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Navegando por Assunto "Narrativas orais"

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    Entidades e identidades no diálogo entre seres fantásticos das narrativas orais tradicionais da Amazônia e dos RPGS
    (Universidade Federal do Pará, 2021-05-04) MUINHOS, Breno Pauxis; SIMÕES, Maria do Perpétuo Socorro Galvão; http://lattes.cnpq.br/0672011058049782; https://orcid.org/0000-0002-1365-6258
    The Amazon, besides being a geographic region, is a space of traditional civilizations and their cultures. Several societies flourished and developed in this space, and came in contact with others from other parts of the world, and in this place they came to create another variety of thoughts that are concretized in narratives that continue today. In Literature, it has become a setting for the most diverse manifestations of literary art, and in History it constitutes a framework rich in the phenomena of humanity. Role-playing games, RPGs, are part of a genre that emerged in the late sixties in the USA, which presents in its vast material reflections of different historical and literary moments. His contributions are noticeable in several printed materials aimed at practitioners of this narrative activity and other medias. The present thesis aims to trace the dialogues that the RPG printed texts have with some oral narratives collected by the IFNOPAP Project, which aims to expose the resistant imagery in the local identity about what they understand as mythological reality. The focus of the work is on the texts that report fantastic creatures present in the testimonies of several subjects that were questioned by the researchers. The reports are placed in comparison with the texts coming from books of narrative games, something that aims to present how traditional popular narratives still resist time and are absorbed by a genre proper to modernity. For a complete perception, an outline of the course of studies of oral narratives in Brazil and other parts of the world, relevant to the objectives of the thesis, will be drawn. In addition to presenting the context of how role-playing games emerged, it will also be presented how the narratives present in the works can be perceived as appropriate literary texts for interpretation and analysis proper to Literary Theory. From these premises, it will be confirmed that fictional entities will be at the side of the construction of the identity of these peoples, based on the material of the authors who contributed to the IFNOPAP Project. Finally, in annex, the thesis will present a proposal that presents examples of how traditional oral narratives can be adapted for use as RPG scenarios, which will have their own characteristics to be used as a form of resistance and Amazonian expression.
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    Memória e oralidade em 'Mãe das águas': performance de narradores em Icoaraci
    (Universidade Federal do Pará, 2014-07-08) FERREIRA, Nailce dos Santos; SILVA, Joel Cardoso da; http://lattes.cnpq.br/6918547599708778
    The research entitled “MEMORY AND ORALITY IN MOTHER OF WATERS. Storytellers performance in Icoaraci" that we presented to the graduate ARTS PROGRAM (PPGARTES), is associate to the Research Line Creation and Performance in Art Process, Institute of Sciences of Arts-ICA, Federal University of Pará. The work exposes the trajectory and involvement with storytellers of Icoaraci, seeking to shows highlight the richness of the intangible heritage of this community. The main objective is to record the narratives, with emphasis on memory and performance counters of the same in narrating the facts. We seek to further demonstrate and highlight the importance of memory as an element constructor of the identities of people in this place. The narratives were collected in the "Rodas de Conversas" and emerge from them looks and talk about the place; knowledge and curiosities; particularities and common or distinct points. Participants of this Rodas materialize, through word, gestures, facial and body expressions, events, real or imagined experiences, which, in most cases, relate to the Amazonian identity of our people. The voice, the gestures, the body, silence, expressing feelings that come from these reminiscences. The recalled memory - and sometimes overlooked - perpetuates experiences of individuals who live the present with memories of the past; no longer be seen through performance; take shape and bring the current memories and images of bygone eras and events now. The work is guided worth that memory, and was performed by orality, has to affirmation, belonging and empowerment of these little guys whose stories appear in the literate world, defender of historical accounts that strive for truth from facts, a record of those memories, fundamental to community and the individuals and/or residents of Icoaraci, whether belonging (or not) to this research.
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    Narrativas orais: vestígios da história da Comunidade da Praia do Crispim-PA
    (Universidade Federal do Pará, 2023-05-03) SANTOS, Maria Mirley Farias dos; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703; https://orcid.org/0000-0001-5467-8528
    The present research carried out a communication study with the purpose of collecting and registering, in written form, the oral narratives in order to identify possible traces of the history of the Community of Praia do Crispim-PA, so as to understand how the community emerged and became one of the most relevant to the Salgado region. To collect the narratives, we counted on the collaboration of social actors who are important to the community, because both were among the first to migrate to the place, and because they have memories, practices, and knowledge about the beach region, besides having a strong relationship with the place they live in. The interest in this research arose after finding out that there are no official records that relate the history of the community. Thus, the goal of this research is to show how oral narratives can contribute to the understanding of the history and memory of the community. As well as to register the oral narratives, so that one can understand how the Crispim community emerged, as well as how the environment and the social life of the community changed over time. As a theoretical basis we rely on those who address the study of narratives: Ricoeur (1994), Souza (2010), Halbwachs (2013) and Benjamin (1985). About the concepts of memories and history: Le Goff (1990), Maciel (2017), and Sodré (2002). The field research emerged in the methodological molds of narrative research by Motta (2013, 2017) and the notes of Jovchelovitch & Bauer (2008) on the narrative interview, which is considered a qualitative research method, unstructured and in-depth interview.
