Navegando por Assunto "Etnografia"

Agora exibindo 1 - 20 de 53

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Alfabetização matemática: uma concepção múltipla e plural
(Universidade Federal do Pará, 2016-06-03) MARQUES, Valéria Risuenho; LUCENA, Isabel Cristina Rodrigues de; http://lattes.cnpq.br/3255121871351967
This thesis presents elaborate reflections and arguments from the investigative path of literacies that are beyond the school walls. The qualitative research, developed with ethnographic emphasis, aims to analyze the elements present in the learning of children from early years, beyond the walls of the classroom, to an understanding of literacy (mathematics) as multiple and plural. The research collaborators are children of two classes, a basic cycle I 2˚ year with 18 children and another of the Basic Cycle I 2˚ and 3˚ years with 13 students from schools located in riverine areas of Belém-PA. Analyses are interpretative. Pictorial or oral manifestations later systematized in episodes were assessed in the light of the outstanding theoretical framework. The collected material were made selections about what was referring to literacy (the school or outside), the learning context for culture and relations with mathematics (experienced in school or not). The agenda is theoretical foundation in Edgar Morin (open rationality), Mia Couto, D'Ambrosio, Conceição Almeida (learning the culture and Teresa Vergani. The results are based on evidence that allow me to defend the thesis that mathematics literacy it is multiple and plural and is in dialogue and complementarity between school knowledge and knowledge developed in informal learning environments where children engage in experiences and experiences that allow learning by doing, observing, interacting, listening.
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Antropologia linguística & etnografia toponímica: vivências e narrativas em linguagens socioculturais de Murinin-Benevides-Pará
(Universidade Federal do Pará, 2016-10-06) FARIAS, Maria Adelina Rodrigues de; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
The present experiment deals with the questioning about the meaning of the names of places where people circulate, the toponyms, in the municipality of Benevides-PA, more precisely in the district of Murinin. The toponymic studies have as scope the deprehension of the lexicon of certain territories, considering the historical and socio-cultural formation of the people that live there, specifically through the names given to the social circulation places, such as streets, waterways, districts, cities, etc., evidencing both synchronic and diachronic aspects of speech. The study deals with a discussion about the construction of memory and toponymic identity of this locality, demonstrating the values attributed by the interlocutors to their birth and/or living places. The problematization is based on the following guiding question: What power relations are present in the constitution of this nominalization? For this reason, I considered, for this research, to work with the theoretical assumptions of Postcolonial Anthropology and the studies on Oral Narratives. Thus, I start, in principle, a formal survey, not escaping too much from the traditional methodology of toponymic research, but considering, in the interviews, the alternative toponymy as well, that is, unofficial, vernacular, trying to motivate the interlocutor to seek, in his memory, the identity of such name and its relation to the life of those who live(d) there, whether from the social, political, economic or religious point of view.
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A arte na sua cotidianidade: uma percepção de arte na Feira do Guamá
(Universidade Federal do Pará, 2013-07-01) CASTRO, Marina Ramos Neves de; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156; SILVA, Joel Cardoso da; http://lattes.cnpq.br/6918547599708778
This work develops an approach of the art as sociality from a focus on the daily life in the popular Market of the Guamá, Belém, in Brazilian Amazon. Therefore, using a frame of reference centered on Simmel and Meffesoli we start from a comprehensive perspective, watching the market as a "social form". We understand social form like a process resulting from the social construction of meaning that evolves continuously social relations. We figure out to realise how these social relations are produced from shared feelings: a feeling-together, common experiences, feelings, all kinds of emotions of the life, in short, that makes sense when are perceived and lived together. We propose that this feeling-together, here it treated, in the Market of Guamá, conforms social forms, which we identify as part of a process of "transmanência", this way producing an aesthetic and particular art, that results in the established relations in the commonplace of daily life.
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Arte Pará: etnografia e interpretação em um salão de artes visuais na Amazônia
(Universidade Federal do Pará, 2019-04) FLETCHER, John
The presente paper brings ethnographic reports on experiences with artists, curators, organizers and technicians in the assembly of the Arte Pará exhibit, between the years of 2012 to 2015, held in the city of Belém. An integral part of a doctoral research, this clipping is based on synchronic and dialogical methodological premises from authors, such as Vincent Crapanzano and James Clifford, problematized by contributions of thoughts by Walter Mignolo, Eva Marxen, Beatriz Sarlo, Homi Bhabha and Johannes Fabian, among others. Thus, in order to expose a more critical view of our asymmetric present, this research aims at conferring other interpretative dimensions to the general dynamics of human experience.
