Navegando por Assunto "Economia Criativa"

Agora exibindo 1 - 2 de 2

Acesso aberto (Open Access)
Financiamento Coletivo Audiovisual Universitário : Uma reflexão a partir da realização do longa-metragem A Besta Pop
(Universidade Federal do Pará, 2021-09-29) FERNANDES, Suelen Cristina Nino; STOCO, Sávio Luís; http://lattes.cnpq.br/3206903170798612
This paper analyzes the use of crowdfunding by undergraduate students in cinema, audiovisual and related fields as a creative alternative for making projects viable, proposing a reflection based at the personal experience of making the feature film A Besta Pop (2018). At first, I present the process of building the movie from its origin to its various exhibitions, drawing a parallel between the market's production model and the adaptations made in the university environment of the film, using Aída Marques (2007), Chris Rodrigues (2007) and Jose Quesada (1996) as a theoretical framework. Then, I draw an overview of the characteristics of crowdfunding, as a financial way of the practices of collective constructions that take place in the virtual environment, known as crowdsourcing, drawing on the theoretical scope of Vanessa Valiati (2012; 2013) and Scott Steinberg and Russell DeMaria (2012), among others. To do so, I analyze the mechanisms present in the Catarse platform, presenting the data survey of projects that identified themselves as university, hosted on the platform between the years 2016 to 2018, in order to understand the profile of projects and proponents. In this sense, I try to understand the movement of crowdfunding in the context of the creative economy, proposing a reading of creativity in the performance of the audiovisual producer, based on John Howkins (2007), Richard Florida (2012), Mariana Madeira (2014), among others, as references to reflect on the challenges posed by social, economic and political issues in the audiovisual activity
Acesso aberto (Open Access)
Mercado do artesanato brasileiro: Aspectos socioeconômicos em um paralelo com as artes e seus sistemas
(Universidade Federal do Pará, 2024-01-26) GOMES, Paulo Henrique de Oliveira; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
Brazilian handicraft market is still a neglected segment among the questions of our academic field, especially in Arts studies. Usually, scholars relate handicraft to Economics and Development approaches. The Ph. D thesis, a product of this research, seeks for broadening this point of view, dealing with the necessary interdisciplinary nature involved in both production and circulation of handcrafted oeuvres in current national context, to stimulate a framework where Arts, market, development and public policies meet. The research was conducted by means of phenomenological inquiry face to the theme ́s very own complexity. There is a nexus between production and circulation of artwork and the impacts of its chain on social life and the creative process of the artists. Thus, the research presents and analyzes public policies designed to foster, organize, and strengthen the sector. Additionally, the thesis aims to point the differences between a Contemporary Art Market and the particularities of a Handcraft Art Market, as well as its eventual similarities. Finally, the research works with present data and facts related to the theme, through actual experiences, the scenario of this Art genre, its agents and applied cases acting directly into its market.