Navegando por Assunto "Mito"

Agora exibindo 1 - 9 de 9

Acesso aberto (Open Access)
Cultura, oralidade e língua Mẽbêngôkre sob o prisma de seus mitos
(Universidade Federal do Pará, 2020-03-16) FERREIRA, Dilma Costa; CAMARGO, Nayara da Silva; http://lattes.cnpq.br/4768996737873916
The present research sought to evidence in the myths Mẽbêngôkre, the intertwining between culture, language and orality, evoking themes such as memory, oral literature and history, through bibliographic research and approximation of the field carried out in some Mẽbêngôkre villages in southern Pará, specifically in the municipality of São Félix do Xingu. It was observed that the myths show, among others, historical and cultural aspects, when presenting the ways of life of the ancestors and their deeds, which provided the cultural formation of the Mẽbêngôkre, reflected today. The objective of this research was, through bibliographic survey, and participant observation, with data collection in the field, to dialogue with the existing data on Mẽbêngôkre myths, in order to understand the place of myth for these people. For the purposes that the present work proposes, four versions of a Mẽbêngôkre myth were compared, in order to provide a better understanding of the intertwining between myth, history and “culture”. The interlocutors of this study were eight people Mẽbêngôkre, among them, a woman. Being the versions of the myths presented here, narrated by three of these interlocutors. Research becomes relevant because it provides knowledge about the place of myths among the Mẽbêngôkre, reflecting on topics that permeate them, such as cultural formation, the importance of orality and memory and, as myth and history, they touch among amerindians. The present research sought to reflect the amerindian ways of life, based on the Mẽbêngôkre, in order to encourage the subversive character in the face of indigenous realities, in order to contribute significantly to them. The field incursion occurred through the research, initially of participant observation. The daily life of the indigenous peoples in their relations, between themselves and with the environment, were observed. The second moment consisted of field consolidation and data collection. The work is structured in four chapters and the theoretical basis was contributed by authors Louis-Jean Calvet (2002; 2011), Jack Goody (2012), Claude Lévi-Strauss (1991; 2018), Marshall Sahlins (1997), Viveiros de Castro (2017; 2018), Aryon Rodrigues (2000; 2001 and 2013) and others.
Acesso aberto (Open Access)
A dança no palco do imaginário Matinta e Medéia: um entrecruzar poético de fazeres artisticos
(Universidade Federal do Pará, 2014) SILVA, Ludmila Mello da; LOUREIRO, João de Jesus Paes; http://lattes.cnpq.br/2018214713424265; SAPUCAHY, Ana Flávia Mendes; http://lattes.cnpq.br/nt
This research , attentive primarily to an offshoot of my completion of course work , assured me that the title of full degree in dance from the Federal University of Pará This work ( TCC ) provided an opportunity to study dance me under three approaches : the dance in my body , in the body of the other and the possibilities that present the mythical studies suffer redefinition for a dance . The current study aims , in addition to wage interplay of dance, culture , myth and imagination also enables my analytical perspective on the trigger which provides a theory to another , and investigate them separately. The first theory to be studied concerns the poetic myths etnodramaturgia ( Loureiro , 2009) and expounds on how each person particularize the myth that reads . Through reading the individual imagines the myth , cenarizando it . This particularization arises according to the specific culture that is intrinsic to him , so the universality of myth is revealed when the consonant interpret our path by culture. This theory also reflects the process that will trigger another theory, semiotics conversion ( Loureiro , 2007) , which also is present in my analysis regarding the relationships established between dance , myth and imagination . The principle of semiotics conversion assumes the reordering of some of the features found in the reflection about art . These maintains a hierarchical relationship , and may thus be a dominant depending on the movement of passing objects from one cultural context to another . Then the functions are reorganized and may change the dominance . Through reflective analysis of the theory of poetic etnodramaturgia myths , inside a universe that seeks to rely on two myths : Medea ( Greek ) and Matinta ( Amazon ) to demonstrate the possibility of building the imagination grounded in a scenic area that creates simultaneously to read a mythic narrative , allowing , effectively , the acting of another theory, semiotics conversion, which provides for the redefinition of these myths in dance performances or theater within the theater arts achievement. However, you can extend to other works of art , as this research concerns the way how the myth takes shape in the imagination of each. The way that every photographer should stage in the imagination according to its artistic design . Moreover , the two myths chosen for this study are suppliers of equivalent symbolic meanings although they originated in cultures as far away , try then show these equivalences taking as prime examples my own reflection on the subject , to act in a dance whose resulted essence of reframing the myth of Matinta and analyze the performance of the artist who experienced the two myths reinterpreted in choreographic works , Jaime Amaral . For that, my main goal is to analyze how conversion happens semiotics of myth in dance through the poetic myth etnodramaturgia process basing myself in the identification and investigation of binding , in the production process , a formant shape ( Pareyson , 1993 ) between the individuating points , but each converging myth studied , taking into consideration the crops belonging to each. In view of this part apply to this study , interviews , library research about the topic , as well as documentary research ( footage and photos ) of the artist in question already staged the myths upon which outline the referent study as well as my notes contained in the logbook manufactured in the lab creating the show Matintas.
