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Navegando por Assunto "Memoria"

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    1900 – O RANGER DA LIBERDADE: A memória como indutora de performances de rua
    (Universidade Federal do Pará, 2020-12-04) SANTOS JUNIOR, Paulo César Sousa dos; BEZERRA, José Denis de Oliveira; http://lattes.cnpq.br/9404514273838260
    This dissertation memorial presents and analyzes the creative process 1900 – o ranger da Liberdade, a set of performances developed by Zecas Coletivo de Teatro, in the streets of the metropolitan region of Belém do Pará in 2019. The research aimed to highlight the importance and multi-layered significance of scenic performances works, as a practicaltheoretical process, in interface with the studies of history and social and cultural memory, starting with the postulates of Le Goff (2013), Nora (1993), Candau (2011), and Assmann (2011). On language issues, we proposed a reflection on the relationship between the theater and the performance from the “in-between” perspective found in Bonfitto (2013) and Féral (2015); and about the specificities of performance language based on Cohen (2013), Goldberg (2007), Glusberg (2009), Schechner (2006; 2010), and Pavis (1996; 2017). From this universe, we approach the notion of experiencing the street in the relationship amongst performers, passers-by, and the city, dialoguing with the discussions about street scenic practices, proposed by Carreira (2007; 2009; 2011; 2012; 2020), Teles and Carneiro (2005). As results, we point out: a) the accomplishment of eight street performances; b) the proposition of the instigation method and creation device, organized during the research, beginning with the studies of Rangel (2015) and Sales (2011) over the creative process as an Arts research methodology, Cypriano (2015) about the power of creative processes in performance and Ribeiro ( 2019) on the concept of the place of speech; c) memory as an inducer of street performances, as a basis for the creation of dealienating artistic works that, in a dialogue between past and present, performatively expose issues that enhance respect for differences.
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    Memórias, etnoconhecimentro: diálogos com estudantes sujeitos da EJAI rural em Cipoal e Vila Modelo, São Francisco do Pará/Pa
    (Universidade Federal do Pará, 2024-09-09) TABAYARA, Tiago José da Silva; NASCIMENTO, Eula Regina Lima; http://lattes.cnpq.br/0460051621828656; SERUFFO, Marcos César da Rocha; http://lattes.cnpq.br/3794198610723464; https://orcid.org/0000-0002-8106-0560
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    La política de los sin parte: una lectura desde Jacques Ranciére de las iniciativas y artísticas de las Madres de Soacha en Colombia
    (Universidade Federal do Pará, 2020-02-17) BURGOS, Diego Fernando Perez; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825
    The Jacques Rancière's thought opens a conceptual tools wide arsenal for thinking different scenaries where the dominant power is challenged by initiative. Thus, it is purpose to analyze the facts developed by Madres de Soacha victims' collective in Colombia, bringing in mind the political action horizons (equality, subjectivation, disense, etc.) according to Rancière with the aim of understanding how Madres de Soacha movement encourage and rebuild the memory sense on Colombian society. To achieve this purpose, it is carried out the Rancière political concept, moving notions such as who have not part; equality, disense, subjectivation, and distribution of the sensible). Taking as conductive threads of his political argue the effects of affirmation of equality and the political experience sensitive dimension. By other hand, the purpose pointed out to the particularities of the Colombian armed conflict and one of its most heinous facts: the Falsos Positivos. Then is showed the motivations, procedures and kind of victims left by criminality to light the specific case of Falsos Positivos on Soacha city, their relatives voices, who, under the Madres de Soacha nickname, took a recover path demanding not to leave their sons murdering on impunity. Finally, a matching between the Rancière's thought and the Madres de Soacha intervention It seeks to strength and actualize the work and identity of Madres de Soacha (as excluded, social movement and victims) lighting the impact of the Memory reconstruction on Colombian society.
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