Navegando por Assunto "Mediatization"

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Acesso aberto (Open Access)
Comunicação e resistência: meios e usos da comunicação por grupos sociais atingidos pelo desastre da Hydro Alunorte em Barcarena, Pará
(Universidade Federal do Pará, 2020-10-28) SANTOS, Andressa Arielly de Souza; STEINBRENNER, Rosane Maria Albino; http://lattes.cnpq.br/1508467019000744; https://orcid.org/0000-0003-4321-7245
communication triggered by the social groups affected by the Hydro Alunorte disaster, in Barcarena, Pará, located in a historical context of environmental injustice (ACSERALD, 2001) that crosses the socio-environmental conflicts in the Amazon. What motivated our study was the fact that the media coverage of the environmental disaster, denounced by local communities and occurred in the beginning of 2018, involving the leakage of tailings from the Norwegian company Hydro Alunorte, leader in the global aluminum market, has achieved national repercussion. and international, but with little space for popular and local voices (STEINBRENNER, GUERREIRO NETO; BRAGANÇA; CASTRO, 2020). Thus, our intention, based on an exploratory study of a qualitative character (YIN, 2016), considering a period of 24 months from the occurrence of the disaster, was precisely to seek the other voices, usually and historically invisible, in order to understand, from the perspective of mediatization (HEPP, 2014), the communication processes and practices (FRANCE, 2016) for resistance (PERUZZO, 1998) that mark in this period the actions of the mobilized social groups, in what we call the field of communicative resistance, in reaction to the impacts caused by the disaster and in the defense of rights and their territories in the municipality of Barcarena, understood as mining "sacrifice zone" (CASTRO, 2019).
Acesso aberto (Open Access)
Espetáculos Culturais Amazônicos: a festa como resistência e experiência estética
(Universidade Federal do Pará, 2023-03-24) LIMA, Nair Santos; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703; https://orcid.org/0000-0001-5467-8528
The thesis deals with the Amazonian cultural festivals with an emphasis on cultural shows, which, over time, have been re-signified from their traditional places. The visibility of these events occurs through mediatization, a process obtained by the technological means of communication and enhanced by a model of globalization, which naturalizes them as a marketing product. In conducting the research, the difference between "Amazonian festivals", which are cultural manifestations within the scope of the Brazilian territory (Legal Amazon), and "Amazonian cultural festivals" - culminating with the "Amazonian cultural shows", which are those constituted of the aesthetic experience of the imaginary of these populations and, therefore, typical of the riverside or caboclo culture. It was noticed, even though the term “caboclo” has been reconfigured since the knowledge of these peoples revealed a unique importance in the cultural context and inserted in the academic spaces of the various sciences, consubstantiated, above all, in the idea of a specific Amazonian culture, of intrinsic characteristics of the Amazonian being, as well as the understanding of Amazonian researchers on the subject. The locus of enunciation takes place in the cities of Juruti and Santarém, in the state of Pará and in the city of Parintins, in Amazonas, whose corpus of analysis are the festival of the tribes, the festival of Sairé, and the folkloric festival of Parintins. Bibliographical research was the procedure that conducted all phases of this study and the analysis of the phenomenon is theoretically and methodologically based on semiotic conversion – mental activity of a symbolic nature produced by human thought and which acts in the production of new meanings. The corpus is based on three documentaries contemplated by the Aldir Blanc law referring to the three parties, however, other audiovisuals about the environment of the parties posted on YouTube, and selected by criteria of relevance, representativeness and participation of the organizers and/or “party makers”. served as support for the analysis. From this perspective, it is understood that the Amazonian cultural shows are means of expressiveness and resistance of a culture that operates as a form of communication, and that through the YouTube platform and languages of digital or mediatized communication, the place is transposed, gains visibility, profit and produces new meanings, whether through the re-establishment of belonging ties with the local culture or the ways of celebrating and being- together.
Acesso aberto (Open Access)
Uma proposta de modelo de responsabilidade ulterior ao dano da liberdade de imprensa na democracia brasileira
(Universidade Federal do Pará, 2022-01-21) MASCARENHAS, Diego Fonseca; RIBEIRO, Cristina Figueiredo Terezo; http://lattes.cnpq.br/9188707404168670
This thesis intends to critically analyze how press freedom is approached in the Brazilian legal system, based on the study of the insufficiency of the responsibility model after the harm to the communication channels proposed in ADPF n. 130/2009, judged by the Federal Supreme Court, due to this conception that any law to regulate the media activity automatically implies in the risk of prior censorship. Thus, the thesis starts from the consideration that the absence of law in Brazilian legal is detrimental to the rights of civil personality for the citizen, as well as being unfavorable to the media, because it promotes legal uncertainty without instituting what are the normative definitions for the broadly-broadcast sectors of news that become more exposed to receiving convictions in the Judiciary. In this context, the model of ulterior responsibility for harm of the Inter-American Court of Human Rights is proposed, to determine normative guidelines in the restriction of free speech, which can occur as long as it is proportional, with clear legal criteria and with respect to the principles democratic. The thesis aims to expose, from Alexis de Tocqueville and Habermas onwards, the origin of press having a strong connection with democracy in order to demonstrate the reason for the judicial reasoning of the STF and the Inter-American Court to associate the press with democracy. In order to analyze the development of communication channels and their relationship in the public space, the study of how news dissemination media are understood from the point of view of media, mediation and mediatization is developed. The concept known media is approached by McCombs' Agenda Theory, which is based on the pre-selection process of the data that will be conducted to the public space and the way in which they will be interpreted, while the sense of mediation from Thompson makes up the media news as a transmission center not only for facts, but also for values, culture and education. Further on, the thesis positions the emergence of mediatization of data flow channels through Muniz Sodré and Fausto Neto, as it states that the receiver of information is no longer a passive subject to actively participate in the communication process, which shows change perspective of the traditional concept of journalism when there is participation of people within the language of the editorial board. Finally, all the decisions about free speech of the Inter-American Court are exposed to examine what the criteria are when establishing limits for the exercise of free circulation of thoughts and news in democracy, in order to serve as a legal parameter for the Brazilian legal system.