Navegando por Assunto "Estudos literários"

Agora exibindo 1 - 13 de 13

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Alteridade e morte em "Páramo", de Guimarães Rosa
(Universidade Federal do Pará, 2017-02-03) PEREIRA JÚNIOR, José Antônio Braga; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
This dissertation aims to investigate the relation between the themes of otherness and death in “Páramo”, by João Guimarães Rosa, based on Hall (2006), Bhabha (1998), both about the concept of otherness, and Ariès (2012) and Levinas (2000), both about the concept of death. Published in Estas Estórias (1969), “Páramo” is a singular writing among the works of Guimarães Rosa, because it is the most autobiographic text of the author and is set on a urban space of a foreing city. In this tale, a brazilian ambassador is sent to an andean city where he has to execute a diplomatic service, but after to be shoked by extreme otherness of that place he begins feeling a process of decentering of his identity, that culminates with premonition of his death and a need of renovation of Being. The relevance of this research is that it brings new discussions about the inevitable relation between Me, Other and death in the text of “Páramo”, so that we can reflete about the philosofical and cultural outspread of this relation. This research is divide into three parts: the first part of this study will deal with the concepts of otherness and death acordding the authors related above. In the second part of this study we will launch a reflection about the philosofical and cultural problems based on the intertwined relation between otherness and death on the text of “Páramo”, accomplishing a dialogue with the concepts and categories of Being, Other and the Stranger. In the third and last part of this research, we will realize a dialogue between the conceptions presented in this research and the perspectives presented in most relevant works published about “Páramo”, as studies from Hector Olea Galaviz (1987), Maria Thereza Scher Pereira (2007 e 2009), Bairón Escallón (2011, 2012 e 2013), Luciano Antônio (2013), Gisálio Cerqueira Filho (2013), Betina Cunha (2014), Maria Magnabosco (2003), Edson Oliveira (2010) e Paulo Moreira (2013), aiming to contribute to studies dedicated to this narrative of João Guimarães Rosa.
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Corpos fraturados e insubmissos nas colagens de Max Martins
(Universidade Federal do Pará, 2016-06-13) PINHEIRO, Márcia de Souza; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958
This dissertation aims at analyzing the bodies (of art) fractured and unruly in the collages of Max Martins, considering its cultural, historical, aesthetic and intertextual. Therefore, we investigated the body imagery in art history from Modernity, highlighting the intense surrealist influence and outstanding dehumanization of modern work of art, which undertakes man as artistic experience, promoting their stylization; thus we observe how these influences are projected in the poet collages. Faced with some theoretical approaches about the history of art, fragmentation and body, we consider the interpretation of Ernest Gombrich (1978), Eliane de Moraes (2010), Ortega Y Gasset (1999) and Viviane Matesco (2009). For the intertextual relations in the collages, we use the texts of Antoine Compagnon (2007), Affonso Romano de Sant'Anna (1983), Diana Barros, José Fiorin (1994) and Linda Hutcheon (1985) that support this argument.
