Navegando por Assunto "Literatura brasileira - História e crítica"

Agora exibindo 1 - 17 de 17

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Candunga: fissuras do presente ressignificando uma certa Amazônia e um certo nordeste no romance de Bruno de Menezes
(Universidade Federal do Pará, 2009-08-28) WANZELER, Rodrigo de Souza; CASTILO, Luís Heleno Montoril del; http://lattes.cnpq.br/5839293025434267
Since the 60’s of the last century, the studies about culture become more explored like tool of observation in many areas. The culture, in this sense, is so complexified by it be a result of a contact between different social groups and, so, to necessity of a deep study about its formation. The literature, in this context, reflects this cultural complexity. In this aspect, the literature, used like history and culture forms, is a great reference of information that can expose many mysteries about the cultural formation in different levels, from local to global. The conjuncture of a biggest intercultural contact reaches the Amazon area, being reflected, mainly, by the migratory aspect after the top of commercialization of rubber, the called boom of rubber, during the second part of 19th century and the first part of 20th century. The Bruno de Menezes’ literature, in Candunga, makes references to this reality linked to humans displacements, more directly gives focus to Railroad Belém-Bragança. In this sense, our focus of study will be the relation established between migrants northeastern and the Amazon caboclos, this last represented by the voice of Candunga’s narrator, detainer of a cultural discourse favorable to Amazon man of bragantina zone. We’ll perceive that occurs a cultural and identity conflict in many parts of Candunga by the emergency of differences between caboclos and northeastern. We’ll note an affirmation discourse, by the narrator, of Amazon culture in detriment of northeastern culture. But, we’ll don’t forget to emphasize the cultural hybridization present in the Bruno de Menezes’s novel.
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A contribuição do romance-folhetim O Guarani na formação do público leitor brasileiro do século XIX
(Universidade Federal do Pará, 2011-09-01) CRUZ, Patricia Cezar da; SALES, Germana Maria Araújo; http://lattes.cnpq.br/8723885160615840
O Guarani the novel by José de Alencar was published in 1857 through Diário do Rio de Janeiro newspaper reaching a huge success as a feuillton. This one was adopted in Brazil with a lot of acceptation. Studies reveal that at that time of modifications and contrasts in Brazil of the Second Reign the brazilian public reader was just in formation, though their tastes in therms of reading included romance and the feuillton. In this context, O Guarani had a huge acclamation by the public which could find a correspondence of their expectations of find out a national literature in the story. This research intends to show O Guarani as a huge success of the XIX century as well as a timeless novel which attracts the interest of the public.
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Do periódico ao livro: originalidade da criação literária de Guimarães Rosa em Tutaméia
(Universidade Federal do Pará, 2011-09-05) CAMPELO, Wanúbya do Nascimento Moraes; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
This aim‘s work is to analyses the place of Tutaméia: terceiras estórias in the João Guimarães Rosa‘s book. For that it will be done an approaching of Esthetical reception‘s concepts showed for Hans Robert Jauss in his studies of 1967, which will be the theorical base for the presentation about some critical receptions of the book in all its history. The authors used to make this dialogue with the text were: Benedito Nunes, Vera Novis, Paulo Rónay. The study focused in the stories will consider the analysis of the main innovation started by Guimarães Rosa in Tutaméia,to know, the size and origin of the stories, the title and subtitle of the book, the alphabetic order of the index and the reread index, the presence of epigraphs and four prefaces. We will do a inedited hermeneutic and stylistic comparison between the book and the Pulso magazine and the book edition from 1967. Thus, we make a cutting in all the themes presents in the book, then we choose to analyze, the stories that talk about the love, they are: “A vela ao Diabo”; “João Porém, o criador de perus” e “Palhaço da boca verde”.
