Navegando por Assunto "Imagem corporal"

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Acesso aberto (Open Access)
Corpos em cena: o fazer pedagógico na ginástica rítmica
(Universidade Federal do Pará, 2011-01-06) MACIAS, Céres Cemírames de Carvalho; SIMÕES, Regina Maria Rovigati; http://lattes.cnpq.br/7770158896621784
The study focus is to analyze the conception of the body of physical education teachers who work with Rhythmic Gymnastics (GR), identifying points of convergence and divergence between discourse and pedagogical practice.The subjects were four female teachers and a male teacher who develop their pedagogical practices in RG at school and in other places. As theoretical support, I have talked with the ideas of authors like Moreira (1995), Gaio (2007), Kunz (1994) among others who discuss about body, GR and pedagogical practice in physical education. The adopted methodology had involved a bibliography review to reinforce the theoretical reference, and a field research consisted of structured interview and observation. I have used Content Analysis: Technique of Preparation and Analysis of Meaning Units elaborated by Moreira, Simões e Porto (2005) to analyze and collect data. The observation was based on a descriptive research as it was suggested by Rampazzo, (2005). The results indicates that two, of the five teachers investigated, still realizes the body as a fragmented way and distant from the reality around, understanding it as an object used for techniques interventions, tactics, etc. Three others teachers are transiting between the conception of the body as a subject and also as an object, but the first ones presents only discreet traces. Although the convergences and divergences between the ideas of the body, all the five teachers presents, in their pedagogical practice, signs that they adopt a mechanistic view of body. It happens when the teaching staff not considers the students’ reality during the planning of work and sees them as an instrument of transfer and reproduction, not as subjects of teaching -learning process. In this sense, the communication during the pedagogical practice is effected through highest authority of teachers who determines and controls all movements that should be done in classes, putting limits on creativity, criticality and the development of students’ autonomy.
Acesso aberto (Open Access)
Hipercoreografias: corpo e imagem digital em experimentação na Companhia Moderno de Dança
(Universidade Federal do Pará, 2013-06-19) CONCEIÇÃO, Luiz Thomaz Sarmento; SAPUCAHY, Ana Flávia Mendes; http://lattes.cnpq.br/6144243746546776
The current research aims to investigate the possibilities on digital mobile media uses as interfaces for creation in contemporary dance. Some experiments have been proposed to Companhia Moderno de Dança, from Belém, Pará, where the 10 participating subjects experienced relations on photographic and videographic corporal image creation, of themselves and others, in a proposal of recreation of views upon the body and the dance in the choreographic composition. The researches in movement and choreographic creation were understood by the visualization of images produced by the dialogic use of mobile digital media. The experiments, titled as “Videochoreographics”, were divided into three moments: Videochoreographic Experiments 1, in which creative possibilities have been developed with a fixed camera, and Videochoreographic Experiments 2, made up from the use of the camera movements and its filters and effects. Each one of these stages has culminated in the creation of short videodances, here called “videocorporeities”, which have been used for the elaboration of an interactive scenic installation that, added to the simultaneous registry of the corporal experimentation of the interpreters-creators, has resulted as the Videographic Experiments 3. The aesthetic result come from this experimentation was the technological hypermediation and hypermediatization of the body and the dance; such practice has been name as hyperchoreography.
Acesso aberto (Open Access)
Imagem mudança: um processo de transição em dança
(Universidade Federal do Pará, 2014-06-06) SOUZA, Ercy Araújo de; Mello, Ana Flávia de; http://lattes.cnpq.br/6144243746546776; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
This research analyses the transcreation course between word, image and body in the choreographic creation process, regarding to develop a reflection upon this in the Contemporary Dance scene. Thus, experimentations occurred from September 2013 through March 2014, with the Grupo de Dança Moderno em Cena – GDMEC. These experimentations are considered as a methodolofy suggestion to develop and comprehend the choreographic transcreation, metaphorically associating it to the butterfly’s life cycle. It is believed that this study may assist in the considerations upon the creation process in art and, more specifically, in the dancers creative potentiality, regarding to their observation about their bodies, their images and their words in a transcreative experience under the principles of the Immanent Dance poetics, a branch of the Contemporary Dance itself.