Navegando por Assunto "Narrativa visual"

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Acesso aberto (Open Access)
DIVINA CASA: Arte, ancestralidade e pertencimento nos espaços sagrados da Festa do Divino de Dona Benedita no Quilombo Urbano Liberdade
(Universidade Federal do Pará, 2025-04-04) SILVA, Adriana Tobias; LEAO, Ana Claudia do Amaral; http://lattes.cnpq.br/3091200390689592
“DIVINE HOUSE: Art, Ancestry, and Belonging in the Sacred Spaces of Dona Benedita’s Festa do Divino in the Quilombo Urbano Liberdade”, this research explores the possibilities of interpreting the images of the Festa do Divino Espírito Santo by analyzing its spaces and their hierarchies according to the rituals performed there. In this sense, I seek to go beyond a mere analysis of images; this is an act of self-writing—of myself and my great-aunt—from the place where these rites take place. It is a writing that emerges from an absence, one that I have been filling with images I did not experience while my grandmother was alive, and that I now live through my gaze, shaped by the experience of a pandemic. I write for my ancestors, especially for my great-aunt, a caixeira of the Festa, for myself, and for other women who could not continue their crafts and traditions due to religious racism. In this work, I draw from the concept of escrevivência developed by writer Conceição Evaristo and establish a dialogue between my great-aunt and me through my photographs—capturing imaginary and physical spaces, as well as those reshaped with ritualistic purposes. This dissertation is a study of ancestry and belonging, exalting the history of a Black woman, a mineira, and a grandmother to all. Through a photographic essay, I rewrite voices that were silenced, based on my own perspective and the testimonies of participants and organizers of the Festa do Divino in the Liberdade neighborhood, the largest urban quilombo in Brazil.
Acesso aberto (Open Access)
Narrativas e mídia: discussões e proposta
(Universidade Federal do Pará, 2014-12) CAVALCANTI, Larissa de Pinho
Since the 1960s we have witnessed the rising in scientific interest and speculation regarding narratives, their structure and functions. Taking oral, written and visual forms, narrative events contribute to the development, legitimation or rejection of attitudes and values for particular contexts, that is, they connect the subject to their culture. Our paper approaches visual narratives, in particular the ones produced by mass media, in order to define and characterize visual narratives as well as relate them to the anthropologic research. We have reviewed literature and, at the end, offer a brief analysis of TV series names The Night Shift as cultural artifact and the articulation of the ‘soldier’ and ‘doctor’ elements of identity regarding the main character. We have resourced to Bamberg (2010), Cihodariu (2012), Hartmann (2004, 2005), Labov (1997), Ochs (2004), Ochs e Capss (1996), Pimenta e Poovaiah (2010) and Travancas (2008)