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A dor que ressoa nos contos pós-64: aspectos de uma ficcionalização do testemunho
(Universidade Federal do Pará, 2014-02-27) BATISTA, Suellen Monteiro; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958
This dissertation focuses on the relations between literature and history and á ms to identify and analyze recurrent aspects in short stories that fictionalize torture reports linked to the 1964 Brazilian Military Regime. For that, we selected as corpus for this research the following texts: "Acudiram três cavaleiros", by Marques Rabelo (1967); "O mar mais longe que vejo", by Caio Fernando Abreu (1970); "Pedro Ramiro" by Rodolfo Konder (1977); "O jardim das oliveiras", by Nélida Pirion (1980); "Saindo de dentro do corpo" by Flávio Moreira da Costa (1982); "O leite em pó da bondade humana", by Haroldo Maranhão (1983); "Não passarás o Jordão" by Luiz Fernando Emediato (1984); e "A mancha", by Luis Fernando Veríssimo (2003). Such narratives feature as their narrative nucleus torture scenes related to civil-military dictatorship installed in Brazil in 1964. From the hypothesis that those short stories frame compositional aspects of truthful testimony which were esthetically redeveloped in the texts, several times, ripping with what it is theorized about truthful testimony, trying to put into words the hardship of trauma remembrance caused by torture. To enclose such propositions, it was elected as a route the historical contextualization approached in the first chapter, intending to point out the existing relations between the productions and the historical context. Then, in the second chapter, a review of the theorical referential has been done on what this research was based, built over the proposed formulations about the testimony theory. Finally, in the third chapter, the analysis of the corpus has been done, based on three recurrent aspects in the narratives: the characters composition, the arrangement of the narrative and the vocable selection. For such analysis, this research will be established, mainly, in Seligmann-Silva formulations (2003; 2008), Valéria de Marco (2004) and Élcio Loureiro Cornelsen (2011), about historical catastrophes testimonies and fictional dimension of those productions; in Maria Rita Kehl's propositions (2004) about the tortured body; and in Sigmund Freud's considerations (1920) about trauma.
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Em busca de Luciana: um estudo das instâncias narrativas em três romances de Dalcídio Jurandir
(Universidade Federal do Pará, 2016-02-29) SOUZA, Flávia Roberta Menezes de; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
This paper proposes a study of a singular character in every work of Dalcídio Jurandir (1909- 1979): Luciana. The story of this character is found fragmented in the sixth, seventh and eighth novels of the Extremo Norte series, following the order: Primeira manhã (1967), Ponte do Galo (1971), Os habitantes (1976). This fragmentation is driven by changes in "productive instances of narrative discourse" (GENETTE, 1995) and the constant participation of the speech of the characters - "characters' discourse" (SCHMID, 2010) – in the constitution of Luciana's story. For this reason, it is understood that Luciana is a character whose setting needs to be further studied in order to understand how the discourse of the narrator, of the characters and of Luciana herself contribute to her composition as a character. The theories in the field of narratology of Genette (1995) and Wolfgang Schmid (2010) and the polyphonic novel theory of Mikhail Bakhtin (2010) play in this work the importance of describing the phenomena responsible for the different discourses on Luciana and assist to think of the status of this character in the narrative discourse of the three novels.
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Um estudo sobre os ensaios jornalísticos de Franklin de Oliveira: a face das críticas rosianas
(Universidade Federal do Pará, 2012-02-28) SILVA, Elizandra Fernandes Reis da; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
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A ética e a estética em Marajó, de Dalcídio Jurandir
(Universidade Federal do Pará, 2012-04-26) MENDONÇA, Gerson de Sousa; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
Dalcídio Jurandir was born in Ponta de Pedras, Pará State, Brazil. His ten-novel series called ―Ciclo do Extremo Norte‖ (Cycle of the Extreme North) is a literary journey in which he presents several sociocultural aspects of the lifestyle in the Marajó archipelago, in the city of Belém and in the Lower Amazon River. The novel Marajó is the object of this study (apparently apart from the life trajectory of Alfredo, a character who appears in the other nine novels of the Cycle). It takes place in the first decades of the twentieth century and presents various features of the Amazonian culture. The objective of this dissertation is to show Dalcídio Jurandir‘s work as a critical and ethical journalist committed to the spatial and temporal reality of the Marajó archipelago, his native land, through newspaper and magazine articles, and his position in the current panorama of the Brazilian Literature, as well as to analyze the novel Marajó under prism of ethics, and especially, of esthetics, in its language, its social approach and the use of various parallel stories as its elements of composition, based on the theories of scholars such as Alfredo Bosi, Afrânio Coutinho, Marli Furtado, Junito Brandão, Massaud Moisés, among others.