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Artes carnavalescas: processos criativos de uma carnavalesca em Belém do Pará
(Universidade Federal do Pará, 2012-06-19) PALHETA, Cláudia Suely dos Anjos; RODRIGUES, Carmem Izabel; http://lattes.cnpq.br/5924616509771424; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074
This paper presents carnival arts as expressions and artistic representations present in workshops and sheds of the samba schools during the production of a carnival parade, including plot synopses of texts, letters of samba plot, drawings, costumes and floats. This is a study based on my actions as carnavalesca in three samba schools of Belem: Academia de Samba Jurunense in 2005; Gremio Recreativo Deixa Falar in 2006, 2007, 2008 and 2009, and Associação Carnavalesca Bole-Bole in the years 2010 and 2011. From the record of memories, experiences and observations, I elaborate an autoethnography of my creative processes at the same time I try to contribute towards an ethnography of my creative processes of Carnival in Pará.
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Arukwahaw: uma etnografia do casamento Suruí à luz da etnologia ritual
(Universidade Federal do Pará, 2014-06-04) SANTOS, Bárbara Dias dos; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344
This research analyzes the lens rises the ritual of the marriage ceremony Surui indigenous ethnic group residing in indigenous land Sororó located in the southeastern region of the state of Pará in the municipalities of São Geraldo do Araguaia and Great Swamp . Where , through the methodology of ethnography , with the observation of everyday village , cultural and social customs intrinsic to Surui and wedding ceremony , performed open interviews , photographic records and videos in order to understand the marriage ritual in the light of anthropology through the perspective of Richard Schechner and the lines between anthropology and concepts of Adrienne Kaeppler and Gertrude Kurath . I believe the importance of this research turns to the study of Amazonian indigenous culture , especially the culture of the Surui , reaffirming that although the whole process of cultural development and aggregation of this ethnic group have been uneven, disrespectful and inhuman , many of times , values and traditions remain and are worthy of study in various areas, such as in the case of this study , the slope of the Arts. Besides the importance of the cultural record in written copies, both for the company itself Surui , as for other indigenous society and non - indigenous.
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A busca de si numa religião hoasqueira: oralidade, memória e conhecimento na União do Vegetal (UDV)
(Universidade Federal do Pará, 2009-12) RIBEIRO, Dilma Lopes da Silva; CAMPELO, Marilu Marcia; http://lattes.cnpq.br/8338592541775616
This article presents the results of an ethnographic study (based on the perspective of observant participation) performed by the religion known as Uniao do Vegetal (UDV), with the locus of the Metropolitan Region of Belém (PA). A religion native to the Amazon, the UDV is ranked as one of the three main lines of Religions of Ayahuasca, which, among other similarities, have in common the use of entheogenic tea decoction derived from two species: the Banisteriopsis caapi (mariri) and leaf Psychotria viridis (chacrona). Introducing methodological approach to issues relating to use of oral language as the only way of transmission of teachings, as well as aspects and memory settings for this group, the study investigated how these categories and their interrelationship contributes to shaping the worldview this group – as a way of contributing to the framework of research on religions and religious practices in the Amazon.
