Navegando por Assunto "Fisiologia da arte"

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O Dionisíaco em Nietzsche: da “metafísica de artista” à “fisiologia da arte”
(Universidade Federal do Pará, 2015-11-26) CARDOSO, Sandro Melo Batalha; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825
The dyonysian is one of the notions that can help a greater understanding of the nietzschean aesthetic. In considering the concepts offered by "artist's metaphysics" and by “physiology of art” as particularly relevant for a discussion about this theme, this dissertation intents to investigate how the notion of dyonysian is approached in the course of Nietzsche’s philosophy, more precisely in the transition from the "artist's metaphysics" to the “physiology of art”. In a first instance, the work demonstrates the relationship between the notion of Primordial-One, the Romanticism, the tragic philosophy and the dyonysian that are present in the first phase of Nietzsche's thought. After that, the study presents and discuss the dyonysian in the greek tragedy. That discussion culminates in a theoretical review about the notion of dyonysian: the monistic conception of Dionysus and the idea of ecstasy as a necessary condition of all art. Thereafter, it is also indicated relevant considerations about Nietzsche´s “physiology of art”. On the one hand, it is highlighted the possibility of a artistic transfiguration of existence by the intensification of the will to power, on the other hand, it is indicated the symptoms of art décadence. In conclusion, the intention here is to show that the notion of dyonysian is essential for Nietzsche to develop his concepction about the tragic art based on the "artist's metaphysics" and it is also indispensable in his aesthetic considerations that appears in his project of a "physiology of art".
Acesso aberto (Open Access)
Nietzsche, Kafka e o Niilismo: entre filosofia e literatura
(Universidade Federal do Pará, 2016-06-03) ARAÚJO, Raul Reís; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825
The research aims to analyze the phylosophical term niilism in Nietzsche’s work, from its origin until its developments in the author’s mature thinking. Understanding the decadence process as a niilist, Nietzsche places Socrates as the first thinker of the decadence, that would be perpetuated until the modernity by cristianism, turning the slave type into the model man. We sketch the manner in which Nietzsche aims to overcome this man, by exceeding the values that cultivate him, looking for a healthier new physiopsychological state for the man. To this end, Nietzsche places the will for power at the center of the transvaluation, and the artists as the more capable of creating something, instead of degrade and submit themselves to the value given by the accepted moral. In modernity the bureaucracy receives emphasis in the public functionalism, what inspires Nietzsche to criticize it as another way of leveling and impoverishing life. Kafka then appears in our work as the synthesis of part that Nietzsche understood in his epoch, his diagnosis of the next two hundred years is illustrated through Kafka’s works, that characterize the man as the being sickened by the values which are impossible for him to live or to carry out. For this all the understanding of the artist’s physiology, according to Nietzsche, gives us a comprehension and interpretation of Kafka’s work for beyond its epoch.