Navegando por Assunto "Imagination"

Agora exibindo 1 - 5 de 5

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Arte, imaginação e criação com crianças da cidade de Benevides-PA
(Universidade Federal do Pará, 2025-05-15) CALDERARO, Kelly Lene Lopes; BRITO, Márcia Mariana Bittencourt; http://lattes.cnpq.br/3710898379776654
The aim of this paper is to reflect on children's paintings and what they can represent in their lives. Specifically, this research involved listening to children's drawings of the territory of Benevides, Pará, and trying to establish relationships with their lives by looking at the concepts of Imagination and Art in childhood. Lev Vygotsky's (2014) Cultural-Historical perspective was used as a conceptual basis, observing that the richer the human experience is culturally, the greater the material available for imagination and creation. Seen from this perspective, the child's imagination would be expressively open to countless creative experiences, considering that, when compared to adults, their repertoire would not be permeated by the marks of experiences that have already been widely experienced. And it is in this sense that the Art, Children and the City project sought this experience of listening, to give children a voice and bring them to the center of the process, in which they can participate in the construction of a territory, since they have a perception of the place in which they live and desires to be fulfilled for this place, demonstrating their sensitivity and affectivity. It is in this sense that we emphasize the importance of looking at both the experiences the child already has and those that are still open. Observing the relationships that are established between the child, art and its creation. The methodology used was participant research. The technique used was to listen to children, through drawings, in four public squares in the Benevides area, with the guiding question of how they see this city and how they would like it to be? Seventy-eight drawings were collected for analysis and construction of the results. In the same way, bibliographical research was carried out in the methodology developed, with the data presented coming from books, dissertations, theses, research published in periodicals and presentations of scientific papers. In order to analyze these drawings, discourse analysis and Vygotsky's approach to Art and Imagination were used. It is hoped that this research, together with other studies, can contribute to the academic field, as well as giving greater visibility to the importance of listening to children, their desires, ideas and dreams, through Art and Imagination.
Acesso aberto (Open Access)
Densidade e força de empuxo: imaginação e produção de um recurso didático
(Universidade Federal de Mato Grosso, 2020-08) PARENTE, Andrela Garibaldi Loureiro; ALVES, José Moysés; BEZERRA, Sérgio Henrique de Oliveira
In this article, we present a biographical (auto) formative research on the role of imagination in the activity of a teacher, during the production of a didactic resource, to teach the concepts of density and buoyancy. From the field text, describing the initial motivation and the creation process, we carried out the analytical-interpretive process, inspired by narrative research, to elaborate the biography of the resource's production path. The biography contains the interpretation of the process by explaining the guiding principles of the production path of the didactic resource. We conclude that the production of the resource and, especially, the reflection on the process of its production, are moments of learning and training for the teacher, due to the possibilities of theorizing about the problems, solving them and proposing practical solutions to them. This narrative has the potential to contribute to the area of science education, inspiring the creation of new teaching materials, other research on the production pathways and strengthening spaces for sharing teachers' biographies, which value the personalization of teaching.
Acesso aberto (Open Access)
O desenho animado e o encanto do herói na TV
(Universidade Federal do Pará, 2013-04) SANTOS FILHO, Alexandre Silva dos
Playing with animated cartoons is quite revealing. They allow the child to play a role in the relationship and interaction process, affecting thus the ludic meaning. The aim is to reflect on the role of the child’s graphic representation as the mediating factor in ludic behaviour. Therefore, this paper also discusses the meaning of the graphic toy in the lives of children, especially when influenced by hero characters from animated cartoons. It also attempts to bring important concepts together, such as: liminal and liminoid, which characterise the ludic behaviour between art and child’s play; ludicity as an element of consequential nature; entertainment – sensitive and free; and imagination mechanisms. This reflection is based on the image references of animated cartoon series broadcast on Brazilian television. Finally, it will be said that playing with graphic forms of hero characters promotes relationship capacity and interaction with other children
Acesso aberto (Open Access)
Motivação e imaginação no contexto da prática pedagógica e na aprendizagem em química
(Universidade Federal do Pará, 2023-06-02) SANTOS, Priscilany Cavalcante dos; PARENTE, Andrela Garibaldi Loureiro; http://lattes.cnpq.br/0934892702963831; https://orcid.org/0000-0003-3396-700X
The objective of this research is to understand how comprehensive and/or creative chemistry learning is subjectively configured, in the context of investigative practices. The construction of the research theoretical model was based on the principles of Qualitative Epistemology, proposed by González Rey (2005). Such principles relate to knowledge production processes, highlighting the constructive-interpretive character, the interactive character (dialogue) and the singularity. For the construction of the information, instruments such as informal conversations, interviews, videos and images of school actions, written records and the technique of completing sentences were used, based on the hypotheses elaborated in the course of the research. Max's case study and the analysis of the pedagogical practice made it possible to elaborate principles with the intention of contributing to the students' learning. Such principles include curiosity as a guiding principle to encourage imagination, investigative practice as a promoter of imagination and the creation of a pedagogical strategy in teaching and learning in chemistry. In addition, the construction of a pedagogical practice that favors learning includes spaces for dialogue, partnership relationships and knowledge production that allow understanding the student's motivations in the context of learning as a subjective production.
Acesso aberto (Open Access)
Os processos imaginativos e a aprendizagem de ciências no contexto de práticas investigativas: o estudo de caso de Pietro
(Universidade Federal do Pará, 2021-05-27) NASCIMENTO, Maridalva Costa; PARENTE, Andrela Garibaldi Loureiro; http://lattes.cnpq.br/0934892702963831; https://orcid.org/0000-0003-3396-700X
This study presents as a central theme the imaginative processes of a student in a context of investigative practices. It is a qualitative research of the case study type. It assumes the imagination as the production of subjective senses, which can be present in all human psychic processes, when configurated subjectively, being essential for creative productions. Its general objective is to understand how imagination, as a subjective production, participates in the student teaching-learning process in investigative science actions. This meant interpreting the subjective configuration of the student's learning action. González Rey's Theory of Subjectivity, Qualitative Epistemology and the constructive-interpretive method developed by the same author were used as theoretical support. For the construction of information, the following instruments were used, as research resources: completion of sentences, production of texts, drawings, video recordings, informal conversations, investigative activities and interviews. The participant's expressions allowed the construction of subjective sense indicators and the development of hypotheses about his subjective configuration of the action of learning. Thus, the interpretation performed indicated that they participate in their subjective configuration of the action of learning, nuclei of subjective meanings, associated with: the participation of parents in their studies; to his uninhibited, participative, curious, responsible posture, and who is not afraid to express himself; to the desire to ascend in his life. The results also signaled that valuing the student's imagination creates conditions for reflections, positions, questions and for curiosity. This is facilitated in investigative practices, which the student does not receive the knowledge, but must think about how to solve problems. In this context, imagination is present in the formulation and testing of hypotheses, in the interpretation of results, and in the formulation of new questions, which emerge as production of the current moment, in the interaction with the teacher and colleagues, related to the subjectivation of previous experiences. In that way, investigative practices should constitute a pedagogical resource to overcome teaching by transmission.