Navegando por Assunto "Fanfiction"

Agora exibindo 1 - 2 de 2

Acesso aberto (Open Access)
Fanfiction: uma escrita criativa na web
(Universidade Federal do Pará, 2017-06) ARRUDA, Maria Izabel Moreira; ALENCAR, Daniele Alves
Study on fanfictions as a way of encouraging Reading and production of fictional writing on the web. By means of an exploratory, bibliographical and qualitative research, the subject is brought onto the Information Science field. Its makes use of the website “Nyah! Fanfiction” as source of information on fanfictions and also for carrying out a survey as a supporting tool in the research towards fanfictioners behavior. The article defines the term “fanfiction”, as well as describes the different way that the fiction writer reads the original piece for the production of the story. Finally, it presents the website “Nyah! Fanfiction”, not only as a fanfiction destination place, but it also shows how this practice can become more than a hobby by exploring the imagination, stimulating the creation of texts, and in that way, intensify the practice of reading and writing among young people. The subject studied is still considered new in the Librarian ship field, therefore, it is necessary to develop more research addressing the fanfiction theme.
Acesso aberto (Open Access)
Fanfictions na Internet - um clique na construção do leitor-autor
(Universidade Federal do Pará, 2011-05-31) REIS, Fabíola do Socorro Figueiredo dos; CHAVES, Lília Silvestre; http://lattes.cnpq.br/4273510661737259
This study focuses on the presence of the reader-writer of stories created and published on the Internet, more specifically, an author who was once a reader of an original story, and decides to continue it (from the moment which its first original writer finished) or modify it in order to please yourself and/or any other readers, because, as Roland Barthes once said (2004), the writer will always be an imitator of his writings prior to that time, but never original. In the stories created by fans-authors (as the authors committed in the writing of this kind of story are called), we study the modification of the concept of authorship nowadays, because the author loses has a new personality as he/she uses some form of information technology - and now handles with something called hybrid genres: texts that are not just pure, but haven‟t a feature to be defined only by common concepts either. Thus it is difficult to define what is, after all, the author in the era of digital genres. At a time when every day people worldwide increase their number of hours browsing, digital genres represent a new relationship between humans and semiotic instrument, with several aspects to be observed.