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Do desenho à pintura: o visualismo na escrita de Clarice Lispector
(Universidade Federal do Pará, 2016-02-25) ARAUJO, Elisama Fernandes; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
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Entre jornais, livrarias e gabinetes de leitura: a circulação dos romances-folhetins camilianos no Pará oitocentista
(Universidade Federal do Pará, 2016-06-17) PAIVA, Cláudia Gizelle Teles; SALES, Germana Maria Araújo; ttp://lattes.cnpq.br/8723885160615840
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Fabiola: a subversão, a moralização e a virtude recompensada
(Universidade Federal do Pará, 2017-02-23) PINHEIRO, Márcia do Socorro da Silva; SALES, Germana Maria Araújo; http://lattes.cnpq.br/8723885160615840
Although it achieved its greatest projection in the nineteenth century, the novel genre already stood out in the Europe’s eighteenth century literary horizon and underwent through major transformations. This way, the romance established itself amidst social, political and economic changes. This study aims to analyze the romance Fabiola, published in 1865, in the form of a booklet in the periodical A Estrella do Norte (1863-1869), a catholic newspaper that published its news under the supervision of Dom Macedo Costa (1830-1891). To achieve the objective of this work, we will discuss the rise and consolidation of the genre in the first chapter, making a counterpoint between the reading of Fabiola and other novels that stood out during the eighteenth and nineteenth centuries. We will also demonstrate, in the second chapter, how the reception of the novel in nineteenth century’s Pará, especially from the perspective of the editor of the periodical, Dom Macedo Costa. In the third chapter, we will analyze the female characters of the novel and see how these categories manifested themselves in the literary work. The historical context in which Fabiola was published will also be described, as a way to try to determine its influence, in what it involves the choice of such publication by the publishers of Pará’s religious journal
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Ficção e traduções de fãs na internet: um estudo sobre reescrita, colaboração e compartilhamento de fanfictions
(Universidade Federal do Pará, 2017-02-23) REIS, Fabíola do Socorro Figueiredo dos; LEAL, Izabela Guimarães Guerra; http://lattes.cnpq.br/2507019514021007; STALLAERT, Christiane
This dissertation studies the translation process of fanfiction (fiction written by fans), one of the many activities practiced by fans in virtual communities. The study is based on a corpus of English texts that have been translated online into Portuguese. The study shows that, on the one hand, the translation process bears similarities to traditional translation practices and strategies while, on the other hand, the actors move flexibly between the different roles, adapting themselves easily to the various possibilities that a virtual environment offers. Characteristic of fanfiction in translation is that it is a dual process of 'rewriting': on the one hand, the creation by fans (readers / writers) of new stories based on existing characters and plots, and on the other hand, the translation itself, which can be described as a process of "rewriting". According to the definition of Lefevere (1995), all translation is a form of rewriting of an 'original', a process related to power relations embedded in a particular social context. After introducing the concept of translation as ‘rewriting’, the specific aspects of the translation of fanfiction as a process of 'rewriting' are analyzed, such as the temporal aspect (the ‘pace’ of translation) and the relationship between author / reader of fanfiction and his / her translator (s). The analysis makes clear that in the digital age, the relationship between entities such as author, reader and translator has become extremely complex and that these entities can no longer be considered or observed as fixed and distinct realities. The roles and functions that are observed are interchangeable and this plasticity is accentuated by the use of technology (machines), which transforms the actors into 'cyborgs', able to simultaneously assume the role of author, reader and translator. Traditional dichotomies such as ‘writer’ versus ‘reader’, ‘reader’ versus ‘translator’, or ‘translator’ versus ‘reviewer’ have changed substantially in cyberspace. The cyborg-translator is both part of the real world and the parallel world of the Internet; from behind of his / her machine he/she participates in various fields, assumes distinct roles and interacts with readers and writers. The generalized access to the Internet raises questions regarding the future of the practice of writing, reading and translating. Is it possible that the boundaries between writer, reader and translator will be erased in the digital age and that the different roles can be adopted simultaneously by the different actors? From the perspective of the humanities, the digital era requires us to reconsider traditional categories of division of labor separated from each other by sharp boundaries. The rise of the internet has created new genres and makes participation in the cyberspace possible to what was once limited to only part of the population. In Liquid Modernity (2001), Bauman states that patterns of human interaction and dependency, as compared to previous generations, have become malleable in an unimaginable way, but also that their shape - just like all liquids - does not remain stable. By analogy with this observation, we can say that some traditional dichotomies that once helped us to understand and analyze our society, are evaporating or beginning to merge one into another. Bauman’s metaphor can be applied to the study of literature and translation in the digital age, characterized by actors moving in different directions. By analogy with the notion of fluidity, this thesis based on a corpus of translations of fanfiction studies the changed roles of reader, author, and translator in the digital age and its significance for the traditional dichotomies of literature and translation studies.