Acesso aberto (Open Access)
As formas do mito nos cantares amazônicos do poeta João de Jesus Paes Loureiro
(Universidade Federal do Pará, 2009-06-25) SILVA, Nivaldo Carlos Lima da; CASTILO, Luís Heleno Montoril del; http://lattes.cnpq.br/3519128535996125
It analyses the poems from Amazon Trilogy objectifying to point out how the poet relives and recreates a little bit about the History of Amazon. Concepts theorical-methodologies from own poet like semiotic conversion, negative epiphany and others beyond to use works which retract the situation of Amazon region since 1950, period of implantation of development project to modernization itself. Poems will be read at light from this cultural e historic context which the new capitals arrived to region breaking the relationship in this place. How it was the process? And which the consequences to the primitive populations and to nature which to change in paradox space of civilization and barbarian, product of exploration and greed, perturb the Amazon man? How process itself the passage from a mythical thought to a rationally, so the mythical deslegend and the vision of city like space of ruin: memory and forgetfulness and also of vices in this route between poetry and reality is that realize who poet to gather from his context the raw material to the poetry changing the reality like aesthetics material, isn’t to aesthetic the misery , but how way to give poetical form to historical time that cross and it is crossed like myth, or poetical forms of myth.
Acesso aberto (Open Access)
Los mitos del agua: un estudio comparativo entre mitos amazonicos del Brasil y Perú
(Universidade Federal do Pará, 2018) PASCOAL, Rosana Moraes; FERNANDES, José Guilherme dos Santos
Acesso aberto (Open Access)
Memória e invenção
(Universidade Federal do Pará, 2004-01) CRUZ, Benilton Lobato
Acesso aberto (Open Access)
Mito e política: notas sobre o conceito de destino no "jovem" Benjamin
(1994-01) CHAVES, Ernani Pinheiro
The concept of myth is one of the keys to understand the thought of Walter Benjamin. The aim of this paper is to follow its genesis from the first formulations of the concept of "destiny", as presented in Destiny and character, written in 1919. The present paper is divided in two parts. The first reconstructs Benjamin's arguments, showing them tobe within the domain of the theory of rights and their necessary insertion in a "temporality" mode, defined by "repetition"; the second part attempts to demonstrate that Benjamin's positions were closely linked to a political stand: their aim was, in name of an avowed anarchism, to fight against all nationalist "myths" (that brought Germany to war) and the need of "leaders" (Führer) for the people. Examples of this political bias, based on Benjamin's confrontation with Zionism, are presented.
Acesso aberto (Open Access)
Mito, imaginário e sociedade em “Três casas e um rio”, de Dalcídio Jurandir
(Universidade Federal do Pará, 2011-10-03) VALÉRIO, Elaine Pastana; FERNANDES, José Guilherme dos Santos; http://lattes.cnpq.br/7023812449790431
This dissertation will address the intersection of the elements: Myth, Imagination and Society in the present work three houses and a river, the author marajoara Dalcídio Jurandir. To do so, will be based on theories from different fields of knowledge such as philosophy, anthropology and literature, which from their differences and agreements, are applied to the analysis of the object of this study, which has a significant body of research to be observed in the construction of the narrative. Since myth and imagination are interdependent and both subordinate to the society, which will be studied from the characters in the novel. However, initially, we attempted to understand the issues in a broader sense, as in works of Vernant, Durand, Bachelard, among others, and therefore applied to the analysis of some mythical narratives present in the novel the author marajoara.
Acesso aberto (Open Access)
Revisitando o teatro de Paes Loureiro: um caleidoscópio mítico de "Ilhas da ira"
(Universidade Federal do Pará, 2009-06) SARMENTO-PANTOJA, Carlos Augusto Nascimento
Acesso aberto (Open Access)
Sapurahái de Karuára: mitos, instrumentos musicais e canto entre os Suruí Aikewára
(Universidade Federal do Pará, 2007-09-24) SILVA, Gilmar Matta da; MASTOP-LIMA, Luiza de Nazaré; http://lattes.cnpq.br/1067737666679586; BELTRÃO, Jane Felipe; http://lattes.cnpq.br/6647582671406048
The traditional knowledge are connected through processes of learning based on the interaction between the human groups and the environment, involving experimentation, speculation and experience of its members that systemize a set of practical conceptions and in relation of intergenerational. The study was developed between the Suruí Aikewára, in the State of Pará, it approaches the constitution of these relative practical knowledge and song connecting to the myths and the processes of construction of the musical instruments, form the starting point of entrance for the agreement of the indigenous cultural universe, defendants in the dance of Sapurahái and the rite Karuára.