Navegando por Assunto "Globalization"

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Transformaciones en la división internacional del trabajo en el período post 2ª grande guerra mundial: una breve análisis histórico-economica
(Servicios Académicos Intercontinentales S.L., 2019-03) CARVALHO, André Cutrim
The purpose of this article is to discuss the main transformations that occurred in the context of the international division of labor in the period after World War II. In order to understand this important phase of the capitalist system, it was necessary to draw an analysis from the historical and economic perspective of this context of new institutions that were emerging there. After the Second World War, there was a general transposition of the Fordist industrial logic and the pattern of mass consumption of the North American Fordist accumulation regime towards the Western European countries and Japan. In the wake of the expansion of the Fordist industrial model, accompanied by the proliferation of US industrial affiliates, US banks were behind with financial support. This regime of intensive accumulation, centered mainly on "mass consumption" and the imitation of the American way of life, could be spread rapidly due to the monopoly wages and nominal profits - a growth rate of social consumption proportional to the increase in industrial productivity. In view of the above, there is no doubt that globalization within the capitalist mode of production has greatly influenced the spread of financial capital throughout the globe, responsible for major transformations in the international division of labor.
Acesso aberto (Open Access)
URBI ET ORBI Localização e globalização da canção popular paraense
(Universidade Federal do Pará, 2021-11-26) MOREIRA, Nélio Ribeiro; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361; https://orcid.org/0000-0002-0223-9264
The doctoral thesis seeks to address, through a theoretical perspective of culture as an invention and the social process as a convention (WAGNER, 2012) and the agency of artistic objects (GELL, 1996), how a musical culture is characterized in its process, as a world artistic (BECKER, 2010), through associations of different colors (SIMMEL, 2006) consolidating a sound group (BLACKING, 2010) that operates in a context of worldwide interaction through globalizing processes (HANNERZ, 1996; CANCLINI, 2008; APPADURAI, 1994). I try to show that the world of contemporary Pará popular song is a social formation characterized as a social group marked by a certain stability in its actions and sociocultural perspectives and by different forms of interaction that are practiced among a diversity of members, intra and intergroup, which form networks of sociation and ataum in different dimensions, such as local and translocal scenes, the latter being taken from 1) connections between local artists with other artists already established in the Brazilian national scene, and 2) from the experiences of actors in transnational contexts. The form of data collection was based on the proposal of multi-sited ethnography (MARCUS, 1995), a fundamental element to compose the framework of elements to be analyzed, given the context marked by a certain dispersion of such data. The work is divided into two parts. The first, entitled Cultura Musical como Invenção is divided into four chapters: “Trajetória e campo”, “Invenção da cultura no mundo da canção popular paraense – I” “Invenção da cultura no mundo da canção popular paraense – II” e “Recriações na cultura musical paraense contemporânea: o caso do carimbó”. The second part, called Processo Musical como Convenção, comprises five chapters: “A cena local: os lugares da canção como espaço praticado para projetos”, “A cena translocal: projetos e práticas, redes e conexões”, “A cultura musical paraense em processos globais: fluxos, fronteiras e hibridações”, “Festival de Música Popular: a(tua)ção ritual no processo musical” e “A cena local em ambientações digitais: o Jambu Live como festivalização virtual”.