Navegando por Assunto "Literatura brasileira - Séc. XX"

Agora exibindo 1 - 5 de 5

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Epopéia e transculturação em “Nativo de câncer”, de Ruy Barata
(Universidade Federal do Pará, 2015-04-06) CONCEIÇÃO, Laurenice Nogueira da; FERNANDES, José Guilherme dos Santos; http://lattes.cnpq.br/7023812449790431
This work establishes a dialogue between the poem "the native of cancer," the Para Ruy Paranatinga Barata, and the concept of transculturation Angel Rama. The stylistic analysis will be proposed by Carlos Reis (1976), according to which both the formal aspects linguistics as their transgression in the text contribute to its significance, including dialoguing with the context. The poem is discussed under the assumption that he was a modern epic of the Amazon, in which lyrical and epic amalgamate as Emil Staiger(1977), and from which the concept coined by Rama in the literature relates to the idea of regionalism and the same author of modernity, according to Baudelaire. Thus , we present the poem and its historical and literary context relating poetic form and content to the concepts of transculturation , modernity , epic, mediation and autonomy and engagement.We will see that in their structure the external elements, as a society, history and biography become internal, mainly by the use of the image, becoming a part of the text structure, as postulated Antonio Candido (2006).
Acesso aberto (Open Access)
Imagens de leituras em Chove nos Campos de Cachoeira, de Dalcídio Jurandir
(Universidade Federal do Pará, 2014-08-13) COSTA, Regina Barbosa da; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
This study aims to present the readings sketches practiced by characters-readers in the book Chove nos campos de Cachoeira (1941) of Dalcídio Jurandir (1909-1979). The research aims at raising a new sight over the fictional production of the writer, from the readings of characters and get to know, throughout the fiction, the existing cultural complex in the Marajoara region. The work opens up the cycle up of the Far North and has got several characters that represent different types of readers: from the reader of scholar to the intensive of serials. Thus, the writer of Pará by the social denunciation, peculiar of this novel itself and the whole cycle, perform into the complex process of acquisition of literacy in the region. In this manner, the study is divided into 5 chapters. The first, forewording the research. The second, which deals with The dalcidiana fiction in the Amazon space composed by the Dalcídio heading: the reader from Amazon and The Amazon space resized address the lecturer readings and the projection of marajoara scenario on real manner and imaginary pointing out the social problems, ordinary in Brazil and worldwide. In the third, the theory will be focused on reading, reader and character, indicating the main theorists used in the research. The fourth chapter will address the readers of the Major Alberto family, with the topics The Major Alberto, Eutanázio: collapse of the creature and perpetuation of the word and Alfredo: an infant reader. The fifth and final chapter will adress the paradoxical differences between readings and readers, showing an ordinary reader to the side of a scholar, in the topics The Incongruities of the Dr. Campos and Salu reader and storyteller.
Acesso aberto (Open Access)
A personagem feminina em “Linha do Parque”, de Dalcídio Jurunadir
(Universidade Federal do Pará, 2013-04-24) SANTOS, Alinnie Oliveira Andrade; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
The writer Dalcidio Jurandir (1909 - 1979) published ten novels that comprise the so-called Ciclo do Extremo Norte, and also contributed to various Belem and Rio de Janeiro periodicals and wrote the book Linha do Parque (1959). This novel, written in the mold of Socialist Realism – the official aesthetic of the Soviet Union (USSR) in that period, which extended also to several other countries, through their communist parties – chronicles the struggles of workers in the Rio Grande city, at Rio Grande do Sul, during the first half of the twentieth century. In this work, the emphasis is noticeable for women working in factories and at meetings of the Workers' Union, which actively participate on equal terms with men. This study therefore aims to analyze the importance of female characters to develop this narrative, emphasizing those who have had great participation in the struggles of the workers described in the novel, also reflecting on the ideological manifestations that are present in the work.
Acesso aberto (Open Access)
Quando a linguagem é imprescindível à sobrevivência: Ó, de Nuno Ramos
(2013-12) GUIMARAES, Mayara Ribeiro
Developing the well known literary theme of the organic relationship between body and language, Ó, novel by Nuno Ramos published in 2008, touches the boundaries involving body, death and writing, from the perspective of the language crisis opened up by the experience of aging and body decay. The crisis leads to a non-recognition between the subject and the body, identity and language, which, as a result, engenders a language comitted to the experience of drifting. This experience is then staged by the dialogue of literary tradition and the rupture provoked in language by the contact with the residual. Following this track, Nuno Ramos’ novel breaks lose from the traditional concept of realism and representation in literature on behalf of the staging of both literary tradition and the act of writing. This essay tries to portrait the problems engaged in this novel involving the debate of how contemporary brazillian literature brings back important issues questioned by brazillian literary tradition represented by pioneers of contemporary literature, such as Clarice Lispector.
Acesso aberto (Open Access)
Silenciosas narrativas em imagem-tempo: João Gilberto Noll, esvaziamento discursivo e cinema moderno
(Universidade Federal do Pará, 2012-04-30) BRASIL, Marcelo Pereira; CASTILO, Luís Heleno Montoril del; http://lattes.cnpq.br/3519128535996125
This works means an exercise of reading of the brazilian writing João Gilberto Noll literary narrative, promoting an approach of this books to the image-time concept Gilles Deleuze, in the relationship of the narrative aspects and the discursive emptying, silence, as important elements in the artistic production and tendency of modern arts. The image-time concept of the french philosopher was building for thinking the modern cinema, those create this-self in a image system that break the classic narrative, with the perception based in a sensitive- motor scheme. In this works, in despite it, the concept is thinking in relationship of the literary works of João Gilberto Noll, that approach with the modern cinema and show us fragmented imaging tissue, tending to discursive emptying. This works is an exercise of reading of the brazilian writing João Gilberto Noll literary narrative, promoting an approach of his works to the time-image concept Gilles Deleuze, in the relationship of the narrative aspects and the discursive emptying, silence, as an important elements in the artistic production and tendency of modern art. The time-image concept of the french philosopher was building for thinking the modern cinema, those create this-self in a image system that break the classic narrative, break the perception based in a sensitive- motor scheme. In this work, in despite it, the concept is thinking in relationship of the literary works of João Gilberto Noll, that approach with the modern cinema and show us fragmented imaging tissue, tending to discursive emptying. So, taking as a point of reflection Noll's work, we discuss how the time-image and silence compose the work of the writer. After presentation and discussion of the concept of time-image and silence, we proceeded to a reading of significant points in the fictional works of Noll, rehearsing a relationship between cinema, literature and other arts in termsprimarily for the production of images in a particular narrative form and also the implications of these forms of thought. For reasons of economic strategy for the formation of a crop of significant production of the writer, his works directly considered in this work are Hotel Atlântico (1989) and O Quieto Animal da Esquina (1991). Thus, the intent is (1) propose some ways for interpreting the work of Noll and (2) investigate how themodern narrative production, especially the narrative next to the concept of timeimage, composed of strong visual appeal, which makes the production of ambiguous images, discontinuous narratives, characters wandering, tends to drain this discursive, tends to the silence.