Navegando por Assunto "Espetacularidade"
Agora exibindo 1 - 5 de 5
- Resultados por página
- Opções de Ordenação
Item Acesso aberto (Open Access) Guarda-roupa encantado: espetacularidade das roupas de caboca do terreiro estandarte de Rei Sebastião, Outeiro - Pará(Universidade Federal do Pará, 2016-06-30) CASTRO, Otávia Feio; SANTA BRÍGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199Grounded in Ethnoscenology in its transdisciplinary perspective, this research sought to understand the spectacular of the clothes used by Mariinha Jesus Costa Feio, mother-of-saint and caretaker Terreiro Sebastian King Banner, located in Outeiro Island, in Pará. The clothes are dressed in days that celebrates the cabocas entities of the tambor of mina, Herondina and Maria Légua - boss and counter-boss of mother-of-saint respectively - and belonging to a enchanted category mining pantheon - as Luca (2010) the enchanted are described as those who have not had the experience of death and did address in encantarias: forests, rivers, and other environments. To understand these clothes and full experience with the studied phenomenon, thanks to the assumptions of ethnographic research Geertz (2014); the experience period in terreiro realized from june 2015 to may 2016, in which experienced two parties: the caboca Herondina in august and caboca Maria Légua in december. This research aims to contribute to the Etnocenológicos studies in the Amazon, in view of the strength and tradition of the Tambor of Mina in Pará. Noteworthy is also important for those who work with clothes in a general context and more specifically to the costume designers, because during reflections and writing this essay, I took the authorial proposition of costume-etnocenológica, you need constantly exercise the ontological look - in the sense developed by Paes Loureiro (2008). Exercise this that helped to understand the spectacular character of these clothes, which for its making meet previously organized specifics, highlighting what the mother-of-saint of this place says about their cabocas and myths related to Dona Herondina and Dona Maria Légua.Item Acesso aberto (Open Access) Lágrimas e cachaça: a espetacularidade do cortejo funebre do frete em São João do Abade, Curuça - PA(Universidade Federal do Pará, 2014-06-03) SALES, Valéria Fernanda Sousa; SANTA BRÍGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344The present research investigated by Etnocenologia as Practice and human behavior – PCHEO, Organized the Spectacular funeral procession freight abadiense, identifying its participants, rules, symbolism and possible origin in the municipality of Curuçá-PA. Consisted in a qualitative study of ethnographically, in which the artist-researcher-participant conducted unstructured interviews, documentary and bibliographical research, with photographic and filmic records before, during and after the phenomenon. Research points to a possible resemblance of ocean freight with the Baroque Funeral registered in Curuçá in the 19th century. The organisation of the funeral, see characteristics of a brotherhood reconfigured in the 21st century and the inauguration of a social role, the owner of freight, which only exists in the Village St. John of the Abbot. Objective contribute to the studies of Etnocenologia comprising the elements that comprise the phenomenon from its practitioners, the relationship of the artist-researcher-participant who lives and reflects on the investigated object, the spectacular nature and understanding of freight as spectacular fashion extracotidiana belonging to the abadiense tradition and culture curuçaense.Item Acesso aberto (Open Access) Marcadores de quadrilhas juninas em Belém do Pará: uma rasgação de afetos, trajetos e espetacularidades(Universidade Federal do Pará, 2019-12-19) ESTEVAM, Romulo Sousa; SANTA BRÍGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199The researches of Junines Dances in Belém do Pará: a trait of affection, trajectory and spectacular objective aims the investigation of three markers of Juninas dances: Edson Neves of the group Rosa Vermelha; Anderson do Rosário from the Kingdom of São João and Rai of the Roceiros da Barão group. For that, I set myself up as an artist-researcher-participant methodologically based in the field of Ethnocenology, which focuses on studying Organized Spectacular Practices and Human Behavior – PCHEO (BIÃO, 2007). In the pursuit of this understanding we take a dip in popular Junin culture and invite authors to dance with us: Clifford Geertz (1989) and Canclini (1982) in the great circle of issues such as identity and culture; in the creative processes Sonia Rangel (2009), in the modern choreographies Eleonora Leal (2011); in the ethnocenological balance the aesthetic and cultural matrices of Armindo Bião (2007), the emotional communities of Maffesoli (1998) and the Spectacularity of Dumas (2010). As a methodological procedure, we immerse ourselves in this Junino universe, accompanying enamored the creative processes of the spectacular practices of the chosen markers, experiencing the essays, contests and moments of relaxation and affection. This study seeks to contribute to the production of knowledge originating from the culture of the June block of Belém do Pará, dissociating popular knowledge and scientific knowledge as an ethnocenological premise.Item Acesso aberto (Open Access) Os Portais, o baú, o cavalo e o farol: a espetacularidade na festa de São Cosme e São Damião no Terreiro de Mina dois Irmãos(Universidade Federal do Pará, 2012) SANTOS, Keila Andréa Cardoso dos; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344Item Acesso aberto (Open Access) Puta, Pistoleira, Dona de Cabaré: a espetacularidade do corpo-cavalo-travestido de Dona Rosinha Malandra no Templo de Rainha Bárbara Soeira e Toy Azaka. Icoaraci/Pa.(Universidade Federal do Pará, 2021-01-19) CARVALHO, Ana Claudia Moraes de; SANTA BRIGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344Through winding lines of aerial thoughts conceived by a butterfly-writer, I write about the body-horse of Dona Rosinha Malandra, Umbandist Left Entity. Dona Rosinha incorporates in Rosa Luyara, a Saint's Mother who is a transsexual from the Belém’s periphery, which is the preponderant factor for the development of libertarians and crossroads epistemologies, of immoral nature, whose poetic crossings were experienced by the actress-researcher-bacante, in the affective crossroads of the Amazonian Umbanda. Based on the poetic image of the vulgar-butterfly, the methodology developed in this thesis was configured in a process involving sweet deaths for new transformed lives. Through an ethno-affective method. Pupas, hot vulvas, cocoons, self-estrangements in the understanding of the house-cosmos perfumed with snake perfumes, which is the central force of a body-horse-transvestite. Prostitute, Gunslinger, Cabaret Owner reveals mysteries, secrets of a malandra worldview belonging to a present time, for the social empowerment of a community. As an epistemological contribution to the academy, I develop the notion of body leaning, which is configured in an epistemo-methodological proposal of a body in the process of creation. A butterfly-thesis. This study is a feminist thesis, with transformative, transgressive and deliciously imoral content. The research aims to raise ardent butterfly flights, based on ethnocenological notions of Armindo Bião e Miguel Santa Brigida, in the images of Barchelard, in the imaginary of Durand and in the sensitive thought of Maffesoli to prepare the paths to be walked in an identity construction of gender, community and artistical epistemic freedom