Navegando por Assunto "Erotismo"

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Entre cabeças, olhos e boca: transitanto por Moqueca de maridos e História do olho
(Universidade Federal do Pará, 2020-12-22) FERNANDEZ, Rafaella Dias; LEAL, Izabela Guimarães Guerra; http://lattes.cnpq.br/2507019514021007
This thesis begins with a reflection on the reading of the myth of creation and the destruction of the world for the Tupinambá people. From this narrative, a fundamental element emerges for this people: the land without evil. After a reflection on the importance of this land to the Tupinambá, it is observed that revenge and anthropophagy are vectors of strength and help to build the memory of this indigenous people. These two components, so primordial to the Tupinambá, also emerge as essential elements to understand the narratives present in anthropologist Betty Mindlin's book, Barbecued Husbands – and other stories from the amazon. Written by the anthropologist and indigenous narrators of six ethnic groups: Makurap, Tupari, Wajuru, Djeoromitxí, Arikapú and Aruá. It is worth pointing that the six indigenous peoples who build the records of the myths in the book derive from the Tupi trunk, just like Tupinambá’s. After the reading, there was a constant presence of revenge, murders, torture, eroticism and anthropophagy. Hence, it is proposed to analyze the symbolic meaning of each vector present in the indigenous narratives and its probable correlation with the novel Story of the Eye, by Georges Bataille. These two readings, far from being conflicting, catch the intrinsic connection between two fields considered distinct: indigenous myths and Western literature. After an investigative analysis, it was found that there are points where both seem to resonate one another. Thus, in what sense is it possible to think of convergences between myths and the bataillian novel? What is the symbolic meaning of violence, eroticism and anthropophagy in both? Thus, the central objective of this thesis is to propose a comparative analysis between the works and problematize the metaphorical sense of eroticism, anthropophagy and violence in each of the works. The convergence between French literature and indigenous erotic myths was thought by Eliane Robert Moraes, a scholar of eroticism in Brazil. The author places a brief correspondence between the two by stating that the indigenous imaginary seems quite familiar to those who know modern erotic literature. To accomplish this work, we are based mainly on the studies of Georges Bataille, Eroticism (2013) and Literature and evil (2015), by Georges Didi-Huberman, La Ressemblance Informe ou le Gai Savoir Visual selon Georges Bataille (2015), and the anthropologist Eduardo Viveiros de Castro, A inconstância da alma selvagem (2016). Thereby, in order to give breath to an unprecedented work of comparison between both, we aim to propose thematic resonances and highlight the differences in the two readings.
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Pele de terra, minha morada: memorial da criação do ritual cênico-erótico em diálogo com a obra Magma de Olga Savary
(Universidade Federal do Pará, 2016-06-10) BARROS, Ana Carolina Magno de; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074
This memorial naked the creation of scenic-erotic ritual earth Skin: my home done in dialogue with the Magma work of Olga Savary. It is understood as a mapping (PASSOS; KASTRUP; ESCÓSSIA: 2009), only a sibilada mapping a snaking between spiraled artistic languages and creative movement (SALLES: 2011) writing in sibilares. Having the image as "methodological operator" (RANGEL: 2009), this research snared four elements, said scenicerotic ritual (ARTAUD: 2006), rooted in the pursuit of erotic body (BOGART: 2011) active (QUILICI: 2015) ; an essay in which digestion eroticism signs (BATAILLE: 2013), the sacred (MAÇANEIRO: 2011), myth (CAMPBELL: 1990) and Uroboros image-strength, well in a performative writing; the daily stage director, made poetry shaped images, drawings, paintings, collages and scribbles, devices used to design the staging (ROUBINE: 1998); and the daily scene, a story in the literary journal structure, which narrate the daily life of the tests and present the ritual script. In this paper I propose to strip the act of creation that unfolds in new works, a circularity that feeds back, similar to the Uroboros as an erotic ritual.
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Procedimento e erotismo na obra deleuziana: considerações
(Universidade Federal do Pará, 2010-06) FEIL, Gabriel Sausen
The concept of Procedure is of paramount importance in the work of Deleuze. Not surprisingly, his favorite authors are precisely those create their own Procedures. 2) Most of the time, the concept appears next to the theme of Eroticism. Considering these two findings, this article aims to draw links between these two concepts, using, as strategy, writing by brief considerations (because we believe that Deleuze dealing with these two concepts in the form of considerations: not taking as the central object, but using them as a way of carrying forward of their objects). From the relation, we conclude that, in Deleuze, every Procedure is Erotic and is precisely why this expression differentiate from common sense: when the Procedure works of the Erotic form, distinguishes itself from the manual of conduct. Moreover, we find that the Procedure, although it involves the dissolution of Forms, it is, nevertheless, always Formation, obtaining its positivity.
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A roda-viva da corporalidade: vivências e ressignificações dos desejos em "A estória de Lélio e Lina"
(Universidade Federal do Pará, 2021-08-30) RAMOS, Pablo Rossini Pinho; LEAL, Izabela Guimarães Guerra; http://lattes.cnpq.br/2507019514021007
“A estória de Lélio e Lina”, a text originally part of the first volume of Corpo de baile (1956), by Guimarães Rosa (1908-1967), can be read as a narrative interspersed with imagery planes suggestive of the sexual experiences of the characters. Considering this, it is necessary to examine some of the various nuances correlated with corporality, which, in the novel, unfolds in eroticism, in the representation of black women (in which there is the set of sociocultural elements of male oppression over the female body) and in the exercise of sexuality itself. Thus, concerning the first topic mentioned above, as a form of unproductive expenditure, based on the arguments of Bataille (2016; 2017), it is intended to elucidate how occurs the systematic disruption of the interdicts and the violation of laws/taboos (transgression) in the ambiguous and tumultuous relationship between Lélio, the protagonist cowboy, and the young Sinhá-Linda, whose presence-absence permeates the past and present of the wandering backcountry man. Based on the concept of Patriarchy (FREYRE, 2006), this work discusses how some stereotypes associated with black women, such as immoral sex and prostitution, are interlaced in a hinterland full of significations represented in the sensual character Conceição (one of the ‘aunts’). If the intention is to denounce and counter conceptions forged by colonial and patriarchal heritages, contemporary feminist studies that somehow incite other debates around these historically silenced voices will also be opportune, such as bell hooks (2019). And finally, it is presented the theme of sexuality (FREUD, 2016), predisposed and re-enacted in behaviors, acts, and desires of the male and female tensioned in Lélio and his main interlocutor, Rosalina (Lina). Regarding the method followed in this dissertation, the postulates of Hans Robert Jauß (1994; 2002) in the Aesthetics of reception, especially those that deal with basic categories, such as reception, reading and aesthetic experience, are adopted to assist us to engender new investigation possibilities for the central hypothesis of this work: that we are facing particular forms of narration of sensory experiences and sexual activities. In addition to the first section, follow two textual sections, respectively, interpretation of the mentioned narrative and studies of critical reception that dealt with themes related to “A estória de Lélio e Lina”, such as eroticism (REBELLO, 2006; VALENTE, 2011) and tradition and modernity in the hinterland (ROCHA e SILVA, 2010).
Acesso aberto (Open Access)
Travestidas formas: arte, beleza e erotismo em corpos de travestis no Bairro do Reduto em Belém do Pará
(Universidade Federal do Pará, 2012-02-28) SOUZA, Paulo Sérgio das Neves; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184