Navegando por Assunto "Etnologia"

Agora exibindo 1 - 12 de 12

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O antropólogo Herbert Baldus
(2000) SILVA, Orlando Sampaio
Herbert Baldus was a German-Brazilian anthropologist who played an important role in the development of anthropological research and knowledge in Brazil. His scientific work was intimately linked to his own life, spent mostly in this country, where he devoted himself to teaching, to research and scientific divulgation, as well as to the establishment of an official Indian policy bent on the preservation of indigenous populations. His theoretical contributions ranged from initial investigations on material culture and non-material culture to functional and structural approaches, while he also established the foundations for the study of cultural change of Indian societies in contact situations.
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Arukwahaw: uma etnografia do casamento Suruí à luz da etnologia ritual
(Universidade Federal do Pará, 2014-06-04) SANTOS, Bárbara Dias dos; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344
This research analyzes the lens rises the ritual of the marriage ceremony Surui indigenous ethnic group residing in indigenous land Sororó located in the southeastern region of the state of Pará in the municipalities of São Geraldo do Araguaia and Great Swamp . Where , through the methodology of ethnography , with the observation of everyday village , cultural and social customs intrinsic to Surui and wedding ceremony , performed open interviews , photographic records and videos in order to understand the marriage ritual in the light of anthropology through the perspective of Richard Schechner and the lines between anthropology and concepts of Adrienne Kaeppler and Gertrude Kurath . I believe the importance of this research turns to the study of Amazonian indigenous culture , especially the culture of the Surui , reaffirming that although the whole process of cultural development and aggregation of this ethnic group have been uneven, disrespectful and inhuman , many of times , values and traditions remain and are worthy of study in various areas, such as in the case of this study , the slope of the Arts. Besides the importance of the cultural record in written copies, both for the company itself Surui , as for other indigenous society and non - indigenous.
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Cidade Velha e Feliz Lusitânia: cenários do Patrimônio Cultural em Belém
(Universidade Federal do Pará, 2006-10-31) MIRANDA, Cybelle Salvador; BELTRÃO, Jane Felipe; http://lattes.cnpq.br/6647582671406048
The Thesis was motivated by the rediscovery of Cidade Velhas district, in Belém, state of Pará, rediscovered by the authors childhood and the district as a memory space and landmarks for the risorgimento of Pará state. Analyze the concepts of patrimony in modern city, as though the mythic imaginary which lives in the citizens memory in tree stages: Pombal Colonization; the Belle Èpoque and the New Pará. The argumentation is constructed by actors narratives such as: old residents, new residents, business men, patrimony technician, so by the images reading which help to tell the districts history and to tell how is it saw as a heritage. The ethnographic method and the semiotic were the reading guides for the written spoken and visual materials, helping to the researchers position as an older habitant, architect and plastic artist. Drawing a map with the culture concepts in the Cidade Velhas district, since the residents point of view to the planers of Feliz Lusitânia Project, this work is as open view of the theme heritage in Cidade Velha, which revels contradiction between the definition of patrimony of the patrimony technician and the social groups.
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EKOAOVERÁ: um estudo sobre a territorialidade nos processos identitários das Drags Demônias
(Universidade Federal do Pará, 2019-06-20) NASCIMENTO, Juliana Bentes; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074
Analyze how the city of Belém, as a subjective territory, crosses directly or indirectly the identity processes of Drags Demônias, the cultural group studied here, was the main objective of the research entitled EKOAOVERÁ: A Study on Territoriality in the Identity Processes of Drags Demônias. For that, a bibliographic study was made about the montação with a great emphasis on the theorists Roger Baker and Carlos Figari, followed by a conceptual survey and a review of terms that speak with the montação, including the studies of Judith Butler, Berenice Bento, Anna Paula Vencato among others. To deepen the research, the montação was studied as a method of body alteration based on the study of Renata Kamla on Contemporary Masking. The methodological action was based on interviews with twenty - three artists from the cultural segment, through a structured interview proposal by Maria Cecília Minayo. To finalize the methodological procedure, the data were crossed by the ethnomethodology approach, resulting in crossings of three instances of analysis: personalities, concepts and territorialities. The final analysis confirms the hypothesis that territoriality is directly related to these identity constructions.
