Navegando por Assunto "Market-place"

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Acesso aberto (Open Access)
Mametu Nangetu na mata
(Universidade Federal do Pará, 2017-05) RIBEIRO FILHO, Pedro Ivan Olaia; ALVES, Wellington Romario da Silva
Traditional communities of African array has a deep relationship with nature and its elements. The forest surrounding the market-place “CEASA” is attended by people from traditional communities. They collect leaves, bark and herbs that the forest gives and offer thanks to the energies and mystics persons of the forest. Mametu Nangetu is a tradition woman that goes to the market-place CEASA sinc she was kid, she has great intimacy with the space. She reaps what nature presents us and also afforests the place. This video is the ethnographic record by during the research process of the project: “Feira Livre; -performa-te cidade: investigação performática, diálogos e outros sabores”. This project was awarded by “Bolsa de Criação, Experimentação, Pesquisa e Divulgação Artística 2015 da Fundação Cultural do Pará”. This record was achieved in one morning we were with the Mansu Nangetu’s community at the CEASA’s fair and forest, and we follow Mametu Nangetu sharing knowledge of our bantu tradition. Katendê is the Lord of Forests and Lord of Jinsaba, the sacred leaves. Mariô is the oil palm leaf and it’s used at the entrances of candomble houses. A CANON G15 machine was used to capture the images.
Acesso aberto (Open Access)
Saberes, fazeres e sabores: o amanhecer da feira livre Bragantina
(Universidade Federal do Pará, 2017-05) ROSARIO, Samuel Antonio Silva do; ROSARIO, Jocenilda Pires de Sousa do
This video presents the dawn in the free trade fair of Bragantina, showing the diversities of knowledge, crafts and flavors that are in this environment, one day of the month of March 2017, from the logic of the fair. In the video, several spaces of the fair are used, in the municipality of Bragança / Pará, among them, flour and its derivatives, fish and shellfish, fruit and vegetables, handicrafts and medicinal products from forests and rivers. In capturing the images, a Nikon Coolpix P520 camera was used.