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Caminhos de gênero nas feras de Bissau: resiliência e desafios de mulheres guineenses em contextos de vulnerabilidade diante dos impactos sociais e econômicos da COVID-19
(Universidade Federal do Pará, 2024-04-24) GOMES, Peti Mama; BELTRÃO, Jane Felipe; http://lattes.cnpq.br/6647582671406048; https://orcid.org/0000-0003-2113-043X
In Guinea Bissau, the feras - Crioulo word for “fairs” - play a significant role in the country's economic, social and cultural life. They are places of intense buying and selling of goods, encompassing issues of female emancipation, meeting and reunion points, historical narratives, experiences, and shared living. Therefore, they are configured as plural public spaces, and privileged contexts for ethnographic fieldwork, where a series of complex sociocultural relationships develop. This thesis aims to understand, through a female-centered and anthropological perspective, the socioeconomic dynamics of Guinean women, who sometimes are bideras (official fair female vendors), fassiduris di bida (women who make a living by selling), sumiaduris (women who own orchards), and bindiduris (female sellers in general) who played active roles - before, during and after the pandemics - in the three main local feras: Bande, Caracol, and Bairro Militar, all in Bissau city, capital of Guinea-Bissau. This study is the result of ethnographic research, whose methodological process combined online research and in-person fieldwork. For this, oral narratives from digital platforms were used, such as social networks, through messages and audios interchanged with di mindjeris di fera (the fair female vendors). During the research period, the main ethnographic strategies included informal conversations, transcriptions, and ethnographic data analysis. The last stages of research took place in Bissau, with a focus in the bideras and fassiduris di bida. In conclusion, the analysis focused on the problematization of gender relations and work, and how they were affected by the pandemics. The results indicate that my research interlocutors are responsible for a large part of the country's material and symbolic subsistence, which was evidenced and intensified with the emergence of the COVID-19 pandemics.
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Como os nêgos dos palmares: uma nova história de resistência na serra da Barriga - AL
(Universidade Federal do Pará, 2016-03-18) CORREIA, Rosa Lucia da Silva; SILVEIRA, Flávio Leonel Abreu da; http://lattes.cnpq.br/1972975269922101; ALENCAR, Edna Ferreira; http://lattes.cnpq.br/7555559649274791
This research deals with the struggle for freedom of the besiegers of the Serra da Barriga, in União dos Palmares, Alagoas. The space housed the largest settlement of runaway slaves of America, the Palmares, and for this reason in 1986 was recognized as a cultural and natural heritage of the nation. In 1988 he received the title of National Monument, which led to the dispossession of local land for the purpose of several scientific studies, reforestation and construction of a memorial park, a sort of themed museum that resembles in architecture and landscape the old building quilombo. Since then the residents Zone peasants of Alagoas Mata, one of the areas of greatest sugarcane production in the Northeast are experiencing labor restrictions and threats of expulsion by the State and the Black Movement. The situation is very similar to the time lived under the rule of local mill owners and is significantly also similar, as they themselves say, to time of the blacks of Palmares that lived in the place there is over 300 years, to flee of plantagens sugar cane for to live in freedom. The fight is for survival, for land and labor, guarantees of freedom for any farmer, that have been denied since the patrimonialization of the Serra da Barriga. The ethnographic research brings, therefore, the ownership of memory space and the everyday forms of resistance the peasant in conflict with national heritage and collective memory of the Black Movement. In this endeavor, the theories about the peasantry, especially in the Northeast, the campesinidade, everyday forms of peasant resistance and the triad memory, history and heritage were vital to this issue.
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Corpos em equilíbrio: imagens e cotidiano ribeirinho no Porto do Açaí e na Ilha do Maracujá, Belém (PA)
(2012-09) SILVEIRA, Flávio Leonel Abreu da; BASSALO, Terezinha de Fátima Ribeiro
Based on photographic records, this paper reflects on the ebb and flow of the Maracujá Island dwellers, between the island and Belém, making use of the ways they use their bodies or 'know how to use' them, that Mauss called corporal techniques. Bodies disclosed, since they are always exposed and therefore capable of being visually and ethnographically categorized. Inspired on Certeau, the article seeks to think of the corporal tactics devised by island residents to practice the landscapes of belonging revealing peculiar body expressions in constructing their everyday experiences. Such observations do not refer to a body-object, but to a body that is the subject of culture, as Csordas says, a body that is "the existential basis of culture".