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Etologia, Antropologia e cinema: uma etnografia da violência em Sob o Domínio do Medo
(2009-12) SOUZA, Maurício Rodrigues de
This article is as an attempt to comprehend the phenomenon of aggression in its multiple aspects. In such a task we will take into account the theoretical references of Ethology and Social Anthropology. In order to better illustrate the ideas exposed here, cinema will be used as an ethnographical resource. Therefore, some parts of the movie Straw Dogs (1971) are going to be analyzed in more details.
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Folia de São Benedito: um estudo de mudança em uma manifestação religiosa na comunidade do Silêncio do Matá
(Universidade Federal do Pará, 2008-10) VIEIRA, Daniel Hudson Carvalho; FURTADO, Lourdes Gonçalves; http://lattes.cnpq.br/1828475659148260
This study deals with structural changes associated with religious manifestations, in particular one known as the Folia de São Benedito, held in Silêncio do Matá, a community of Obidos, in Pará. It is shown here that Folia de São Benedito exhibits classic properties of popular Catholicism. However, based on actual observations, it is argued that the changes observed in this particular Folia is not only driven by exogenous factors, but also orquestrated by community members, yielding a connotative application of its original meaning.
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Guarda-roupa encantado: espetacularidade das roupas de caboca do terreiro estandarte de Rei Sebastião, Outeiro - Pará
(Universidade Federal do Pará, 2016-06-30) CASTRO, Otávia Feio; SANTA BRÍGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199
Grounded in Ethnoscenology in its transdisciplinary perspective, this research sought to understand the spectacular of the clothes used by Mariinha Jesus Costa Feio, mother-of-saint and caretaker Terreiro Sebastian King Banner, located in Outeiro Island, in Pará. The clothes are dressed in days that celebrates the cabocas entities of the tambor of mina, Herondina and Maria Légua - boss and counter-boss of mother-of-saint respectively - and belonging to a enchanted category mining pantheon - as Luca (2010) the enchanted are described as those who have not had the experience of death and did address in encantarias: forests, rivers, and other environments. To understand these clothes and full experience with the studied phenomenon, thanks to the assumptions of ethnographic research Geertz (2014); the experience period in terreiro realized from june 2015 to may 2016, in which experienced two parties: the caboca Herondina in august and caboca Maria Légua in december. This research aims to contribute to the Etnocenológicos studies in the Amazon, in view of the strength and tradition of the Tambor of Mina in Pará. Noteworthy is also important for those who work with clothes in a general context and more specifically to the costume designers, because during reflections and writing this essay, I took the authorial proposition of costume-etnocenológica, you need constantly exercise the ontological look - in the sense developed by Paes Loureiro (2008). Exercise this that helped to understand the spectacular character of these clothes, which for its making meet previously organized specifics, highlighting what the mother-of-saint of this place says about their cabocas and myths related to Dona Herondina and Dona Maria Légua.
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Lágrimas e cachaça: a espetacularidade do cortejo funebre do frete em São João do Abade, Curuça - PA
(Universidade Federal do Pará, 2014-06-03) SALES, Valéria Fernanda Sousa; SANTA BRÍGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344
The present research investigated by Etnocenologia as Practice and human behavior – PCHEO, Organized the Spectacular funeral procession freight abadiense, identifying its participants, rules, symbolism and possible origin in the municipality of Curuçá-PA. Consisted in a qualitative study of ethnographically, in which the artist-researcher-participant conducted unstructured interviews, documentary and bibliographical research, with photographic and filmic records before, during and after the phenomenon. Research points to a possible resemblance of ocean freight with the Baroque Funeral registered in Curuçá in the 19th century. The organisation of the funeral, see characteristics of a brotherhood reconfigured in the 21st century and the inauguration of a social role, the owner of freight, which only exists in the Village St. John of the Abbot. Objective contribute to the studies of Etnocenologia comprising the elements that comprise the phenomenon from its practitioners, the relationship of the artist-researcher-participant who lives and reflects on the investigated object, the spectacular nature and understanding of freight as spectacular fashion extracotidiana belonging to the abadiense tradition and culture curuçaense.
