Navegando por Assunto "Modernismo"

Agora exibindo 1 - 5 de 5

Acesso aberto (Open Access)
1952: a poesia de O Estranho de Max Martins
(Universidade Federal do Pará, 2011-08-31) ALENCAR, Melissa da Costa; CHAVES, Lília Silvestre; http://lattes.cnpq.br/4273510661737259
This dissertation studies the poetry of the book O Estranho, 1952, the poet from Para Max Martin and his knot with modern poetry. For this, we consider the poetry of Max dialogues with the texts of Brazilian poets of national renown and universal. According to Haroldo de Campos, a poetic relationship with the literary tradition and the project that requires the artistic text is a meeting between codes, in a rare ability to transfer the ephemeris even closer to the horizon of doing in the creation, fighting hand to hand with the word. This struggle with the verb is a fundamental part in the game poetic Max Martins. O Estranho, by questioning the place of poetry in his own time, the poet breaksdown the text and reveals the man and writing in the margins. The poetry of the stranger – the gauche drummondiano term suggests – is a “dialect” perhaps uninteligible to some. As the poem suggests that initial work, the language can even be incomprehensible, hence the word “stranger” (the title of the book and the first poem), in other words, a language shock, which is strange with reality, however, is whatever the poet, the transmutation of everyday reality in poetry. In this paper, we draw the relevant aspects of modern lyricism from a study on the concepts of Modern, Modernity and Modernism, passing quickly through modernism in Brazil, for to get to Pará modernism, and specifically the generation of Max. Finally, we propose an interpretation of the poems from the book (especially analyzing them in light of critical and reflective reading Benedito Nunes, the first critic of poems by Max Martins). Was also made publishing history of the poems before and after the publication of O Estranho. With this, we intend to contribute to literary studies regarding talk more al lenght about the important aspects of the poetry of Max Martins, especially about his initiation into the poetic world.
Acesso aberto (Open Access)
Cartas literárias: cartografia sócio-literária de pessoas e paisagens de Belém a partir da poesia de Bruno de Menezes
(Universidade Federal do Pará, 2024-11-29) SANTOS, Joice Freitas dos; FERNANDES, José Guilherme dos Santos; http://lattes.cnpq.br/7023812449790431; https://orcid.org/0000-0001-9946-4961
This study proposes a new perspective on the intersection of Geography and Literature: a socio literary cartography of the poetry of Bruno de Menezes, taking into account the presence of people and landscapes in the space of Belém do Pará. The guiding question of this work was to demonstrate that Bruno de Menezes was a poet-cartographer, elucidating the relationship between fiction and cartography; investigating how spaces influenced the stylistics of his poetry; and establishing a comparison between the mentioned spaces as they are today and how they were at the time of his writings. In this sense, it contributes to the academic community by advancing studies on this black, peripheral, self-taught poet, who was a precursor of Modernism in the capital of Pará, in addition to continuing research on Literary Cartography, which, as we have shown, is still in a phase of deepening. As methodology, we utilized the main theories of literary cartography, synthesizing them into a table based on the Malha de Saberes created by Fernandes et al. (2021), presenting maps according to the theories of Moretti (2003) for spatial analysis, and classifying spatiality in the poems using the postulates of Ozíris (2007). The outcome of this research was a correlation between visual and textual elements, featuring maps and tables that synthesize the author's ability to portray the city in poetry. The reader will observe that the most recurring spaces in the poems were the neighborhoods of Jurunas, Cidade Velha, Campina, Umarizal, Telégrafo, Pedreira, and Sacramenta (Nazaré and Guamá appear a few times), with individuals who existed in the periphery of Belém during the 18th, 19th, and 20th centuries, yet whose existence was not recorded in official documents. This is the beginning of what we hope will be a return to society through the provision of maps and other technological resources for the public. Thus, this work aimed to show that the spaces of Belém have memory, narrating a portion of the history of the occupation of these places.