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Curt Nimuendajú e as narrativas míticas tembé: Revisitando uma produção etnográfica
(Universidade Federal do Pará, 2022-07-04) SANTOS, Glaucia Silva dos; MORAES JÚNIOR, Manoel Ribeiro de; http://lattes.cnpq.br/2429279552706202; https://orcid.org/0000-0001-6986-7671
Revisiting an ethnography by Curt Nimuendajú that integrates a repertoire of mythical narratives of the Tembé Tenetehara indigenous group constitutes the research base of this dissertation. The ethnographer Curt Nimuendajú, a German who migrated to Brazil in 1903 and became, over forty years, an expert connoisseur of indigenous groups, published in 1915 in the Zeitschrift für Ethnologie the text Sagen der Tembé-Indianer (Pará und Maranhão) in which he gathered ten mythical narratives of the Tembé Tenetehara. In this way, the present dissertation proposed to know about the context and the methodological orientations that allowed the production of such ethnography at the beginning of the 20th century. Thus, the research followed a biographical perspective of Curt Nimuendajú, which helped to visualize the course of his initial training in the field of study on indigenous populations, allowing to know the context of the ethnographic encounter with the Tembé Tenetehara in two moments, the first being in the mediations of the SPILTN's indigenist policies in the Gurupi River region, and the second in the dependencies of the religious mission of the Lombard Capuchins in the Pará municipality of Igarapé-Açú. In both contexts, Nimuendajú's ethnographic agenda focused on knowledge of the Tembé language and cosmology, research endeavors that were in line with the guidelines of German ethnology in vogue at the time through salvage ethnography, which he knows from the works of the German Americanists who are referenced in their ethnographies.
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Da Cabala à dança: uma etnografia da oração corporal malachim
(Universidade Federal do Pará, 2014-06-02) COSTA, Ana Claúdia Pinto da; MOREIRA, Giselle da Cruz; http://lattes.cnpq.br/8636836292392296; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344
This research investigated through the theoretical and methodological field of Anthropology of Dance, the Body Prayer Malachim, in order to understand and reveal their ritual structure, its symbolism and its implicit cosmology. The Malachim dance is a contemporary choreography, included in the repertoire of twelve dances from original work of Frida Zalcman entitled Hebrew Dances of Praise, inspired by a set of prayers sung in Jewish Congregation of Brazil, in Rio de Janeiro. Transformed into veritable prayers in motion, are danced in several groups of Sacred Circle Dances, both in Brazil and abroad. The research is part of a broader study about the Body Prayers, guided in this particular case, by the precepts of Kabbalah, the Tree of Life, taking into consideration the four worlds and their energy emanations (Sefirot). Hypothetically the Sacred Circle Dances can work as a kind of tool of physical, mental, emotional and spiritual healing, thanks to its sacredness, strongly present in every movement performed. This is a qualitative ethnographic research, whose fieldwork was conducted in Belém do Pará, in August 2013, when Frida Zalcman gave a workshop at the “School of Theatre and Dance” at the Federal University of Pará (ETDUFPA). Hopefully, with this research, other studies might emerge to investigate this dance form, further expanding their understanding as well as their inclusion in available bibliography from Sacred Circle Dances.
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Dança, Cabala, Espiritualidade: autoetnografia dançada em roda na Amazônia paraense
(Universidade Federal do Pará, 2021-10-21) COSTA, Ana Cláudia Pinto da; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344
The threads that weave the writing of this Thesis are intertwined with threads of experiences lived by the artist-researcher/focuser-dancer Ana Cláudia Pinto da Costa, in the context of the collective UBUNTU, a movement of Sacred Circular Dances in the city of Belém/PA. The work is the result of an ethnographic research in the field of Arts, about the twelve Corporal Prayers, inspired by Kabbalah by dancer and choreographer Frida Zalcman. Such dances correspond to the danced “translation” of the prayers sung in the synagogue. The research is part of a broader study about the so-called bodily prayers, guided, in this specific case, by the precepts of Kabbalah, the Tree of Life, taking into account its four worlds and their energetic emanations (sefirót). These bodily prayers are a way of experiencing, through dance, the liturgical rituals of Judaism, favoring the practitioner's contact with the worlds of Kabbalah, where supposedly the encounter with the Creator takes place. The study seeks to understand the sense and meaning that the precepts of Kabbalah give to dance, as it was organized and systematized by its creator, implicit in the context of the ritual performance of Corporal Prayer Mode Ani Lefanecha, based on the dancers' cosmovision. The research falls into three theoretical-methodological fields: 1. Anthropology of Dance, a field that makes it possible to observe, experience, and understand "dance" - movements, steps, rhythms, gestures, symbolism, ritual, among other elements - in their relationship with the context in which it is transmitted and practiced; 2. Merleau-Ponty's Phenomenology of Perception, with studies focused on the aesthesiology of the body; 3. Dance Therapy by Andrea Bardawil, which constitutes the experience with dance, from the dialogue with somatic education, body awareness and improvisation
