Navegando por Assunto "Literatura - Estética"

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A construção da identidade no conto fonsequiano: a intertextualidade e a morte como afirmação do estrangeiro
(Universidade Federal do Pará, 2017-02-22) FERREIRA, João Paulo Cordeiro; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
In Rubem Fonseca's tales, it is common to find several "intertextualized" discourses, with works, characters, quotations and discussions around famous Brazilian and foreign literary authors who are, in different contexts and literary constructions, placed in the fonsequiana prose, directly or indirectly. In this way, we will take an approach taking into account three important short stories of Fonseca: "Encontro no Amazonas" (from the book O Cobrador), "Romance Negro" (from Romance Negro) and "A matéria do sonho" (from the book Lúcia McCartney). The reading of these tales, in part, suggests to us that there is an intense dialogue between the national and the foreigner, in which death assumes a decisive role for the self-assertion of the foreign tradition in our literature. This dialogue also allows us to identify the relationship between the fonsequiana prose and the narratives of E.T.A. Hoffmann and Edgar A. Poe, since it is possible that some compositions of these authors have drawn a dialogue with the literary constructions of Rubem Fonseca, which in this sense made possible the re- reading of the works of Poe and Hoffmann. In this way, we also emphasize the relation of the fonsequiana prose with the Greek tragedy, relating the use of the mask to the farce and the exchange of identity in the Rubem Fonseca literature. To this end, we consider Maurice Blanchot's theories about the death of the author, Otto Rank, referring to the notion of double and Sigmund Freud, about psychoanalysis.
Acesso aberto (Open Access)
Ficção e sociedade em Guimarães Rosa: interpretação dos contos “A volta do marido pródigo” e “Minha gente”
(Universidade Federal do Pará, 2011-05-11) MAUÉS, Brenda de Sena; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
This work has as theoretical and methodological basis the Aesthetic of Reception, the school of literary theory that emerged in the late sixties in opossition to the dogmas Marxist and formalist, to the extent that they ignore the role of the reader as the main recipient of the literary work. The research is focused on a hermeneutic approach and grounded in an analisis that relates literature and society, considering that is possible to find echoes of humanist ideals in this book, mainly within the tales that form the corpus for our analysis. Thus, following the methodological bias postulated by Jauss (1921-1997), in which the sense of a literary work should be sought into a dialetic constitution between the text and the reader, this paper outlines a survey of short stories “A volta do marido pródigo” and “Minha gente” of Sagarana, especially when it cames to the tematic and formal ties and to the analysis of the characters. In these narratives, it is possible to identify political and amorous disputes wich are developed at the same time along the plot, in general, is depicted the form of the assignment partisan politics and the family relationships in Brazil at the beginning of last century, each tale casts these thematics in their own way, one more comic, focusing on political and social issues and the other emphasizing family relations. In “A volta do marido pródigo” we found a hero with a obvious folk origination within a narrative that dialogues with the parable of the prodigal son and the Aesopian fable of turtle and toad. “Minha gente” tells a story of a relation between the characters lives and the game of chess. Although they retain significant differences between them, those stories have much in common. We took into acount studies already stablished about Sagarana as it is the Mortos de sobrecasaca of Álvaro Lins, as well as others, more recent, of researchers such as Luiz Roncari (O Brasil de Rosa: o amor e o poder), Gilca Seidinger (Guimarães Rosa ou a paixão de contar: narrativas de Sagarana), Nildo Benedetti (Sagarana: o Brasil de Guimarães Rosa) and Sílvio Holanda (Rapsódia Sertaneja: leituras de Sagarana).