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Focalização em "O Tetraneto Del-Rei de Haroldo Maranhão"
(Universidade Federal do Pará, 2015-09-29) SILVA, Jônatas Alves da; SIMÕES, Maria do Perpétuo Socorro Galvão; http://lattes.cnpq.br/0672011058049782
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O grande movimento é a volta: viagem e espaço em “O Recado do Morro”
(Universidade Federal do Pará, 2016-02-29) ROCHA, Wellington Diogo Leite; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
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No subsolo do Nilismo: literatura e filosofia em Memórias Póstumas de Brás Cubas
(Universidade Federal do Pará, 2016-03-28) LEAL, Mauro Lopes; BARROS, Roberto de Almeida Pereira de; http://lattes.cnpq.br/4521253027948817; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
Machado de Assis is, rightly, a great Brazilian writer not only for their creativity and writing, but mostly for his ideas, his attitude toward the values that often are questioned in his works, which could represent a position that far to be just pessimistic, it is geared more to a nihilist pattern of thought and worldview. Question does not always mean destroy. But if the destruction is inevitable if there is to reset other values. Death is not always configured as an end, but can clearly represent the beginning of a new existence. In this work, it will be subject to the issue of nihilism in The Posthumous Memoirs of Bras Cubas, triggering philosophers like Nietzsche, to put them in dialogue with other writers like Dostoevsky, demonstrating that nihilism can not be considered a regional phenomenon, but worldwide, demonstrating that in Brás Cubas, such nihilism converges to other standards and the possibility of resistance through humor, laughter, joy.
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"Um passeio nos campos seria uma viagem pelo mundo”: linguagem e experiência em Dalcídio Durandir
(Universidade Federal do Pará, 2013-06-22) AQUINO, André Luis Valadares de; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
I work for the plurality of the Dalcídio Jurandir’s text Chove nos campos de Cachoeira (1941). The work is a semiologic practice, especially with R. B. par lui-même (1975) of Roland Barthes, his theory of the plural text. So i chase Dalcídio Jurandir’s text theory, which arises from his significant practice, Dalcídio Jurandir by Dalcídio Jurandir. In this step, Dalcídio Jurandir with Augusto and Haroldo de Campos, with Roman Jakobson, Dalcídio Jurandir a poet in prose; with Maurice Blanchot and the tradition of invention, Dalcídio Jurandir metalanguage producer; with anthropology and geopoetics, Dalcídio Jurandir of the Marajó Archipelago landscapes. All due to opening his text senses. Dalcídio Jurandir's text contradicts the readings that close their senses, his text should win new fields of experience, it prompts you to continue write it.
