; PETIT, Pere; http://lattes.cnpq.br/8376409779394321; https://orcid.org/0000-0002-8970-3073
When talking about the dictatorship of 1964-1985, one goes back to a sensitive past, laden with memories and traumas that persist in power struggles, installed in the democratic process in Brazil since Law nº 314/1967 on National Security, passing through Law 6,683/1979 from Amnesty to the current historic buildings. Understanding and knowing the speeches and characters whose past lived is a study developed by researchers of the history of the present time, as well as problematizing the memory that permeates through subjective and also physical fields - the museums - places of memories brought by Nora (1988). Those spaces whose purpose is to remember, however, when they create a gap of forgetfulness, it becomes paradoxical, making it necessary to provoke historiographical constructions with regard to the dictatorial period. In this way, the methodology with bibliographical analysis was used in articles, books and productions, which cited the 5th Company of Guards as a place of prison, today Museum of Contemporary, Modern Art and photos, or House of Eleven Windows, located in the neighborhood of Cidade Old woman in Belém–PA. Museum that makes up one of the formative spaces of Happy Lusitânia, the set of heritage revitalized and resignified within the project that aims to publicize the first contacts of the European colonizer and the natives. House of Eleven Windows, in its chronological functions, served as the home of Domingos Bacelar, then as a Military Hospital and a space for the collection of testimonies and incarcerations of subversives in the 20th century, the 5th Company of Guards and finally the Museum. However, the point of discussion of this research is that in its current curatorial proposal, its repressive past is not disclosed, leaving the visitor out of tune with the real history contained in general, since not even all passivity passed on actually occurred in this space. Therefore, gathering in this research a historiographical base of names identified as subversive, in their actions within the resistance and that were sent to provide clarifications in the 5th Company of Guards, is the objective of this research, with the intention of provoking the sensitive memory in opposition to the speeches implanted by the silence and oblivion built in the building.
Acesso aberto (Open Access)
A guerrilha do Araguaia: meios de comunicação contra-hegemônicos da Amazônia para a Europa
(Universidade Federal do Pará, 2017-03-22) RODRIGUEZ, Lorena de Meira; AMORIM, Célia Regina Trindade Chagas; http://lattes.cnpq.br/9650931755253248
This study aims at reflecting on the role of counter-hegemonic media in the dissemination of news about the Araguaia Guerrilla in the international, national and regional dimensions and has as empirical objects of analysis the following alternative means of communication: Tirana radio (Albania), newspapers Brazilian Front of Information (1968- 1973) (Chile), Politique Hebdo (1970-1978 / 1982) and Liberatión (1973) (France), A Classe Operária (1925), O Araguaia (1974-1975), Coojornal (1976-1983) and Resistência (1983) (Brazil). For this purpose, we selected placements that approached the Guerrilla, being one of each medium, giving priority to the first identified according to the chronological order. These alternative media referres to the Araguaia Guerrilla, a movement of armed resistance to the Brazilian military dictatorship (1964-1985) that took place between the 1960s and 1970s, in southeastern Pará, while it was still in progress and under the gag of the Brazilian State. The hypothesis is that even these mediums were produced at different scopes and locations, they were fed by one or more networks of information, concerned with publicizing the conflict. The problem that gave rise to this research was: how did Guerrilla news reach the international counterhegemonic media if the conflict was denied by the Brazilian Military Regime and was not reported in the official press at the time of its occurrence? In order to be able to unveil the object of study that has been missed, we look for fundamental concepts such as the one of hegemony proposed by Antonio Gramsci (1999), that approaches the domain of a group that holds financial and / or intellectual capital over another that holds The condition of oppressed, this alludes to counter-hegemony, here anchored by Denis de Moraes (2011). Other precepts were fundamental as the press censorship debated by Karl Marx (2006) at the international level, and by Beatriz Kushnir (2015) and Anne-Marie Smith (2000) at the national level. We also focus on the radical and alternative media that challenge the status quo, through John Downing (2002) and Cecilia Peruzzo (2006), among others. Therefore, for the Guerrilla, we studied the works of Fernando Portela (1986), Élio Gáspari (2002) and Paulo Fonteles Filho (2013) The research was relevant since it raised counter-hegemonic media that approached the subject of the Guerrilla and, nevertheless, had not been worked previously. In addition to the novelty, the study made us realize that, even though the national press was censored on the subject, the subject reached international vehicles, and these were fundamental for the conflict to be registered and legitimized. It was inferred that news was shared by information networks. The research was made using the qualitative techniques proposed by Ortez and Gonzáles and the techniques of content analysis proposed by Laurece Bardin (1979).
Acesso aberto (Open Access)
A presença indígena na telenovela brasileira: poder, interdição e visibilidade
(Universidade Federal do Pará, 2019-04) NEVES, Ivânia dos Santos; CARVALHO, Vívian de Nazareth Santos
In this article, we analyze the appearance of indigenous characters in Brazilian telenovelas and the discourses that are broadcasted about the indigenous identities. In order to investigate which of those productions brought indigenous characters, we carried out a survey in the 665 telenovelas aired from 1963 to 2016, on the main Brazilian television broadcasters, and in only 28 of those we found indigenous characters. We took as the main theoretical reference the formulation of conditions on historical possibilities of the discourses and we found two major events imbricated with the production of telenovelas and the indigenous presence: the demarcation, in 1978, of the Xingu Indigenous Park and the commemoration of the 500 years of the colonization of Brazil. We have observed that the main indigenous characters of those plots are heterogeneous and are associated with different political positions.