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    O sagrado (re)velado em narrativas orais de mulheres quilombolas de Santíssima Trindade - Pará
    (Universidade Federal do Pará, 2022-03-15) SOUSA, Natasha Fernandes de; RAMOS, João Batista Santiago; http://lattes.cnpq.br/8078757512392983
    This research aims to understand the sacred (re)veiled in oral narratives of women from the Santíssima Trindade-Pará Community. The social relevance of giving time and voice to knowledge, religiosity and customs of those who inhabit or have inhabited marginal spaces, reflecting their narratives in search of identifying possible temporal interferences, and also what the Community represents through their voices. For this, the investigation presented a methodology with a qualitative approach with descriptive characteristics, considering the oral narratives of three quilombola women from the Santíssima Trindade community. The constitution of the data took place through observation, interview, informal conversations, audiovisual record and notebook. The results show that the sacred is (re)veiled through manifestations of religious rituals with devotion to the saints, mainly to São Pedro - the patron saint of the Community, as well as in rituals of healing with herbs or rezadeiras. It is noteworthy that the sacred is also (re)veiled through elementary or more elaborate hierophanies such as the human one. It is concluded that in the sacred (re)veiled in oral narratives of the women of the quilombola community Santíssima Trindade there is an intertwining between life and memory to the history of the Community itself, becoming a source of knowledge to know the history of the place where the sacred is (re)veils with representation and belonging to the community of black and quilombola women, in addition to a totalizing ideology.
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    Vozes do rio e da mata: saberes ambientais em narrativas orais
    (Universidade Federal do Pará, 2021-12-10) COZZI, Andréa Lima de Souza; SILVA, CARLOS ALDEMIR FARIAS; http://lattes.cnpq.br/7226908910873590; https://orcid.org/0000-0001-5463-1316
    Environmental knowledge is built millennially from observation and experience, passed on from generation to generation through voices. The exercise of listening involves the transposition of understanding of other ways of seeing and explaining the world, expressed in human socio-cultural practices. The explanations for the natural phenomena experienced in the rural-riparian areas of the Amazon are elucidated by concepts formulated within the realm of the imaginary, creations, and representations, ways of giving meaning to everyday experiences. The present work explores, from the amalgam of Amazonian cultures, this diffuse zone of interpretation in which the real and the imaginary blend together. The study subject is presented through the following question: How is the environmental knowledge entangled with the mythical imaginary expressed in the voice of the storyteller and how does it circulate in the insular region of Belém? The hypothesis relates to the existence of significance in the environmental knowledge constructed and reconstructed through the imaginary, contained in Amazonian oral narratives evoked from the narrators’ memories, which I called econarratives. The methodological paths are based on the qualitative, ethnographic approach, by means of narrative interviews, photovoice, field diary, activity notebook, and workshops. The thesis is developed in three parts: Portal - Backyard Memories unveils my significant experiences in childhood, professional and academic life with orality and environmental care, focusing on how they intertwine and determine the research theme. The backyard as a space of freedom, learning, and belonging. The portal is called Memories of the World and presents the movements of teaching and learning based on the knowledge built by mankind, the contextualization of western scientific thought, and the transition from the diurnal to the nocturnal aspects brought by Bachelard. It presents the configurations of the Amazonian imaginary in a relationship with oral narratives and the environmental knowledge that circulates in the insular region of Belém, as well as the paths taken to make the research possible in the methodological perspective. Finally, the portal entitled Memories of River and Forest tells us about the encounter with the traditional storyteller from the Murutucu island, Master Simeão, and the oral narratives told in his performances that speak of the care for the environment, of which the Caretaker, the Mãe d’Água (Mother of Water), and the Curupira (a mythological creature of Brazilian folklore) stand out, articulating with the environmental knowledge present in the repertoire of the Island storyteller’s narratives. In the conclusion, I present the results achieved during the research, as well as the contributions that the steps taken in the experience brought as propositions to expand the dialogues in science teaching in the early years regarding the environmental knowledge contained in econarratives.
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