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Desenvolvimento da produção agrícola e intervenção social: estudo de caso em uma comunidade da Reserva de Desenvolvimento Sustentável de Mamirauá
(Universidade Federal do Pará, 2003-06-30) NASCIMENTO, Ana Claudeise Silva do; MOURA, Edila Arnaud Ferreira; http://lattes.cnpq.br/2154370107837866; COSTA, Maria José Oliveira e Silva Jackson; http://lattes.cnpq.br/4079845537461874
This work is the result of an ethnographic study in a small riverside community of the Amazon flooded area, emphasizing its particularities in relation to the use of natural resources. The subject of the analysis was a smallholder agricultural project, which was developed by implementing the results of scientific research on the participatory management of natural resources. Technicians from Mamirauá Institute and the peasants met periodically to evaluate the project’s processes and results. This study contributes to the understanding of the impacts of investments in agriculture, enabling an interaction between processes of reflection and action. The main objective of this dissertation is to assess a situation of social intervention directed at the sustained management of agricultural produce in a protected area of flooded forest (Sustainable Development Reserve). This study has indicators which contribute to the understanding of the impacts of investments in agriculture in a small community called São Francisco do Aiucá, enabling interaction between intention/implementation based on the understanding of the results and the evaluation of the social intervention. Using some indicators, built through the use of participatory methodologies, it was possible to analyze changes in the economic activities of São Francisco do Aiucá, and other forms of natural resources use, identifying ways to both diversify the crops and undertake new alternatives for the commercialization of the produce.
Acesso aberto (Open Access)
Diásporas de encantados na Amazônia Bragantina
(2015-06) SILVA, Jerônimo da Silva e; PACHECO, Agenor Sarraf
Starting from ethnographic exercises, the text presents diasporic experiences of women mourners that when migrating from northeastern Brazil to “Amazon Bragantina”, in Pará State, from the 1950s, whose lives were marked by the initiation process with the entities of the Brazilian enchant (Prandi, 2004). On overnight trips to cemeteries, transfiguration, physical transport, clairvoyance and wanderings in animal bodies, winds and waters, these mourners revisited “worlds” and ancient “times”, going to talk with shamans and “powerful” chanters of Maranhão, Paraíba, Piauí and Ceará, letting people see and delighted in other senses of displacement. The belief in the ability of entities to monitor persons holding the “gift of praying” to the Pará, as well as continually transitioning these sites, nomadizando up (Deleuze; Guattari, 1995) between “there” and “here”, constitute the phenomenon of “diaspora of the enchanted” (Brah, 2011; Hall, 1999, 2009). Living with these women teaches, among other things, to defend conceptions of meetings and displacements of cultures that perceive the radical otherness of the cosmology of the human sciences, even when one believes this faithfully situated in places of departure, passage and arrival of movements, forgetting often it is not the place, but the material and symbolic transits.
Acesso aberto (Open Access)
Entre o "Zaca” e o "Madre”: ofensas raciais, processos identitários e discursos de mestiçagem em duas escolas de Belém
(Universidade Federal do Pará, 2011) RIBEIRO, Alan Augusto Moraes; CAMPELO, Marilu Marcia; http://lattes.cnpq.br/8338592541775616
This dissertation is an ethnography of everyday school life, conceptually driven from the markers of differentiation color/race, gender, social class and sexual orientation. The motivation of the research which started production of this thesis was the following question: offensive verbal processes are identity processes that are built from referrals and educational discourses teachers in each school? Based on a research trajectory that began in 2006, initially performed in school Alexander Zacharias de Assumpção College and later extended to Madre Zarife Sales in the neighborhood of Guamá, outskirts of Belém do Pará, I try to discuss the scope of these educational institutions in the daily living out of them by their students, to identify practical dynamics of the urban life of the city from the walking to and from school. Both schools are defined as reference schools in the district as symbolized, to clients of the students they met, the possibility of post-school career success among many families in the neighborhood. Moreover, I show the internal contradictions in the two schools, to suggest the occurrence of differential access to educational services and cultural capital to own teaching as the turn is studied. Discuss clearly the occurrence of exchanges of verbal insults and non-racial race among students as markers of differentiation indicated, to try to answer the questioning of the research. Then try to identify the various modalities symbolic of discourse of mestizaje as a comprehensive discourse that is designed by me as the reverse side of the racial and verbal offenses of non-recognition of racism in them by existing institutional body, this is, by faculty, staff and managers.
