Navegando por Assunto "Festa"

Agora exibindo 1 - 6 de 6

Acesso aberto (Open Access)
Uma "kermesse essencialmente brasileira" no Largo Nazaré
(Universidade Federal do Pará, 2009-06) PANTOJA, Vanda
Acesso aberto (Open Access)
Memória e cultura: sairé, espaço poder e conflitos - 1996 a 2004
(Universidade Federal do Pará, 2010-06) FERREIRA, Cláudia Laurido
This work focus on the tensions which emerged between the municipal government and the leaders of Alter do Chão village from 1996 to 2004, when the municipal government made changes in the Sairé celebrations and took hold of part of this Feast. This research is made up with the use of the methodology of oral history telling, carried out through interviews with the leadership of the event, teachers, artists and members of the government. Issues from local newspaper from this period are also analized, which together with the interviewer declarations describes the Feast like territory of power and conflicts, being thus the memory, a fundamental instrument to understand the tensions caused by this context of changes.
Acesso aberto (Open Access)
Música, temporalidade e emoção nos bailes da saudade de Belém, Pará, Brasil
(Universidade Federal da Paraíba, 2020-12) CASTRO, Fábio Fonseca de
The work presents the results of ethnography carried out in the bailes da saudade (balls of nostalgia) in Belem, Para, Brazil, and seeks to discuss the artifices and dispositives for the production of temporality in the urban culture of that city. In this perspective, an attempt is made to understand the relationship between music, temporality and emotion using Heidegger's (2012) reflections on daily temporality, Derrida (1972; 1994) on the question of the “metaphysics of presence” and Schütz (1967; 2012), about the intersubjective processes that make up culture.
Acesso aberto (Open Access)
A natureza comunicativa da cultura: a Festividade de Carimbó de São Benedito de Santarém Novo - Pará
(Universidade do Vale do Rio dos Sinos, 2016-04) GOMES, Gleidson Wirllen Bezerra; CASTRO, Fábio Fonseca de
This article reflects on the communicative nature of the popular Carimbó party of São Benedito, held annually in Santarém Novo, state of Pará, on the Brazilian Amazon. In the foreground, we think the party as a major cultural phenomenon, present in all human societies and understandable as social structure – or as what Simmel (1999) calls the social order – in their cultural and communicational dimension. In the subsequent plan, we think it as a social content, the specific variant of the social form, located in a specific cultural place and embodied by the ongoing social experience and as intersubjective dynamic at the same time cultural and communicational. We discuss this process with the support of Martin-Barbero’s (2006) and França’s (2001) notions of communicative cultural nature. The research was conducted from an ethnographic field, with participant observation and in-depth interviews. We try to think the social experience in their cultural and communicational dimension and from its endogenous dimension.
Acesso aberto (Open Access)
Temporalidades liminares e liminoides. Música e semiotical blues nos bailes da saudade de Belém
(Associação Nacional dos Programas de Pós-Graduação em Comunicação, 2020-06) CASTRO, Fábio Fonseca de
This article summarizes the results of an ethnography carried out at the “bailes da saudade” in Belém, Pará. It seeks to reflect on the musical sensitivity and the devices and devices for the production of temporality in the urban culture of that city. We relate ethnography and phenomenology in an attempt to understand cultural phenomena related to this sensitivity, identifying its nostalgic components through an analytical category: the semiotical blues. In the perspective of this perspective, an attempt is made to understand the relationship between music, temporality and emotion using Heidegger's (2012) reflections on daily temporality, Derrida (1972; 1994) on the question of the “metaphysics of presence” Schutz (1967; 2012 ), on the intersubjective processes that make up culture.
Acesso aberto (Open Access)
Turismo das Origens: resistências nas práticas festivas e turísticas da Comunidade Quilombola Dona Juscelina na região norte do Tocantins, Brasil
(Universidade Federal do Pará, 2024-12-18) SUDRÉ, Stephanni Gabriella Silva; FIGUEIREDO, Silvo José de Lima; http://lattes.cnpq.br/2578700144404800; https://orcid.org/0000-0002-6810-1639
This study highlights the role of festivals in the Dona Juscelina Quilombola Community as fundamental expressions of quilombola identity and memory, which, although they attract visitors, transcend the recreational nature of the gathering. These festivities are configured as spaces for political and social construction and, through ancestry, promote collective consciousness and the strengthening of community ties. In this context, the following questions arise: what elements and social practices are present in quilombola festivals? How can social practices contribute to a multiple vision of tourism and the notion of Tourism of Origins? In view of this, the main objective of this study is to analyze the original-ancestral practices in quilombola festivals in northern Tocantins and identify their interface with tourism. Thus, the following specific objectives were established: to characterize quilombola festivals, the community and its agents; to identify the original-ancestral practices of quilombola festivals; and to investigate the elements and strategies of the community in festivals in tourism. In this sense, qualitative and interdisciplinary methods were used, including interviews and focus groups, based on social research, in the Dona Juscelina Quilombola Community, in the north of the state of Tocantins. Multidimensional analysis of festive and tourist practices was used to generate data, which revealed the depth of these encounters, which incorporate symbolic elements, rituals and social interactions, providing an immersive tourist experience in the quilombola culture. In addition, the festivals act as educational, anti-racist and social awareness tools, triggering debates on broad themes, such as self-management, cultural recognition and social justice. It was observed that quilombola festivals can be understood as dynamic networks of reaffirmation of autonomy and community organization, essential for tourist experiences in the community. Therefore, the notion of Tourism of Origins emerges, which emphasizes the value of quilombola knowledge and practices, breaking a paradigmatic rupture with traditional tourism models by valuing ancestral knowledge and questioning the power structures imposed by the tourist market. Origin tourism promotes a perspective on multiple opportunities to understand tourism, focused on the practices of quilombola communities, which are determined by the protagonism and ethnic values of quilombolas. Finally, it highlights the resistance of quilombola communities in the face of economic, social and environmental pressures, where tourism is capable of becoming a tool for social strengthening and community cohesion, consolidating an approach that respects and strengthens the ancestral quilombola identity.