Acesso aberto (Open Access)
Em águas e lendas da Amazônia: os outros brasis de Waldemar Henrique e Mário de Andrade (1922-1937)
(Universidade Federal do Pará, 2009) DIAS, Robert Madeiro; FIGUEIREDO, Aldrin Moura de; http://lattes.cnpq.br/4671233730699231
Mário de Andrade and Waldemar Henrique are conceptualized Brazilian artists. The first one as intellectual of renowned importance inside the modernist movement, of the agitated Week of 1922 at the countless inquiries and studies on music and folklore. He was an intellectual forming of an intelligence of the national thought. Waldemar Henrique was the author of a gigantic musical work, his first compositions raise it ―Olhos verdes‖, of 1922, in the Rio receiving the denomination of ―Valsinha do Marajó‖ and ―Minha Terra‖, of 1923. In the decade of thirty his work was enlarged thematically stretching out to causes of black folklore, to dramatic regional dances, to songs and legends of the Amazon region. His studies of the music flowed together with the folklore, and his name constantly is remembered by the association that lasts a long time between his artistic work and the Amazon region. This study is based on the ―notion of experience‖ of the Amazon region on these two intellectuals, at a moment of his works in which this place flows together for the set of legends that gives support and builds the narrative of Macunaíma in Mário de Andrade and for the musical series inspired in the legendary Amazonian universe of Waldemar Henrique. When it was born and created in these bushes and rivers, and in the city of Belém, the other, an inveterate traveler to know new things and to realize, how it affirms ―other Brazil‘s‖. Similarities and differences of his approaches move us to conclusions on the Amazon region itself.
Acesso aberto (Open Access)
Itinerário de Bruno de Menezes: poeta modernista de Belém do Pará (1893-1931)
(Universidade Federal do Pará, 2019-09-30) REIS, Carolina Menezes de Brito; CHAVES, Lília Silvestre; ttp://lattes.cnpq.br/4273510661737259; NASCIMENTO, Maria de Fátima do; http://lattes.cnpq.br/6007359856182459
Bruno de Menezes, author of several works from Pará, whether in prose, poetry, theater or critical study, draws attention for the diversity of his literature, especially since his third publication, Poesia (1931), known as the first edition of the greatest book highlight of the author, Batuque (1939). However, what can be seen is that the writer had already started the modernist movement in the state since 1913, with the publication of the poem “O Operário”, in the newspaper O Martelo, in which he claimed the rights of workers, generally exploited by the bosses. of late Belle Époque society. The objective of this work was to contextualize the relevance of Bruno de Menezes' role in the construction of modernist literature in Pará and the artistic renewal that took place since the publication of the magazine Klaxon (1922) surfaced. The methodology used is the current contemporary research method, where there is an infinity of research channels, that is, the search, not only in print – theses, dissertations, books, magazines, archive documents – but also in many electronic media, publications by critics in newspapers, documents and photos of the poet. The outline of this dissertation took place from the poet's birth to the year 1931, highlighting relevant aspects of Afro poetry and the vast critical fortune of Bruno de Menezes. The need to extend this type of research to other writers from Pará is highlighted, as they contributed to Brazilian modernist literature.
Acesso aberto (Open Access)
Jogos políticos na terra imatura: as experiências políticas dos modernistas paraenses - 1930-1945
(Universidade Federal do Pará, 2009) MAIA, Maíra Oliveira; COELHO, Geraldo Mártires; http://lattes.cnpq.br/5007416707293009
This dissertation tried to show the influence of the political experiences of the modernists between 1930 and 1945 in the work of art they have created, just as the reciprocal influence of the modernist movement as a hole in the politic actuation of the intellectuals of Pará on the creation of a group feeling, in the fight for social justice and freedom. Bruno de Menezes and Dancídio Jurandir, two of the most important modernists of Pará, and extremely engaged on social movements, are leading us to this objective. On both author’s books, we find signs of the surviving fights, the concerning about the social well-being, the engagement in left-wing political parties, in movements against the established social order and the conflicts and traumas generated by those experiences.