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Era tão bonito... conflitos de sensibilidade musical e o desaparecimento de um Cordão de Pássaro
(Universidade Federal do Pará, 2011-03-02) LUZ, Jefferson Aloysio de Melo; BARROS, Líliam Cristina da Silva; http://lattes.cnpq.br/0286644614789784
This work aims the investigation and the discussion of the conflict of musical sensibilities among different generations of residents of communities that lie between the 21 and the 23 kilometers of the PA136 road, near the municipality of Terra Alta, Pará, Brazil, as an important factor in the non-ressurection process of Cordão de Azulão. This is an ethnomusicological work of ethnographic character, in which the theme is developed from the discourses of these residents about a Cordão de Pássaro called Cordão do Azulão that used to happen in those neighborhoods, and that have disappeared forty years ago. The nature of the musical sensibility is discussed mainly from the writings of John Blacking, while the musical ethnography work is based on what Clifford Geertz calls a Dense Ethnography. The study reveals that the social, economic, religious, political, and environmental changes that occurred in the surveyed communities had directly affected its residents lifestyle, which favors that the traditional cultural values, that grant sense to musical expressions like the Cordão do Azulão, to cease to be apprehended by the new generation of residents, making this Cordão to exist only in the memory of the oldest.
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A escola da Vila da Paz: um ensaio etnográfico
(Universidade Federal do Pará, 2003-03-25) OLIVEIRA, Mara Rita Duarte de; SOUZA, Orlando Nobre Bezerra de; http://lattes.cnpq.br/8567141884452588
At the work “School rural da Vila da Paz”: the research about culture, political, economic and social that bucolic community, we Will discuss the program’s execution “School Ativa” at the rural schools from Rondon do Pará, where we’ll analyze the E.M.E.F Vasco da Gama school (located at Vila da Paz society) as the main point of this text. Along all of this study we’ll have questions about how this program improved the students’ knowledge’s and show the teachers a better way of teaching, at the same time we are discussing the population to develop this program, emphasizing the school and community relationship importance. We Will show, at first, the government programs from 1930 until 1990 based on the rustic education is inserted. For this it’s also necessary do na incursion into the educational projects of the social movements connected with the conflicts at the yield
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Etnografia em quadrinhos: subjetividades e escrita de si Tembé-Tentetehara
(Universidade Federal do Pará, 2016-03-31) OLIVEIRA JUNIOR, Otoniel Lopes de; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863
Comics is a language that uses textual and pictorial resources for production of meaning. More than just the sum of these resources, comics is a noteworthy hybrid with unique expressive features to production of discourse and statements. As a vehicle of cultural industry, but not only contained in it, the comic play a dual role, at the same time they act as mass media, it's also a language that through its conditions of its historical possibilities, provide the appearance of subjects knowledges. Historically, Brazilian indigenous societies undergo a process of adjustment to a homogeneous culture colonialism, be it historical, be it cultural, be it ethnic genocide. The representation of brazilian’s indigenous in materiality of the cultural industry is commonly marked by standardization of subjectivity and stereotyping images. Presenting the language of comics and their characteristics, this paper will examine, through archgeneological method if such subjective processes of indigenous peoples are present in a materiality clipping comic produced in the cultural industry. Also discuss the process of emergence of indigenous subjects knowledges by Tembe-Tenetehara's statements in comic language, made from workshops held in the Aldeia Sede as part of a participative field research presented here through a ethnography draw and comics.
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Uma etnografia sensorial do fazer a feira na feira do Guamá
(Associação Nacional dos Programas de Pós-Graduação em Comunicação, 2019-06) CASTRO, Marina Ramos Neves de
This work is based on an ethnography accomplished at a fair in Belém, between 2011 and 2018. We seek to move in the field of dialogue between Communication and Anthropology, exploring the proposition a "sensorial ethnography" (PINK, 2009; 2010) and the discussion on sharing of the sensitive one made by Laplantine (2007); Caune (2014) and Le Breton (2016a, 2016b, 2017) to understand the social forms (SIMMEL, 2013) of the taste in the researched space. In the work we highlight the implications of the sensorial experiences experienced in making the fair through the interactions experienced there; as these build a certain aesthetic, a certain way of being-together that reverberates in the everyday life of doing the fair.