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Ideias preliminares sobre o romance: uma leitura dos prefácios camilianos
(Universidade Federal do Pará, 2014-07-14) SANTOS, Vanessa Suzane Gonçalves dos; SALES, Germana Maria Araújo; http://lattes.cnpq.br/8723885160615840
Due to the rise of modern novel, the prefaces space, also called prologue, preamble, warnings to the reader, preliminary ideas, was also used as a debate spot, where it was aimed to form the novelistic aesthetic and to add credibility to the novel. The issues were also seen in prefaces from brazilian and portuguese novelists by the time of the rise and consolidation of the novel in those coutries, in the mid-nineteenth century, these issues circulated between the two countries through the importation of books too, especially regarding the transatlantic movement Portugal-Brazil. Camilo Castelo Branco was one of the portuguese writers greatly appreciated in Brazil, and whose works are filled with prefaces, which approuch, among other aspects, the novel as a new genre surrounded by distrust. The works of Camilo formed, over time, imposing large collections in great libraries from the country, such as the collection Camiliana, located in Grêmio Literário Português, State of Pará, where many texts produced, translated and edited by the portuguese writer can be found, besides works that reference him, whose highlight is on the meaningful presence of novels, which are mostly first editions. Thus, based on the prologues of the first editions novels: Amor de perdição (1862), Estrellas funestas (1862), Annos de prosa (1863), Amor de salvação (1864), Mysterios de Fafe (1868), O retrato de Ricardina (1868), and the second edition of O romance d’um homem rico (1863), available on that collection, this work seeks to reflect on the images and opinions that the author builds and designs about the genre itself and its possible reader, in order to understand his vision of issues so commonly associated with novel, as the relationship between reality and fiction and fiction and morality, this acquaintance does not obliterate the reading and dialogue with the fictional texts themselves, which the prefaces are conditioned to. To this end, it is approached, in the two chapters that precede the analysis of prologues from Camilo, respectively: aspects concerning the rise of the novel, its acclimatization in Portugal and its cultivation by Camilo Castelo Branco; the acclimatization of the genre in Brazil, the importance of creating spaces for reading and the physical description of the collection Camilians, the corpus from the research.
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O interlúdio de Eros e Thánatos na poesia de Max Martins
(Universidade Federal do Pará, 2017-02-17) RIBEIRO, Natália Lima; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
This study aims to find which way Eros and Thánatos appear in the poetic work of Max Martins, on the assumption that these ontological experiences articulate in interlude (a game in between). Thus, this search intend to embraces new ways of thinking Love and Death out of a metaphysical tradition, or out of the paradigms which form used to these phenomenons that exceed the man in the work of the martiniana poetry. In the work of Max Martins, we can see a break with the metaphysical constructions that happen in modernity, given that his poetry is permeated by the constant question, from a thought about the events surrounding the existence. For the poet, the man is that one who takes care of things, makes his existential trajectory by questioning, experiencing Love and Death originating, not categorizes them into segments. In other words, in the work of Max Martins human being travels the existence in the ontological game Eros and Thánatos. In his works, both phenomenons appear in different forms and ways, as Max Martins is not related to an expression, but his experiences in poetic language of Eros and Thánatos all over nearly fifty years of poetry. In this sense, through a hermeneutic approach, the proposal presented here raises the development of an interpretive route around the poetics of Max Martins in the works include the collection Poemas Reunidos 1952 - 2001 and Para ter onde ir, with authors dialogue as Martin Heidegger, Octavio Paz, Manuel Antônio Castro, George Bataille and Plato, in order to foster discussion about the relationship between Love and Death diverges opposition usually employed in our time, but there is a match between these two instances that guiding life.