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Poeticamente o homem habita esta terra: a construção do espaço em Chove nos Campos de Cachoeira
(Universidade Federal do Pará, 2016-02-29) SOUSA, Samantha Costa de; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
The novel Chove nos campos de Cachoeira, published in 1941 by Dalcídio Jurandir writer's main space a land full of mysteries intertwined in the life of the characters, its inhabitants, a life that can be summed up in fears, anxieties and miseries. The purpose of this study is to see how the space in the narrative is built for this, thoroughly analyze each space that appears in the novel, beyond the words that mark the existence of a space and the perspective from which this element is constructed, and categorize the possible types of spaces in the novel. Also will check the personal relationships drawn between characters and space is what we call topofilia and topofobia, the first term refers to the love of the land, the second is aversion. For the preparation of this research, we rely on a theoretical framework that defines some conceptions of space, here established as something that goes beyond the geometric concept, we understand space as all the information that situate the geographical characters, socially and psychologically. The theoretical main chosen for this approach were Alicia Llarena (2007) Otto Friedrich Bolnow (1969), Milton Santos (1988) Yi-Fu Tuan (1983), and theoretical working space as narrative element as Osman Lins (1976 ), Antonio Dimas (1987) and Oziris Borges Filho (2007), which give the apparatus to analyze our object of study with a focus on topoanálise. Even resorted to theoretical Tomachevski (1976) and Genette (2011) that give us grounds to examine the joints of the text, such as description and narrative focus. Thus, this research aims to analyze the narrative space as text element, as the space can be determined and created within the text, which the settings set to give the reader a sense of space.
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Por uma história da recepção da obra de Max Martins
(Universidade Federal do Pará, 2013-01-16) QUEIROZ, José Francisco da Silva; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
This paper seeks to understand the critical reception of Max Martins’ poetry over 50 years of artistic activity. It proposes investigate, by utilizing an aesthetic recepcional approach, how the successive readings of journalists and critics established the acceptance of Max Martins’ production and the insertion of this writer into the respective local and national literary scene. Based theoretically on Aesthetic Reception, this study attempts to understand diachronically the effect caused by the Max Martins’ production in his immediate readers, and therefore make out a story of his reception. The approach of the assumptions made by H. R. Jauss (in The History of Literature as Provocation to Literary Theory) - such as the term "horizon of expectation" - will direct us as regards historicity of Max Martins’ poetic production, explaining why some misreadings of his works perpetuate until the present. Therefore by reconstructing the "horizon of expectation" it will be possible to understand which demand or question the Max Martins’ work attended at the time of its publication, furthermore to ascertain how the publishing of his works (G. Genette, 2009) influenced his reading over time, thereby updating their critical understanding and revealing some persistent inconsistencies in contemporary academic studies.
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A reconstrução histórica da cabanagem em “Lealdade” e da guerra civil moçambicana em “As Duas sombras do rio”
(Universidade Federal do Pará, 2015) BARROS, Liliane Batista; PADILHA, Laura Cavalcante; http://lattes.cnpq.br/0119590982312606; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958
In this thesis, we aim at comparatively analyzing the historical reconstruction of Cabanagem and the Mozambican Civil War in the novels Lealdade (1997), by Márcio Souza and As duas sombras do rio (2003), by João Paulo Borges Coelho. In order to do so, we present a brief historical background of Brazilian and Mozambican colonization, as well as, the periods of independence and post-independence, besides the theoretical route on historical novels, resistance, memory, and the theory of space, in this case, the river , which we use as an analytical tool. In the work of Borges Coelho, the analysis was made from the crossing of the characters by rivers that were triggered by the arrival of civil war. We focus our reading in Leonidas Ntsato, a character that metaphorizes Mozambique divided in two by civil war and we highlight the role of the narrator in this novel. In the narrative of Márcio de Souza we follow the trips of Fernando, the narrator of the novel, which has its biography interconnected with events that would trigger the Cabanagem, years later. Each one at his own style, the two novelists revisit the hardships of the two wars that have as a scenery Northern Brazil and Mozambique which are peripheral spaces since colonial times.
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Relações intersemióticas entre literatura, cinema, artes plásticas e desenho em dois romances de Márcio Souza
(2013-06) CASTILO, Luís Heleno Montoril del; SANTOS, Francisco Ewerton Almeida dos
This paper aims to explore the relationships between different artistic forms – li-terature, cinema, plastic arts and design – investigating the operation of the bonding techniques (originating end of the plastic arts) and assembly (film technique) and how they were implemented in literature. To this end, we as an object of analysis the novels of the writer amazon Márcio Souza Galvez imperador do Acre (1983) and A resistível ascensão do Boto Tucuxi ([1977] 1982).