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A música e a cidade: práticas sociais e culturais na cena da canção popular em Belém do Pará na década de 1980
(Universidade Federal do Pará, 2014-08-11) MOREIRA, Nélio Ribeiro; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361
The dissertation discusses the development of practices of sociability and a network of commitments among members of an art world (BECKER, 1982) made possible in popular song, as well as forms of cultural production and circulation of such goods in the city of Belém do Pará, Brazil, understanding it as a frontier area ( HANNERZ, 1997) in the eighties. For this, I turned to the musical scene category (STRAW, 1991) as an input for socio-cultural analysis of these occurrences. This is an anthropological study of a historical theme (FREHSE, 2005; SAHLINS, 1999) which is divided into three chapters. The first, entitled "An expanding city and its musical culture in process" presents a characterization of the transformations of the urban scenery of Belém do Pará in the early 1980s and the foundations of a scene of popular song. Thus, two key events are studied concerning for the formation of this music scene: the Feira Pixinguinha in Belem and Projeto Jayme Ovalle. The second chapter is named “The production of identity by song discursive practices of popular music artists in Belém in the 1980s”. The focus in it is the relationship of place with the making of the song and its meaning, the idea of a song as the object-value, the formation of the association of musicians called CLIMA and a study of some emblematic songs of the eighties scene. The third chapter, "Practices of sociability and ‘places of Popular Song’ in Belém do Pará eighties" studies social spaces of popular song as places where they produced and consumed to that cultural commodities and place to artists and audiences this musical mode in the city - such as bars, theaters, concert halls - in the characteristics of the urban environment. Also, it presents a view on the song festivals and recordings as cultural commodities as projeto (VELHO, 2008) for the category to the artists of music scene.
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Nas voltas que o mundo deu, nas voltas que o mundo dá: um estudo sobre ritual e performance na capoeira angola em Belém
(Universidade Federal do Pará, 2010-07) TEIXEIRA, Carmem Pricila Virgolino; SILVEIRA, Flávio Leonel Abreu da; http://lattes.cnpq.br/1972975269922101; CAMPELO, Marilu Marcia; http://lattes.cnpq.br/8338592541775616
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Psicologia social e etnografia: histórico e possibilidades de contato
(2015-06) SOUZA, Maurício Rodrigues de
Ethnography can be defined as a method of qualitative research that aims to gain an integrative description and understanding of sociocultural phenomena presented in particular groups or communities, according to the terms and attitudes of the group's members. Specifically following this simultaneously technical and ethical dimension of ethnography, this article mainly intends to promote a historical reconstitution of the reappropriation of this modality of field studies by both American and Brazilian social psychologists. Therefore, it focuses on a specific time and institution: the first half of the twentieth century and the Chicago School of Sociology, which is considered here through aspects of the lives and works of three of its principal contributors: Robert Park, George Mead, and Donald Pierson. In conclusion, the article debates some of the specificities of ethnographic practice, and bringing together past and present, defends the relevance of its use in present psychosociological research.
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As voltas do tempo: as reminiscências de um projeto de identidade nacional na cerâmica “marajoara” de Icoaraci
(Universidade Federal do Pará, 2011) SANTOS, Telma Saraiva dos; FARIAS, Edison da Silva; http://lattes.cnpq.br/4500138216841766
The "marajoara" ceramic produced in the district of Icoaraci (Belém), inspired in ceramics founded in Marajó Island, is one of the symbols that define the identity of the people in Pará today. Through government incentives, this artcraft production won public recognition, contributing to a national project survival started in the Imperial period, which recommended the creation of a Brazilian identity supported in the Indigenous’s image as an outstanding referent. Reflecting about the construction of identities from a material object of a popular culture, involves asking questions and reflections about concepts such as tradition, culture, identity, multiculturalism, cultural circularity, heterogeneity or hybridization. These concepts whose theoretical informations are found in the Canclini, Ginzburg, Milton Santos, Ulpiano Meneses and Marcos Areválo’s works contribute to the development of a new understanding about the identity of the people in Pará from their material culture: the traditional ceramic from Icoaraci.