Navegando por Assunto "Museologia"

Agora exibindo 1 - 5 de 5

Acesso aberto (Open Access)
A Existência das obras performáticas de Berna Reale e Lúcia Gomes nas coleções de Jorge Alex Athias e no Fundo Z - Casa das Onze Janelas em Belém do Pará
(Universidade Federal do Pará, 2024-03-08) CABRAL, Marcela Guedes; LEÃO, Ana Cláudia do Amaral; http://lattes.cnpq.br/3091200390689592
This research aims to understand how collecting occurs, specifically, the preservation of information and the poetics of performance art, through the acquisition and production of documentation of these works, which allows the existence of the work in several modes, allowing it to be included in public and private collections. Specific objectives: verify the representation of the intrinsic and extrinsic information of these artistic processes adopted by the artists and in the two collections developed; understand how the acquisition of scientific works occurred and the impact of this procedure on the preservation of information from these works, investigate how documentation, or its lack, allowed or not the preservation of artistic works of an ephemeral nature, and verify the perspectives from the collector and representatives of the institution about the presence of performances in the collection. For empirical observation, the research focuses on the work of two artists from Pará who expressively produce works of performance art and on two collections, in the city of Belém-PA, one public and the other private - where the works of the two artists were exhibited, namely, Berna Reale and Lúcia Gomes in the Fundo Z Collection of Casa das Onze Janelas, public, and in the Jorge Alex Athias Art Collection, private. Considering that contemporary works of art of a performative nature, such as performance and happenings, challenge museum professionals in their preservation actions through the documentation of information and poetics developed by artists, we understand that it is necessary to investigate the prospects for this type of preservation, with the support of art discourse enunciators and institutions that produce discourses about art. Therefore, this research is configured as an associative analysis with a qualitative approach. It adopts a theoretical-empirical and associative perspective between the process of musealization of work performance art of two artists in two collections, one public and the other private. It also involves on-site observation of the documented process of the artists in the Collections, as well as analysis of the documentation, intrinsic and extrinsic information, and the discourses about and by the artists. Semi-structured interviews are also used with the artists, the collector and the professionals at Casa das Onze Janelas.
Acesso aberto (Open Access)
Museologia e cultura digital
(Universidade de Brasília, 2021-12) SILVA, Carmen Lucia Souza da; SILVA, Rita de Cassia Maia da; MAGALDI, Monique Batista
Acesso aberto (Open Access)
Museus, Espaços e Tecnologias Digitais: entrevista com Lucrécia D’alessio Ferrara
(Universidade de Brasília, 2021-12) SILVA, Carmen Lucia Souza da
Lucrécia D’Alessio Ferrara holds a Ph.D. in Brazilian Literature from the Pontifícia Uni versidade Católica de São Paulo (PUC-SP) and a “Livre-Docênte” from the Faculty of Architecture and Urbanism at Universidade de São Paulo (USP). She is a professor eme ritus at PUC-SP and a retired full professor at USP. She is currently a full professor at the Graduate Program in Communication and Semiotics at PUC-SP and leader of the Space- -Visuality / Communication-Culture Resear ch Group (ESPACC). His study interests are focused on the epistemology of communica tion in its possible thematic interfaces with culture, semiotics, architecture, the city and design. In this interview, Lucrécia D’Alessio Ferrara discusses the museum through times and spaces, including in the face of digital te chnologies, and also talks about Museology and Communication.
Acesso aberto (Open Access)
Percursos formativos da Museologia na Amazônia paraense
(Universidade Federal do Estado do Rio de Janeiro, 2022) SILVA, Carmen Lucia Souza da
With the objective of celebrating 90 years of instruction in Museology in Brazil, the article presents, with emphasis on the context of the Amazon of Pará, formative paths that contributed to the field of Museology studies in the country, starting in the 19th century. It traces this trajectory through discursivities and practices that constitute an ideal of a museum and its importance, wrapped in teaching and research actions, still in the 19th century Brazilian society. It goes on to visit the some landmarks that would, at the end of the first decade of the 21st century, result in the creation of the first course of Bachelor's Degree in Museology in the North of the country, linked to the Universidade Federal do Pará (UFPA), amid the expansion of Brazilian higher education institutions and the insertion of a national policy to value culture and heritage. It concludes by demonstrating current paths taken by the Museology degree in the region.
Acesso aberto (Open Access)
Quando o campo é o museu: uma etnografia da relação homem, tempo e os objetos na cidade de Belém
(Universidade Federal do Pará, 2016-03-14) COSTA, Dayseane Ferraz da; SILVEIRA, Flávio Leonel Abreu da; http://lattes.cnpq.br/1972975269922101
The main idea discussed in this thesis is that museums constitute fruitful areas for an ethnographic approach on respect men, time frames and objects. Considering the long tradition of anthropological research in museum institutions, attempts to analyze a bias that goes beyond the perspective of research and ethnographic collections of cultures represented by the same, as too frequently within the said tradition. From the investigation of three museum spaces and Managing company of the same institution made evident the relational universe that streamlines this daily connected to the culture there existing material reality. Amid the selected memory to be perpetuated; the stories told by text and objects and cultures represented on the Amazon, call attention to the human dimension that deals with such representations interacting socially through actions, choices, conflicts and negotiations. In the subjective dimension, also connect the material dimension, that is, objects that make up collections and have a usage history and reuse within the society outside and inside the museums. On the latter problematized the story of three collections and their collectors. In the three chapters of the work I try to put the questions scored above that have been made arising also from my experience in the field researching, which set out to investigate from the perspective of anthropology.The chapters that follow give account first my ethnographic experience and my involvement with my subject matter; then discuss the methodological construction of the research and the theoretical framework that supported my analysis. In a second moment problematized institutional dynamics and divergent relationships that are engendered within the museums and systemic unit that manages them; in this regard I reflect on my own condition as a researcher and as a native of the place. Finally, we analyze the relationship of social subjects with the objects that are protected in museums, which appropriated them in various ways; the exhibits and expository narratives are also problematized within the museum spaces surveyed, such as representations on readings about the history, the culture and the past of the Amazon and the city of Belém.