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A roda-viva da corporalidade: vivências e ressignificações dos desejos em "A estória de Lélio e Lina"
(Universidade Federal do Pará, 2021-08-30) RAMOS, Pablo Rossini Pinho; LEAL, Izabela Guimarães Guerra; http://lattes.cnpq.br/2507019514021007
“A estória de Lélio e Lina”, a text originally part of the first volume of Corpo de baile (1956), by Guimarães Rosa (1908-1967), can be read as a narrative interspersed with imagery planes suggestive of the sexual experiences of the characters. Considering this, it is necessary to examine some of the various nuances correlated with corporality, which, in the novel, unfolds in eroticism, in the representation of black women (in which there is the set of sociocultural elements of male oppression over the female body) and in the exercise of sexuality itself. Thus, concerning the first topic mentioned above, as a form of unproductive expenditure, based on the arguments of Bataille (2016; 2017), it is intended to elucidate how occurs the systematic disruption of the interdicts and the violation of laws/taboos (transgression) in the ambiguous and tumultuous relationship between Lélio, the protagonist cowboy, and the young Sinhá-Linda, whose presence-absence permeates the past and present of the wandering backcountry man. Based on the concept of Patriarchy (FREYRE, 2006), this work discusses how some stereotypes associated with black women, such as immoral sex and prostitution, are interlaced in a hinterland full of significations represented in the sensual character Conceição (one of the ‘aunts’). If the intention is to denounce and counter conceptions forged by colonial and patriarchal heritages, contemporary feminist studies that somehow incite other debates around these historically silenced voices will also be opportune, such as bell hooks (2019). And finally, it is presented the theme of sexuality (FREUD, 2016), predisposed and re-enacted in behaviors, acts, and desires of the male and female tensioned in Lélio and his main interlocutor, Rosalina (Lina). Regarding the method followed in this dissertation, the postulates of Hans Robert Jauß (1994; 2002) in the Aesthetics of reception, especially those that deal with basic categories, such as reception, reading and aesthetic experience, are adopted to assist us to engender new investigation possibilities for the central hypothesis of this work: that we are facing particular forms of narration of sensory experiences and sexual activities. In addition to the first section, follow two textual sections, respectively, interpretation of the mentioned narrative and studies of critical reception that dealt with themes related to “A estória de Lélio e Lina”, such as eroticism (REBELLO, 2006; VALENTE, 2011) and tradition and modernity in the hinterland (ROCHA e SILVA, 2010).
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Travessia poética: o pacto entre crítica e escuta em "Grande Sertão Veredas"
(Universidade Federal do Pará, 2017-02-17) CARVALHO, Taís Salbé; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
The research proposes an exercise in literary criticism that focuses on the dialogical pact between critique and listening, in Grande Sertão: Veredas, novel by Guimarães Rosa, published in 1956, from a deconstruction of the metaphysical tradition, which thinks that art as mere representation of reality, and no longer as a staging of issues of the real. Therefore, we dialogue with a type of hermeneutics that questions the concepts of representative criticism that, in our view, imprison the literary work, since it analyzes it from predetermined theories, and we give ourselves to the exercise of criticism as listening originating from the questions put into work by the literary work. In this exercise we are called to think the unthought of thought, letting the work itself claim its theory, summoning us to critical listening. In order to do so, it was necessary to question the original questions manifested in Rosa's novel, such as: Language, Art, Truth (unveiling), Being, Being-in-the-World, Crossing, Dialogue and Pact with the Devil. In this sense, the essential relation between art and truth, in which this is the very dynamic of veiling-unveiling-veiling of the being of things, of physis. The work of art is nothing more than this dynamic and in them and through them we seek to traverse our poetic crossing, questioning us from the questions that are manifesting, and of which we are also bestowal, in search of our poetic learning.