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Memória e narrativa na voz de contadoras itinerantes e griots
(Universidade Federal do Pará, 2015-06-29) SANTANA, Adrine Motley; SIMÕES, Maria do Perpétuo Socorro Galvão; http://lattes.cnpq.br/0672011058049782
Previously storytelling occurred amid sitting groups around a campfire and, among them, a storyteller heating the people present there with their living breath, telling the stories passed from generation to generation. They were called shamans, griots. In the twenty-first century, this practice has become and the places where they operate are differentiated as schools, hospitals, public squares, universities, among others. They are called urban contemporary or narrators, for assuming a new identity and professionalize this practice. Thus, this research proposes to study the early formation of movement of these storytellers, in the voice of women formed in two public institutions of higher education: in the Pará State University (UEPA) and the Federal University of Pará (UFPA), from 2000 to 2005, at which were part of the Griot groups (UEPA) and Itinerant meters (UFPA). The women involved in these groups, which I was part of the Griot, sought in his body and voice, propagate studied and heard stories both in verse and in prose, in the extension project already mentioned. Thus, this work is to thread the memory guided the assumptions of Maurice Halbawchs (2006), Michael Pollak (1992), Pierre Nora (1993), interspersed with study of Oral Poetry of Paul Zumthor (2010) to report narrative "embedded" concept presented by Karl Eric Schollhammer (2012), and thus be able to tell how it all began.
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As mil e uma transfigurações de rocambole: a personagem mais brilhante de Ponson du Terrail
(Universidade Federal do Pará, 2016-04-29) BORGES, Débora de Castro; AUGUSTI, Valéria; http://lattes.cnpq.br/6970953321235328
Ponson du Terrail was considered one of the leading French popular novelists the second half of the nineteenth century. Having circulated widely in serials and in book form his country of origin, he had his novels translated into Portuguese language and, that century, published by numerous Portuguese publishers. Part of Portuguese editions of his novels have been sent to Belém of Pará and became part of the Grêmio Literário Português of Para collection, reading room established in the capital of the province in 1867. Whereas one of the main author of blockbusters was Rocambole series, which are narrated the adventures of the eponymous character in 12 novels, this work aimed to describe the bibliographic point of view, the issues of this series contained in the collection of this institution to date. Therefore, we collected the editorial data of the copies of paraense reading room, which were compared with specimens of French editions available at the Bibliothèque Nationale de France, so check the different editorial arrangements of the series, with regard to the organization the parts that compose it. Done this was undertaken the synthesis of the plot of the novels that compose the series as a whole, as well as the analysis of the narrative focused on the physical and psychological transformations of character, emphasizing the importance of disguise and recognition for the plot economy.
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Pluralidade e experiência estética em "O Recado do Morro"
(Universidade Federal do Pará, 2017-02-03) OLIVEIRA, Jean Marcos Torres de; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
Acesso aberto (Open Access)
Prosas de Júlia Lopes de Almeida em jornais paraenses oitocentistas: entre a temática moralizante e a palavra libertadora
(Universidade Federal do Pará, 2016-02-15) LOBATO, Denise Araújo; SALES, Germana Maria Araújo; http://lattes.cnpq.br/8723885160615840
Acesso aberto (Open Access)
Só as coisas rasteiras me celestam: o contemporâneo e as suas insignificâncias em Manoel de Barros
(Universidade Federal do Pará, 2017-03-16) LOPES FILHO, Antônio Augusto do Canto; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
This dissertation aims to explore, through categories of interpretation, poetic matters in the work of Manoel de Barros. The research begins with a discussion about crisis of the verse, one of the most substantial features of Modern Literature, which, in studying it, reveals the changing perspectives that poetry has passed from the end of 19th century to the present. Then, the use of the prefix des, so recurrent in this poetic exercise, as an autonomous construction of the words: deslimites. Finally, how the manoelinos verses fit into the contemporary; and the singular figure of the tiny, uplifting things from the ground. The study was constructed from the inquiry of the issues, above, through the works taken from the edition of Poesia Completa (2013): Matéria de Poesia (1970), O Guardador de Águas (1989), O Livro das Ignorãças (1993), Livro Sobre Nada (1996) e Retrato do Artista Quando Coisa (1998); and it is based, mainly, with the theoretical contribution of Marcos Siscar on the crisis of the verse when questioning the state of contemporary Brazilian poetry; Alberto Pucheu with the description established by him to Manoel de Barros: poet -thinker, because the origin is a constant argument in his poetry; Maurice Blanchot about the death of the nomination in Literature and Giorgio Agamben from the question of what is to be contemporary.