Navegando por Assunto "Kant"

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A religião nos limites da crítica kantiana da razão
(Universidade Federal do Pará, 2023-04-18) SANTOS, Fladerny Marques dos; MEIRELLES, Agostinho de Freitas; http://lattes.cnpq.br/7826494085324141
The purpose of this dissertation is to analyze the theme of radical evil (radikales Böse). This theme, as we will see, has implications for Kant's practical philosophy, especially after the philosopher completed the formulation of the Critical Project, which involves the three Critiques. Such implications precede the examination of the theme conducted in the work The religion within the limits of simple reason (1793). In this sense, the aforementioned link is directly exposed in this work, but it is not exhausted therein. Therefore, in our examination, initially, we are interested in discussing the main elements of Kant's argumentation, which are like necessary conditions and broaden the horizon in which the religious theme combined with the conception of evil receives the deserved prominence in the panorama of transcendental philosophy. The notion of radical evil cannot be summarized as a religious or anthropological thesis, so our research will argue that Kant's work on Religion is in line with his earlier works on morality.
Acesso aberto (Open Access)
As representações sem consciência em Kant
(Universidade Federal do Piauí, 2015) SOUZA, Luís Eduardo Ramos de; BRITO, Aline Brasiliense dos Santos
Kant develops the theme of representations without consciousness, obscure and unconscious in a fragmentary and scattered manner throughout their works. Therefore, this paper aims initially identify and group several passages in which Kant deals of this matter in several of his texts, and posteriorly analyze and relate their ideas to form a comprehensive and articulated vision about this class special of representations. The views expressed in this paper are as follows: first, indicate that Kant understands the representations without consciousness in sense close to the no conscious representations; second, to show that the representations without consciousness (or no conscious) constitute the broader genre in which are contained the obscure and unconscious representations; third, argue that these two kinds of representations without consciousness are not defined in absolute terms, but in relation to the notion of degrees and attention deficits, respectively; fourth, propose that the representations without consciousness in Kant can be called obscure or indistinct perceptions, while opposed to representations with consciousness, which can be designated as clear or distinct perceptions.