Navegando por Assunto "Modernism"

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1952: a poesia de O Estranho de Max Martins
(Universidade Federal do Pará, 2011-08-31) ALENCAR, Melissa da Costa; CHAVES, Lília Silvestre; http://lattes.cnpq.br/4273510661737259
This dissertation studies the poetry of the book O Estranho, 1952, the poet from Para Max Martin and his knot with modern poetry. For this, we consider the poetry of Max dialogues with the texts of Brazilian poets of national renown and universal. According to Haroldo de Campos, a poetic relationship with the literary tradition and the project that requires the artistic text is a meeting between codes, in a rare ability to transfer the ephemeris even closer to the horizon of doing in the creation, fighting hand to hand with the word. This struggle with the verb is a fundamental part in the game poetic Max Martins. O Estranho, by questioning the place of poetry in his own time, the poet breaksdown the text and reveals the man and writing in the margins. The poetry of the stranger – the gauche drummondiano term suggests – is a “dialect” perhaps uninteligible to some. As the poem suggests that initial work, the language can even be incomprehensible, hence the word “stranger” (the title of the book and the first poem), in other words, a language shock, which is strange with reality, however, is whatever the poet, the transmutation of everyday reality in poetry. In this paper, we draw the relevant aspects of modern lyricism from a study on the concepts of Modern, Modernity and Modernism, passing quickly through modernism in Brazil, for to get to Pará modernism, and specifically the generation of Max. Finally, we propose an interpretation of the poems from the book (especially analyzing them in light of critical and reflective reading Benedito Nunes, the first critic of poems by Max Martins). Was also made publishing history of the poems before and after the publication of O Estranho. With this, we intend to contribute to literary studies regarding talk more al lenght about the important aspects of the poetry of Max Martins, especially about his initiation into the poetic world.
Acesso aberto (Open Access)
Cartas literárias: cartografia sócio-literária de pessoas e paisagens de Belém a partir da poesia de Bruno de Menezes
(Universidade Federal do Pará, 2024-11-29) SANTOS, Joice Freitas dos; FERNANDES, José Guilherme dos Santos; http://lattes.cnpq.br/7023812449790431; https://orcid.org/0000-0001-9946-4961
This study proposes a new perspective on the intersection of Geography and Literature: a socio literary cartography of the poetry of Bruno de Menezes, taking into account the presence of people and landscapes in the space of Belém do Pará. The guiding question of this work was to demonstrate that Bruno de Menezes was a poet-cartographer, elucidating the relationship between fiction and cartography; investigating how spaces influenced the stylistics of his poetry; and establishing a comparison between the mentioned spaces as they are today and how they were at the time of his writings. In this sense, it contributes to the academic community by advancing studies on this black, peripheral, self-taught poet, who was a precursor of Modernism in the capital of Pará, in addition to continuing research on Literary Cartography, which, as we have shown, is still in a phase of deepening. As methodology, we utilized the main theories of literary cartography, synthesizing them into a table based on the Malha de Saberes created by Fernandes et al. (2021), presenting maps according to the theories of Moretti (2003) for spatial analysis, and classifying spatiality in the poems using the postulates of Ozíris (2007). The outcome of this research was a correlation between visual and textual elements, featuring maps and tables that synthesize the author's ability to portray the city in poetry. The reader will observe that the most recurring spaces in the poems were the neighborhoods of Jurunas, Cidade Velha, Campina, Umarizal, Telégrafo, Pedreira, and Sacramenta (Nazaré and Guamá appear a few times), with individuals who existed in the periphery of Belém during the 18th, 19th, and 20th centuries, yet whose existence was not recorded in official documents. This is the beginning of what we hope will be a return to society through the provision of maps and other technological resources for the public. Thus, this work aimed to show that the spaces of Belém have memory, narrating a portion of the history of the occupation of these places.
Acesso aberto (Open Access)
Itinerário de Bruno de Menezes: poeta modernista de Belém do Pará (1893-1931)
(Universidade Federal do Pará, 2019-09-30) REIS, Carolina Menezes de Brito; CHAVES, Lília Silvestre; ttp://lattes.cnpq.br/4273510661737259; NASCIMENTO, Maria de Fátima do; http://lattes.cnpq.br/6007359856182459
Bruno de Menezes, author of several works from Pará, whether in prose, poetry, theater or critical study, draws attention for the diversity of his literature, especially since his third publication, Poesia (1931), known as the first edition of the greatest book highlight of the author, Batuque (1939). However, what can be seen is that the writer had already started the modernist movement in the state since 1913, with the publication of the poem “O Operário”, in the newspaper O Martelo, in which he claimed the rights of workers, generally exploited by the bosses. of late Belle Époque society. The objective of this work was to contextualize the relevance of Bruno de Menezes' role in the construction of modernist literature in Pará and the artistic renewal that took place since the publication of the magazine Klaxon (1922) surfaced. The methodology used is the current contemporary research method, where there is an infinity of research channels, that is, the search, not only in print – theses, dissertations, books, magazines, archive documents – but also in many electronic media, publications by critics in newspapers, documents and photos of the poet. The outline of this dissertation took place from the poet's birth to the year 1931, highlighting relevant aspects of Afro poetry and the vast critical fortune of Bruno de Menezes. The need to extend this type of research to other writers from Pará is highlighted, as they contributed to Brazilian modernist literature.