Navegando por Assunto "Narrator"

Agora exibindo 1 - 5 de 5

Acesso aberto (Open Access)
A geografia da diferença nas Veredas de Guimarães Rosa
(Universidade Federal do Pará, 2013-12) CORREIA, Paulo Petronilio
The aim of this paper is to map the geography of difference that inhabits the literature of Mr. João Guimarães Rosa , as well as mapping the status of the Narrator , his multiple signs and learnings on their journeys . Guimarães Rosa , in his Grande Sertão : paths , scrambled codes of their own language and thought emerge thus making a wild full of " hidden paths " , doubling thought out and in, inviting us to build a third bank through the " demon " of creation . Thus , this paper proposes the paths show Rose a narrative of difference where the voices of the signs emitted by Riobaldo Tatarana character - mor , we do understand that thinking is to decipher the secret pressures of the artwork , doubling thought to infinity . Such literature is evident as a strong presence of signs that unfold to form a complex machine difference.
Acesso aberto (Open Access)
A narradora e as perspectivas do narrar em Relato de um certo oriente, de Milton Hatoum
(Universidade Federal do Pará, 2021-07-01) SOUZA, Flávia Roberta Menezes de; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
It is about a narratological analysis of the first novel published by Milton Hatoum, Tale of a certain Orient (1989). The second most studied novel by the author has a wide reception already, but the presence of certain gaps and repeated readings in the critic’s speech point to the need of a detailed analysis on the literary text as a whole. Furthermore, the translation activities of the Research Group ANA – Amazonia Antropocene narratology – from which the author of this study is a member, contributed to the identification of theoretical and methodological bases which would be useful to this study. While translating the book Narratology: an introduction (2010) and Elemente der Narratologie (2014) (revised and updated German version) by Wolf Schmid, the key concepts of Narratology were studied and accepted in the analysis of the literary text. The present doctoral thesis sought to answer questions that remained unanswered about the novel from the narratological point of view: based on one analysis of the text, how did the narrator organize “the stories'' of the characters? What kind of narrator can we identify in the novel? How may the results of a narratological analysis be useful to an interpretation of the work? The narratological analysis provided a more refined observation on the phenomena present in the text and revealed, through analytical procedures, how productive the study of this text can be when its reading is based on one theory which its goal is to present a model of analysis.
Acesso aberto (Open Access)
A narradora e as perspectivas do narrar em relato de um certo oriente, de Milton Hatoum
(Universidade Federal do Pará, 2021-07-01) SOUZA, Flávia Roberta Menezes de; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
It is about a narratological analysis of the first novel published by Milton Hatoum, Tale of a certain Orient (1989). The second most studied novel by the author has a wide reception already, but the presence of certain gaps and repeated readings in the critic’s speech point to the need of a detailed analysis on the literary text as a whole. Furthermore, the translation activities of the Research Group ANA – Amazonia Antropocene Narratology – from which the author of this study is a member, contributed to the identification of theoretical and methodological bases which would be useful to this study. While translating the book Narratology: an introduction (2010) and Elemente der Narratologie (2014) (revised and updated German version) by Wolf Schmid, the key concepts of Narratology were studied and accepted in the analysis of the literary text. The present doctoral thesis sought to answer questions that remained unanswered about the novel from the narratological point of view: based on one analysis of the text, how did the narrator organize “the stories'' of the characters? What kind of narrator can we identify in the novel? How may the results of a narratological analysis be useful to an interpretation of the work? The narratological analysis provided a more refined observation on the phenomena present in the text and revealed, through analytical procedures, how productive the study of this text can be when its reading is based on one theory which its goal is to present a model of analysis.
Acesso aberto (Open Access)
A perspectiva labiríntica na memória do narrador em Verde Vagomundo, de Benedito Monteiro
(Universidade Federal do Pará, 2018-09-13) MORAES, Nayana Regina de; SIMÕES, Maria do Perpétuo Socorro Galvão; http://lattes.cnpq.br/0672011058049782; https://orcid.org/0000-0002-1365-6258
This study addresses the perspective of the memory of the narrator-character in the novel Verde Vagomundo (1972), by Benedicto Monteiro. The research starts from narrative overlays observed from elements that constitute the individual and collective memory of the major character Antônio, who upon returning to his hometown, is faced with the imagery of memories of the riverside Amazon. Major's memory transits memories of a distant past from urban daily life, as, when confronted with the images of his homeland, the narrator character re-elaborates the place of childhood, approaching narratives linked to oral tradition . It also seeks to understand the context in which Benedicto Monteiro's work is inserted, given the interaction of the referred literary prose with the political atmosphere of the Brazilian military dictatorship. Ahead, the relevance of the theories of the contemporary narrator is evaluated, whose study here interprets memory as a bifurcation of subjective experiences of modern, urban and fragmented man. Upon returning to his hometown, the narrator of Verde Vagomundo conceives in the narrative the experience of man's tension in the world. The theoretical basis of the discussion comprises the studies of Walter Benjamin (1987), Theodor Adorno (2003), Silviano Santiago (1989), Cândido (1989) (2007), Henri Bergson (1999), Maurice Halbawachs (2003) and Jacques Le Goff (2014).
Acesso aberto (Open Access)
A questão do narrador e as duas insustentáveis levezas do ser: no romance e no filme
(Universidade Federal do Pará, 2013-09) BARROSO FILHO, Wilton; BARROSO, Maria Veralice; PAULINO, Itamar Rodrigues
The movie The Unbearable Lightness of Being is an adaptation of Milan Kundera romance which was published by the end of last Century. This article has an aim of getting some understanding about the established relation between the original book and its translation into a movie by the director Philip Kaufman. We have the proposal of searching the moments of narrator-author absence that provoke some reaction of the lector-spectator before the cinematographic production. The way to reach the aim of this article is by the exercise of decomposing and analyzing both masterpieces: the book and the movie.