Navegando por Assunto "Lugar"

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Acesso aberto (Open Access)
Desterritorialização e reterritorialização das famílias da comunidade Deus é Amor com a construção da usina hidrelétrica de Belo Monte em Vitória do Xingu
(Universidade Federal do Pará, 2021-08-20) AMORIM, Edilane Bezerra; HERRERA, José Antônio; http://lattes.cnpq.br/3490178082968263; https://orcid.org/0000-0001-8249-5024
This dissertation discusses the transformations that took place in the Deus é Amor community, municipality of Vitória do Xingu, with the construction of the Belo Monte hydroelectric power plant, which, upon arriving in the territory, disrupted the socio-spatial organization of the families, in addition to causing a rupture with the place. and change the ways of life historically established by the subjects, contributing to the geographical movement Territorialization-Deterritorialization-Reterritorialization (TDR) in the Amazon. The community under study is part of what was demarcated by the hydroelectric project through the studies of the EIA-Rima (2009) as a rural Directly Affected Area, located in the sector referring to the Canals Reservoir. This area began to be occupied by families in the early 1980s, until 2011 had 59 families, and after the arrival of the Belo Monte HPP there were only 5 remaining families. The development of the research allowed the analysis of three central points about the object, the first with the understanding of the actions that made possible the territoriality of subjects in the Amazon (1970-2012), the second with the departure of the subjects from their historically constructed places, the deterritorialization (2011-2016) and finally the current process in which they are inserted, with the experience of progressive reterritorialization.
Acesso aberto (Open Access)
A Experiência espacial de pessoas que usam crack e/ou similares no Centro Histórico de Belém: territorialidade e lugaridade no espaço
(Universidade Federal do Pará, 2021-01-01) DIAS, Alan Pereira; MERCÊS, Simaia do Socorro Sales das; http://lattes.cnpq.br/8905447990410938
The use of crack and/or similar drugs has shown new developments in the problem of drugs, due to its great visibility in public spaces in several Brazilian cities. The present work aims to understand the sense of microterritoriality of people who use crack and/or similar in the public space of the Historic Center of Belém (CHB), aiming to compose a presentation of the subjects involved in the constitution of the scenes of drug use, a description of its forms of sociability, as well as the affections and tensions surrounding its practices, the typifications and images that configure placeness and territorialities, from a case study with inspirations from existential phenomenology and ethnography, involving several procedures: bibliographic review, fieldwork, composing diary notes, and in-depth interviews. Throughout the research we identified that the subjects that integrate the scenes of crack and/or similar use in the public space are immersed in contexts of vulnerability and disaffiliation, where the problematic use of such substances and family tensions catalyze impulses to the street, an evasion home. Faced with such circumstances, their placeness are characterized by a shuffling of topophilic and topophobic images, adding to the fleeting euphoria of the drug, with a resentment around its use. Microterritoriality, on the other hand, is evidenced by the encounter between subjects who establish harmful uses of the drug, in the process of “exile”, or in homeless situation, aiming to compose spaces where they can establish their practices, intersubjective convergences, with the use of limited typification systems. Thus, the person who uses crack and/or the like presents a spatial peculiarity in their disaffiliation, since not only are they detached from their family, social and economic realities, there is a dismemberment of their own existential space.
Acesso aberto (Open Access)
O lugar do corpo no corpo do lugar: uma etnografia da panha do açaí entre jovens da Ilha das Onças - Pa
(Universidade Federal do Pará, 2020-07-27) BASSALO, Terezinha de Fátima Ribeiro; SILVEIRA, Flávio Leonel Abreu da; http://lattes.cnpq.br/1972975269922101
The relationship between bodies and places in daily activities is the theme of this study which aims to present and at the same time understand, the forms and meanings attributed to such relationships in the practice of collecting açaí. The research carried out on Ilha das Onças - an island region close to Belém, capital of the state of Pará, in the northern region of Brazil -took place from the entrance in the açaizais belonging to seven young interlocutors - two female and five male - and made it possible to follow the universe of açaí “panha”, through experiences and narratives. The "panha" - name given by the residents of Ilha das Onças to the activity of collecting açaí - is here understood as a relational action between humans and plants, which is expressed as a technique and at the same time as an individual skill why conforms one own way of accomplishment, whose aim is to reap the rewards without hurting them, involving risks, heights and a lot of care. It reveals how interwoven the bodies of people are with their places of residence, which are also places of work. The collection of açaí, among the set of body techniques practiced on the islands near Belém, is a secular, ancestral and, therefore, traditional activity, and the collected product is a source of food and an economic base for those who live on Ilha das Onças. The experience in the açaizais accompanying people who collect the açaí, resulted in an ethnography of the “panha”, based on three body movements with different rhythms: the ascent, the arrival at top of palm tree, the descent and other perceptions. After the “panha” comes the “dibulha” and the packaging of the fruits in rasas in a handmade way, because beautiful and useful, preparing the moment when the product will be exposed, touched, tasted and marketed. The “panha” also leaves marks on the bodies of the collectors, revealing traces of the plant's agency, stigmas and attribution of masculinity. She is a “man's job”, but she is also a woman's. Women “panham” the “bébi” and “panham” the açaí. In short, the bodies of collectors and collectors are constituted by a permanent and updated inter-agency interplay between environment, society and the individual that is imprinted on them, as in a palimpsest. The relationship between man / woman and plant / açaí sets up a braid in the island's landscapes.